Posts made in August 2021

Image via BMG for 360 Magazine

Mayday Parade – Bad at Love

MAYDAY PARADE RELEASE NEW SINGLE, BAD AT LOVE

WATCH HERE

TICKETS FOR FALL HEADLINE TOUR ON SALE NOW

Today, the powerhouse emo quintet Mayday Parade release their brand-new single, Bad At Love, via Rise Records. Listen HERE and watch the music video HERE.

Shot in California and directed by Katharine White, the accompanying visual shows a couple at a turning point in their relationship. Emotional vignettes of their journey are shown on television screens in an otherwise empty home, matching the mood of the song. The new single, which premiered on KROQ Sunday, August 15, is a stark contrast to the recently-released anthemic track Kids of Summer, which was written about the band’s carefree summers on the Vans Warped Tour. Both songs are just a small taste of more music coming soon on the horizon.

Since their formation, Mayday Parade have sold over 1.6 million albums in the U.S. inclusive of 675 million streams across their catalog, earning their spot as a household name in the industry. With a certified Gold album and countless global tours under their belt, the band shows no signs of slowing down as their fanbase continues to grow. Recently, their debut album A Lesson In Romantics has found new life on TikTok, with fans using the original tracks in their content as well as creating their own cover versions, some amassing millions of views.

The new songs arrive on the heels of the band’s recent fall headline tour announcement. Mayday Parade will make their triumphant return to the stage beginning September 8 with a two-week run featuring support from Microwave. In addition to the headline dates, Mayday Parade will appear at numerous festivals this year including Riot Fest (Chicago, IL), Four Chord Music Fest (Pittsburgh, PA), Furnace Festival (Birmingham, AL), Nova Rock Festival (Austria), Greenfield Festival (Switzerland), Hurricane Festival (Germany), and Southside Festival (Germany), with more to come soon.

2020 marked a stark departure for the Tallahassee, FL band, who typically play several festivals and hundreds of shows across North America and internationally each year. After spending most of the year apart, the band – Derek Sanders, Brooks Betts, Alex Garcia, Jake Bundrick, and Jeremy Lenzo – got together for two special virtual show events, starting with the Out of Here Session in October, followed by the Anywhere But Here Session which highlighted a front-to-back performance of their 2009 sophomore LP Anywhere But Here.

Follow Mayday Parade via their website, Twitter, Instagram and Facebook.

Image via Universal Music Group for 360 Magazine

George Harrison Returns to Billboard Charts

GEORGE HARRISON’S ALL THINGS MUST PASS RETURNS TO TOP 10 AS 50TH ANNIVERSARY EDITION DEBUTS AT NO. 7 ON BILLBOARD 200

No. 1 On Rock, Catalog And Tastemaker Charts; No. 2 On Top Albums Sales And Vinyl Albums

Bows At No. 6 In The Uk Plus No. 2 In Germany And No. 3 In Belgium And Switzerland

Iconic Album Cover Brought To Life With Stunning Public, Living Art Installation In London, Paying Tribute To Harrison’s Timeless Music, Spirituality And Humor

Watch Mini Documentary About Gnome Installation Featuring Olivia And Dhani Harrison

Five decades after it was released, George Harrison’s All Things Must Pass is back on the charts, with the new 50th anniversary edition, released August 6 via Capitol/UMe, landing at No. 7 on the Billboard 200. The album’s additional charting achievements include No. 1 placements on the Top Rock Albums, Catalog Albums, and Tastemaker Albums charts and the No. 2 slots on the Top Albums Sales and the Vinyl Albums charts, just behind Billie Eilish on both. ­Upon release in 1970, Harrison’s first post Beatles solo album was met by unanimous critical acclaim and spectacular commercial success, spending seven consecutive weeks at No. 1 on the Billboard 200 and eight weeks atop the UK’s official albums chart. All Things Must Pass’ return to the Top 10 marks the first time since 1971.

The album has been incredibly well received around the world with impressive charting in several countries, including No. 6 on the Official UK Albums Chart, No. 2 in Germany, No. 3 in both Belgium and Switzerland, and #5 in the Netherlands.  

UMe is honored to be entrusted by the Harrison Estate with celebrating such an important and influential album, said Bruce Resnikoff, President & CEO of UMe.

In celebration of its 50th anniversary, All Things Must Pass has been reissued in an array of formats, from the lavish and incredibly limited edition Uber Deluxe to the expansive Super Deluxe Edition box set to a variety of CD and vinyl configurations, in addition to streaming and download configurations. Harrison’s masterwork has been completely remixed from the original tapes and expanded with 47 (42 previously unreleased) demos and outtakes, allowing listeners to enjoy and explore the album and the legendary recording sessions like never before. Decades in the making and lovingly crafted by the Harrison family, the album was remixed to fulfill Harrison’s longtime desire. Executive produced by Dhani Harrison and mixed by triple GRAMMY Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), with the product produced by David Zonshine, the new mix transforms the album by sonically upgrading it – making it sound brighter, fuller and better than ever.

To coincide with the release of the anniversary editions, the iconic cover of All Things Must Pass, depicting Harrison and his garden gnomes, has been recreated in larger-than-life fashion as a public, living art installation in London’s Duke Of York Square, King’s Road, Chelsea. The installation opened August 6th and will be available to visit until this Friday, August 20th. Designed by world renown floral artist Ruth Davis, of All For Love London, the beautiful, interactive installation features gigantic versions of two gnomes which have been created out of flowers and foliage. The oversized gnomes, the largest measuring five meters, sit atop a large circle of turf, and are surrounded by the seasonal, impermanent beauty George embraced during his life. In the center is a wooden stool and an exaggerated pair of rubber gardening boots, similar to the ones seen on the cover, inviting people to take a seat, put their feet in the boots and create their version of the classic album photo while enjoying the garden.

The gnome installation is detailed in a new video released today that includes Olivia and Dhani Harrison talking about the historic cover and what went into the making of the tribute. Watch here.

Reviews for the 50th anniversary editions

People used to argue whether this triple album should have been edited down to one or two records – but this edition makes you believe it should have been a quadruple album. – ROLLING STONE

George Harrison’s ‘All Things Must Pass’ 50th Anniversary Edition Proves It’s the Best Beatles Solo LP – VARIETY

The Beatles guitarist’s most enduring solo album—tweaked and repackaged with bonus material—sounds better than ever at 50-plus.

Spector’s fingerprints remain, but the album now sounds warmer, punchier and more energetic, and the surround-sound mix is seductively immersive. – WALL STREET JOURNAL

Remixed by Grammy Award-winning engineer Paul Hicks, the deluxe edition of ‘All Things Must Pass’ is chock-full of musical revelations. In Hicks’ hands, the original album shimmers into life with the wider sonic palette made possible by technologies that would have been unimaginable five decades earlier. – SALON

This new mix updates his finest work for today, in greater detail than ever before, while still managing to retain the atmosphere that binds these 106 minutes together. – UNCUT

The original mix’s misty distance has gone, replaced with a clarity and definition that Harrison and Spector didn’t achieve (or seek) the first time around. Previously, one had to, like Spector during the playbacks, turn it up very loud to get the full effect. Not anymore. These mixes come to you. – MOJO

These five-decade-old tapes sparkle with renewed life and a depth partially obscured by Spector’s heavy hand… it’s impossible to find fault with the obvious care and attention to detail dedicated to the end product.

All Things Must Pass is a landmark set; one that sounded timeless 50 years ago and will have the same effect 50 years from now. Even, perhaps especially, those who have lived with it for decades will enjoy this appropriately classy, beautifully crafted, refreshed/remixed, and likely definitive version. – AMERICAN SONGWRITER

Hailed by Rolling Stone as the War and Peace of rock and roll and an intensely personal statement and a grandiose gesture, All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s Top LPs chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY® Award nomination for Album of the Year, while My Sweet Lord earned a GRAMMY nod for Record of the Year. What Is Life, the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.

All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY® Hall of Fame and inclusion on The Times of London’s The 100 Best Albums of All Time and Rolling Stone’s 2020 listing of The Top 500 Albums of All Time. Pitchfork declared it to have changed the terms of what an album could be.

For more information, configurations, and track listings, please visit George’s website.

50th ANNIVERSARY CREDITS

Executive Producer: Dhani Harrison

Product Producer: David Zonshine

2020 Re-Mixed & Produced in Stereo & Atmos by: Paul Hicks

Creative Director: Dhani Harrison

Book curated by: Olivia Harrison and Rachel Cooper

Art Direction: Darren Evans

Archive Research: Don Fleming, Richard Radford and Ryan Williams

POP Montreal Poster via POP Montreal for use by 360 Magazine

Pop Montreal 2021

POP Montreal 2021 will be a hybrid festival, in-person and virtual. For in-person concerts, the current Covid-19 protocols will be applied and a health pass will be required at the entrance of the concerts. If you are planning to attend a performance, you must purchase your tickets online in advance. There will be no tickets available at the door.

We will also have our Art POP exhibition on the third floor of the Rialto, Puces POP at Église Saint-Denis, conferences and discussions with POP Symposium at the Rialto, Film POP at Cinéma Moderne and at L’Entrepôt77 (ciné-concert) as well as Kids POP at Parc Saint-Viateur.

Art POP

This year, Art POP will be hosting its annual group exhibition as well as several satellite events that will bring live performances, sound installations and poster campaigns into the public spaces surrounding POP’s headquarters at the Rialto Theatre complex. POP Reads, Montreal’s bilingual reading event, will be back again for a third edition with another great lineup of local writers and readers.

This year’s group show, Cover Story, will be mounted at Studio Rialto, the former dance studio turned temporary exhibition space. The exhibition will position the artist as an interrogative and investigative body that seeks to uncover lies, debunk cultural myths, and expose half truths. 

As a visitor to the exhibition space, you will interact with research made visible, historical reenactments, and illusory installations attempting to demonstrate the internal processes behind artistic truth telling. Once you’ve made your rounds of the exhibition, head up to the rooftop to catch an immersive audiovisual performance by artists Peter Hernández, Suzanne Kite and John-Elio Reitman.

Outside the walls of the Rialto complex, Art POP expands into the Mile End to bring the public Calling Planet Earth! Ligne d’alerte!, a series of roving, site-specific radio interventions curated by artists Emmanuel Madan and Martín Rodríguez. While walking through the neighbourhood, keep your eyes peeled for SEEKING, a public series of posters by artist Florence Yee, acting as playful advertisements that allude to what we may seek from our community: an old tradition, a memory, a feeling, justice. 

Film POP 

Just narrowly escaping the streaming fate of many 2021 festivals, this edition of Film POP returns to Cinéma Moderne for an explosive big-screen showcase of the year’s best in music cinema. From portraits of contemporary icons and all-but-forgotten pioneers to deeply personal, political and experimental works, this year’s programming is all about coming together and finding ways to look forward, beyond the past 18 months. 

This year’s highlights include David Wexler’s Disintegration Loops (2021), a documentary about William Basinski’s seminal album series on the 20th anniversary of the 9/11 attacks, Bobbi Jo Hart’s Fanny: The Right To Rock (2021), about one of the first all-female rock bands to know critical and commercial success, Les Blank’s newly restored I Went to the Dance (1989), the definitive film on South Louisiana’s Cajun and Creole/Zydeco music scene, and Jeremy Ungar & Ivaylo Getov’s Soy Cubana, about the Cuban acapella group the Vocal Vidas’ historic trip to perform in Los Angeles.

POP Symposium

This year’s POP Symposium aims to envision a post-pandemic future for the music industry and the performing arts at large and will move between big ideas, like how to create socially ethical arts industries, to the specifics, like how did anyone successfully release music without touring last year?

Along with many practical panels on artist development, Symposium will also be exploring ideas around liminality. Can lectures look like performances? Can histories be written through art? How can artists embody anti-gentrification in their practices?

Overall, we are excited for another hybrid edition of POP Symposium and we hope our audiences both at home and in the beautiful Rialto Hall will find a hopeful space for learning and sharing knowledge. 

Kids POP 

This year, Kids POP takes place Sunday, September 26th. Please join us and bring the noise!

Join children’s publisher The Secret Mountain for a picnic in the sun, a paper bag puppet parade, and an animated family concert! This activity-packed day will celebrate the release of a new musical picture book, A Picnic in the Sun by Christiane Duchesne, Jérôme Minière, and Marianne Ferrer.  

Start the day at Saint Viateur Park with a picnic and a paper bag puppet-building workshop. Then hit the road with your puppets for a festive puppet parade down Bernard Avenue—complete with a mini-marching band! And then, last but not least, settle in for the main event: a children’s concert at Rialto Theatre with performances by Clerel, Geneviéve Toupin, Jérôme Minière, and José Major! Plus, share a picture of your paper bag puppet with The Secret Mountain for a chance to see your creation brought to life—as a stuffed toy—by the studio-boutique Raplapla!

Mental via 360 Magazine for use by 360 Magazine

Interview with Radhia Gleis

By: Skyler Johnson

From Jonestown to the Manson Family, we as a society have been obsessed with the inner workings of cults. Every few years a new documentary explores the secret lives of a society of people much different than ours. But it’s not very often that you meet someone that doesn’t just explore what crimes a cult committed, but how a cult is formed. This is what Radhia Gleis, an ex-member of the Buddhafield Cult, attempted to do in her most recent book: The Followers, Holy Hell and the Disciples of Narcissistic Leaders. I got the privilege to interview Gleis about the book and her experiences. 

Can you tell us a little about the Buddhafield cult and how you became involved with them?

That is a complicated story, and although the documentary Holy Hell shows the frightening transformation of a beautiful little spiritual community into an abusive cult, the details of this thirty-year journey cannot be told in a hundred minutes, like I can in the book. Like the frog in warm water that slowly comes to a boil, it took twenty years for the teacher to develop into the narcissistic sociopath he eventually became.

My journey started back when I was in Catholic school. I was inspired by the stories of the Catholic saints and their transcendental experiences of the Divine. I took a comparative religions class in ninth grade. We were studying Hinduism when we came across a word in italics: Nirvana! I asked the teacher what this word meant. He said, “Some yogis in India, through a certain practice of meditation, experience God directly.” “Is that true?” I asked. “Apparently!” he replied. And from that time on I spent another twelve to fourteen years looking for Nirvana.

I never came across anyone who said that they experienced God directly until I met the leader, Jaime, and the group, who were practicing these kinds of meditation techniques, referred to as “The Knowledge.” The name Buddha-field has little or nothing to do with Buddha or Buddhism. It was just a nickname we called ourselves. We were closer to Hinduism, although we studied Buddhism, Hinduism, Sufism, and Christian Mysticism. Originally that was what the Buddha-field was about—practicing and staying devoted to that meditation practice and a simple life of service and devotion.

In the beginning Jaime’s sharing was always about the “Knowledge.” This ancient technique was introduced to the West by Prem Pal Rawat ji, AKA Maharaji. Jaime was never a disciple of Maharajji; he lied and conned a Premi (one of Maharajji’s followers) into giving him the techniques. Later, when it looked like his guru gig was taking off, Jaime changed the name from the “Knowledge” to the “Knowing” to claim it as his own.  Originally, he used to say, “Connect to God’s love,” but it did not take long before our sycophantic adoration of him fed his narcissism to the point of creating a malignant narcissist, and suddenly the narrative became “Connect to MY love.” 

What do you believe separates a religious movement from a cult?

Chapter 16 of The Followers, entitled “What is a Cult? It’s Complicated,” analyses the definition of a cult. It’s one of my favorite chapters. Certainly one of the more irreverent and humorous. My conclusion is, I’m not sure there is a separation. Or at least they have a great deal in common. One characteristic both share is the opposition to a Socratic method of teaching—a form of cooperative argumentative dialogue between individuals, based on asking and answering questions to stimulate critical thinking and to draw out ideas and underlying presuppositions, to come to your own conclusions. Most religions regardless of their size are the opposite—non-Socratic. They’re more authoritarian and didactic or patronizing. Whether the group’s origin is based on a historical archetype such as Jesus of Nazareth, Buddha, Mohammed, or L. Ron Hubbard for that matter, the ideology is used in many cases as a form of control and to establish order over a society (large or small). The ideology and its history of origin is usually interlaced with fantastic stories and myths applied to abstract notions of God that enlarge the premise, making it difficult to dispute.

If it’s a newly established philosophy from an individual, such as L. Ron Hubbard, the founder of Scientology, or Keith Allen Raniere, founder of NXIVM, a multi-level marketing company and cult, the leader develops an exclusive and unique doctrine or dogma that suits the followers’ needs or desires at that place and time. The leader—usually male, usually white—creates, polishes, and purveys the doctrine to use as a tool for their own narcissistic supply. Some leaders rely on an established theme or a variation on a traditional theme, such as Christianity and the Bible. Jaime adapted his creed from mostly Hindu teachings, practices, and texts, then twisted it to make it his own to elevate his status. All social, political, or religious societies can be vulnerable to corruption. Power corrupts, and when we give anyone—a religious teacher, a boss, a CEO of a corporation, a political leader—too much power, it perverts the soul and feeds the narcissistic tendency in all of us.

Do you blame the government for not being able to prosecute leader Jaime Gomez, also known as The Teacher?

I never thought of blaming anyone, other than myself for not following my instincts and the other members of the group for not having the courage to come forward with the truth about what was happening behind closed doors. And I still don’t blame them; I understand why.  It’s complicated, and that is what the book is about. Why do we do the things we do? What makes people give up their will, their sense of right and wrong—give up their moral compass and family ties for a person or an ideal?

 As I said throughout the book, it was a collective deception. If one were to expect the government to step in, where does that stop? Step into what? Most of us had no idea the abuse was happening, and we had no proof or witnesses coming forward. We were all adults. The old saying, “One man’s religion is another man’s cult” applies. And we must be careful of using words like brainwashed.

The definition of brainwashing is the process of pressuring someone into adopting radically different beliefs by using systematic and often forcible means. By that strict definition we weren’t brainwashed. We didn’t adopt radically different beliefs. Most of us were already on the path of beliefs Jaime “taught” before we even met him. And we were not physically forced, like prisoners of war. This is the common mistake when we say that someone is “brainwashed,” that takes the responsibility away from them as enablers.

I heard someone on a podcast discussing Holy Hell. She said, “…and what’s with that Radhia woman? She seems like she wouldn’t take shit from anyone.” We were following the Eastern religious practice of master-disciple relationship. And I signed on to that at the time. The “shit” that I was taking from Jaime was part of the discipline. The ego is the identity of self, and I believed you could not be one with God if there was a “you.” If there is a “you” and God, by the very nature of that duality, there is a separation. That’s why I never believed I was being coerced. I was a conscious and willing participant. I was eager to let someone challenge my ego in order to overcome that ego. Willing to override my instincts and insert myself into the practice whole-heartedly as part of the discipline. What a perfect scenario for a malignant narcissist to take advantage of! But I was exercising my beliefs at the time and would have been very pissed off if the “government” came in, having no understanding of my choices, and tried to take that away.

Do you believe there should be more restrictions on cult activity in the United States and abroad?

Everything is relative and should be handled on a case-by-case basis. We have laws to deal with child abuse, sexual abuse, kidnapping, and so on—whether committed in the context of a cult, a family, a traditional religion, or among strangers. Groups we may identify as cults are not by definition abusive or criminal. The general tenet of the Buddha-field was to live a healthy, virtuous life, practicing meditation techniques, exercising unconditional love and selfless service. We were a cult of love, and we weren’t harming anyone or imposing our beliefs on anyone outside our community. And had it not been for a narcissistic leader taking advantage of our innocence, we would still be living that life in that idealistic community. But if you’re a cult of hate and division, advocate violence or show potential to do harm, or attempt to force your beliefs on others, then yes; restrictions would be appropriate.

What types of people tend to get involved in cults?

In the third section of my book, I talk about several types of people who join cults. Except for sociopaths, I believe most human beings have a conscience that dictates a line in the sand that they will not cross. A place in their soul where their moral compass finally takes the wheel and says, Stop—no more. But that line is usually preceded by little gray lines that we step over before we reach that point. From my observations, I’ve identified three basic types of people who join a cult: the hummingbirds, soldiers on a mission, and the kamikazes.

Hummingbirds are browsers. They are like looky-loos, fluttering through the fanciful world of spiritual communities. They circle around the perimeter, not ready to commit fully, but if it looks interesting, they will hang around for a time. They don’t know what they want, exactly, but they are not satisfied with what they have. They are searching for a place to belong. They will hop over a few gray lines, but when the going gets tough—they’re out.

The second category of people who join cults, after hummingbirds, is a little more complex. I call these people “soldiers on a mission.” I admit I fit more into this box than the others. This group is for those who know what they’re looking for and they are willing to step over a lot of gray lines to get it. For fourteen years prior to meeting the leader and members of the group, I was on a mission to experience God Realization, Nirvana. And when I found someone who claimed he experienced that and could show me the way—I was all in. I was willing to do the hard work and jump over a lot more gray lines to reach my goal of enlightenment.

The third type of people who join cults are the kamikazes. They don’t seem to have a final line in the sand. They come to the abyss of reality and jump off. They can range from benign people who will follow their leader to the bitter end, regardless of facts or morals, to dangerous, destructive, blindly obedient devotees who will kill or die for the leader. Examples of the latter include the followers of Charles Manson; Timothy McVeigh and other domestic terrorists; or those willing to commit suicide at the behest of the leader, such as followers of Jim Jones or the Heaven’s Gate UFO cult; ISIS suicide bombers; or Japanese kamikazes.  

What types of people tend to create cults?

It would seem to me that one would have to be pretty impressed with themself to deliberately create a cult. That type of person would be your quintessential narcissist. It’s one thing to have a prayer or meditation group, a club or gathering of people who share ideas in a Socratic format.  And sometimes it requires a board or organizers or even instructors or teachers. But when one person takes on a leadership role and is allowed to adopt a non-Socratic influence over a group, that has all the makings of a dangerous escalation of corruption and abuse.

It’s important to understand that the narcissist and the followers have a feedback loop. Together they operate on a constantly reinforced message of perceived “specialness.” Narcissism demands to be fed; and when fed it grows, eventually subsuming followers in a toxic tidal wave that forces them to sink or swim for freedom.  It is up to us to recognize and protect ourselves by avoiding the narcissist wherever possible; withdrawing our fealty; or starving their insatiable appetite for self-aggrandizement. We must not expect or wait for them to change. They never will; and the more we feed them and let them get away with it, the more dangerous and powerful they become. 

Do you believe there are cults that don’t get the media attention they deserve?

I don’t know offhand which cults should get more or less attention because I’m not a part of them, so I don’t know their story. When you say “media,” what type are you referring to? The media landscape today is not the same as the media of yesteryear. Much of media business models are about sponsors and ratings, rather than straight journalism that presents factual news or in-depth investigations. They wrap information in partisan pundit opinions and shovel a mixture of selected facts, lies, and biased appraisals into a mini horror series in order to scare the bejesus out of us, because—that’s what sells.

And then there’s the Frankenstein of the internet. The amount of traffic to mainstream social networking sites like Facebook, Twitter, Reddit, and YouTube has exploded since 2017. We find comfort in echo chambers provided by media and in social viewpoints that reflect what we already have been indoctrinated to think because it’s easier and more comfortable than taking in new information, especially if it conflicts with our preconceived notions.

In many cases social media is a rogue thought machine, with little or no filters, editors, or fact checkers. There are hardly any rules or decorum in this mock-journalism today. It’s a free-for-all. And social network platforms do not judge your beliefs. There is limited personal discernment, just algorithms designed to target your interests; so, if you’re posting or commenting on a topic, the platform’s algorithm will gladly send you more and connect you to other like-minded users to interject their latest toxins. Social media can have its advantages when trying to bring awareness, but it can also have a dark side—a recipe for abuse and exploitation.

Very often the complexities of a person or a group of people’s lives can end up as sound bites—fodder for the public’s entertainment and media profit. That’s why I wrote this book. As good as the documentary Holy Hell was, it was snippets out of thirty years of the lives of 150 individuals, each having their own experience. Don’t get me wrong, Will Allen, the filmmaker, did an amazing job telling the story. And the film opened up this important conversation. But when you put a person’s life in soundbites and leave the rest up to the viewer—strangers looking for entertainment at the expense of that person’s very personal, painful trauma—that’s the price you pay when it is put in the hands of the media. So to answer your question, I think it all depends on what media is telling the story and how thorough and sensitive the journalist or pundit is to the situation.

 Do you think the media tends to help or hurt cult activities?

I got a call from a friend one day who said she was driving in her car and heard two people talking on a podcast about me! It’s the weirdest experience to have perfect strangers talk about you on a public forum. I heard another podcast talking about Holy Hell. These two commentators saw the film and they were enthralled, giddy, like two mean girls in high school gossiping and judging about something they knew nothing about. I had to laugh because I get it. All they had was the snippets to make their conclusions and present their case to the court of public opinion. One woman on a podcast opened her episode with a caution to her listeners that Holy Hell was a “disturbing horror story and the leader was literally a hideous monster, and we were all stupid, brainwashed, sex slaves.” Whaaaat?

I will say, those podcasters inspired me to clarify what they thought they saw in the film. But if you don’t happen to have two and a half years and a lot of money to publish a book, the subjects in question are left with an indelible, distorted, and obscure impression of who they are talking about. Whether it hurts or helps—that’s a complicated proposition. Because it’s such a wild, wild West on the internet, and anyone can produce a podcast, YouTube channel, or social network—so we shouldn’t be surprised there are a lot of unprofessional “media” personalities out there, voicing their unqualified opinion. Cults are complicated, dangerous, and traumatizing—no one needs their kind of help. And it takes courage and confidence to tangle with the media.

What can we expect in your new book: The Followers: “Holy Hell” and the Disciples of Narcissistic Leaders: How My Years in a Notorious Cult Parallel Today’s Cultural Mania?

Expect a wild ride. I see so many people in a state of dis-ease, confused, frightened, and overwhelmed by what is happening in America and around the world today. And because of my twenty-five years’ experience in a cult, under the influence of a narcissistic leader, I get it on such a deep level. And like I do in my wellness practice, I conducted extensive research for The Followers from a myriad of scholastic books, articles, journals, and periodicals, but unless you’re a researcher or have a vested interest in this subject, who has time to slog through the academic material? Nobody! Except me. That’s sort of my schtick. I read, studied, digested all that material for you. But I knew if I were going to shine some light on the complexities of our present situation, I had to make it personal, humorous, raw, and entertaining as well as provocative. 

I definitely open the kimono, so to speak, in this book. I knew if I wasn’t real and honest, the reader wouldn’t trust me. Although the archival footage in the documentary Holy Hell on Amazon gives you real footage of the inside of the cult, the story is so much bigger than a 100-minute documentary could tell. I invite the reader to take a journey with me down the road of my life in the safety and comfort of their home, in hopes that they will learn from my experience and not have to take the same road. I have lived an extraordinary life. I’ve done things that most people can’t even imagine. On this journey you might laugh, you might cry, you might get angry, or you might find relief that you’re not alone. I invite you to go all the way to the end with me, even if you find some discomfort along the way. In my life I chose the road less traveled. I spent sixty-plus years in contemplative practice, and at the end of this book I promise I won’t leave you without some pearls from my experience to help you navigate this crazy world. The book The Followers, Holy Hell and the Disciples of Narcissistic Leaders is not a story about me per se, or some broken, gullible individuals, or the past; it’s a story about what’s happening todayto all of us. 

The book is available on Amazon and Barnes and Noble but if you don’t like or have time to read, it’s also on Audible in my voice.

"My Friends are Picking Flowers" by Salvador Gomez, Jiminez and Wendy Ewald via Ramsey Hoey of Carol Fox Associates for use by 360 Magazine

Weinberg/Newton Gallery Features MacArthur Fellows

WEINBERG/NEWTON GALLERY PRESENTS MACARTHUR FELLOWS WENDY EWALD AND AMALIA MESA-BAINS IN TOWARD COMMON CAUSE, A COLLABORATION WITH THE SMART MUSEUM OF ART  

Weinberg/Newton Gallery (688 N. Milwaukee Ave.), a non-commercial gallery dedicated to promoting social justice causes, announced a collaboration with the Smart Museum of Art at the University of Chicago as an exhibiting gallery for a multi-venue exhibition taking place throughout 2021. Featuring the work of 29 MacArthur FellowsToward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 is centered on the idea of art as a catalyst for social change. Through speculation, reflection and action, Toward Common Cause explores our current socio-political moment, in which questions of inclusion, exclusion, ownership and rights of access are constantly challenged. Extending from the exhibition’s main venue at the Smart Museum, Weinberg/Newton will present work by MacArthur fellows Wendy Ewald and Amalia Mesa-Bains, whose projects focus on Latinx migration in Chicago. Weinberg/Newton’s participation in the exhibition will run from Sept. 24 through Dec. 18.

Wendy Ewald, a collaborative photographer known for weighing questions of identity and cultural differences, will feature a newly commissioned project that explores the personal challenges facing refugees and immigrants from Mexico. Together with teaching artists from the Smart Museum and Diane Dammeyer Initiative, Ewald conducted a series of photographic workshops with youth at Centro Romero, a community-based organization that serves the refugee immigrant population on the northeast side of Chicago. The students created photographs and writings that express their inner lives, dreams and concerns about contemporary immigration. Ewald will incorporate these works into the exhibition, along with a series of photographs and a film made in Chiapas, Mexico in 1991.

Amalia Mesa-Bains, a multi-media installation artist and cultural critic, weaves together intricate stories of her Mexican heritage and Chicana identity at the intersection of art, science and history. At Weinberg/Newton, Mesa-Bains will present Dos Mundos, a personal and historical meditation on migration to Chicago through the lens of her own family that makes visible the countless vital contributions the Mexican community has made to the building of Chicago. Dos Mundos is composed of maps, digital prints, shadow boxes, folding books and ofrendas to celebrate this history through imagery and stories collected by Mesa-Bains.

Additionally, The Circle of Ancestors, an ofrenda from Amalia Mesa-Bains, will be featured at another Toward Common Cause venue: the National Museum of Mexican Art (NMMA), in the exhibition Día de Muertos – A Time to Grieve & Remember. The installation at the NMMA honors the Cornejo family of Mesa-Bains’ mother, while her work at Weinberg/Newton Gallery presents the archival and public record of the larger Mexican community in Chicago.

Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 is presented in conjunction with the 40th anniversary of the MacArthur Fellows Program and connects more than two dozen exhibitions, programs and research partner organizations across Chicago, allowing artists to present new and re-contextualized work. The organizing principle of “the commons” is a concept defined in MacArthur Fellow Lewis Hyde’s Common as Air: Revolution, Art, and Ownership, as “a social regime for managing a common resource.” This comprehensive presentation considers the extent to which resources including air, land, water and culture can be held in common. Each venue will create a space to raise questions about inclusion, exclusion, ownership and rights of access. Toward Common Cause considers art’s pivotal role in society as a call to vigilance, a way to bear witness and a potential act of resistance.

About Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40

Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 is organized by the Smart Museum of Art at the University of Chicago in collaboration with exhibition, programmatic and research partners across Chicago. It is supported by the John D. and Catherine T. MacArthur Foundation. Toward Common Cause is curated by Abigail Winograd, MacArthur Fellows Program Fortieth Anniversary Exhibition Curator, Smart Museum of Art, The University of Chicago. The full curatorial statement can be read HERE.

Additional support for individual projects has been provided by Allstate; the Terra Foundation for American Art; the National Endowment for the Arts; The Joyce Foundation; David Zwirner; Hauser & Wirth; a Mellon Collaborative Fellowship in Arts Practice and Scholarship at the Richard and Mary L. Gray Center for Arts and Inquiry; the Visiting Fellows Program at the Neubauer Collegium for Culture and Society; and the Smart Museum’s SmartPartners. In-kind support is provided by S.O.U.R.C.E. Studio, F.J. Kerrigan Plumbing Co. and JCDecaux.

About Wendy Ewald
Originally from Detroit, Wendy Ewald collaborated on photography projects for more than 50 years with children, families, women, workers and teachers. Engaging with communities internationally, she has been drawn into the lives of those with whom she works in the United States, Labrador, Colombia, India, South Africa, Saudi Arabia, Holland, Mexico and Tanzania. Ewald’s practice encourages individuals to utilize cameras to photograph their lives, families and communities and to create images of their fantasies and dreams. In addition, she asks her collaborators to alter their images by drawing or writing to engage questions concerning individual authorship, power and identity. Ewald describes her conceptual work as expanding the role of esthetic discourse in pedagogy, challenging the viewer to see beneath the surface of relationships. She Is the 2010 recipient of the MacArthur Fellowship Award.

About Amalia Mesa-Bains
Amalia Mesa-Bains is a multimedia artist who contemplates the meanings of multiculturalism and demographic shifts in today’s climate within the United States, while drawing from the experiences of her Mexican heritage. She holds a Ph.D. in clinical psychology, in which she focused her doctoral dissertation on the influence of contemporary culture and climate on the personal development of 10 Chicana artists. Her scholarly research established her role as a cultural critic, and her clinical work has pushed her to investigate the psychological effects of colonial artifacts. This work has been at the core of her approach to making art a cultural process, deconstructing these stereotypes about non-European heritage and establishing new dialogue about Chicana culture. Mesa-Bains is the 1992 recipient of the MacArthur Fellowship Award.

About Weinberg/Newton Gallery
Weinberg/Newton Gallery is a non-commercial gallery with a mission to collaborate with nonprofit organizations and artists to educate and engage the public on social justice issues. Through artwork and programming, the gallery provides a vital space for open discourse on critical contemporary issues facing our communities. Connecting artists with social justice organizations, we work to drive change and cultivate a culture of consciousness.

History of Weinberg/Newton Gallery
In 2016, David Weinberg Photography became Weinberg/Newton Gallery. The change reflected the values of The Weinberg/Newton Gallery Family Foundation, which has been led jointly by David Weinberg and Jerry Newton since 2009.

Photo via Amanda Zimmerman of RCA Records for use by 360 Magazine

TOBI × WOAH

Today, winner of the 2021 Juno Award for Best Rap Recording of the Year, Canada-raised/Nigeria-born TOBi and fellow Canadian rapper Jazz Cartier released new single “Woah.” Listen HERE.

“Woah” follows a slew of TOBi’s latest tracks –  “Off The Drugs,” which Mick Jenkins described as “cozy, soulful hip hop” (Brooklyn Vegan), “Come As You Are” featuring Baby Rose,  and “Don’t Touch!” heralded by Complex for its “smooth production…elevating (TOBi’s) empowered musings on the hairy side of the Black experience to new heights.”  His re-working of track “Family Matters” with Flo Milli was described as a “dynamic” and “impassioned reboot” (Atwood) and Highsnobiety declared it a “formidable pairing.”

TOBi will be joining Grammy award-winning Brooklyn based duo Brasstracks on tour kicking off September 30th in Chicago, and will be performing alongside the duo on a few collaborative singles they have in the works.  More info on the tour here. TOBi is also putting the finishing touches on his next album project. Stay tuned for more music from TOBi coming soon.

About TOBi:

Nigerian born, Toronto based recording artist TOBi is winner of the 2021 Juno Award for Best Rap Recording of the Year for his latest project Elements, Vol. 1Elements blends hip-hop, R&B, soul, grime & Afrobeats and features some of TOBi’s favorite producers & musicians worldwide, embodying the sounds and music that have influenced his artistry.

TOBi will be joining Grammy award-winning Brooklyn based duo Brasstracks on tour kicking off September 30th in Chicago, and will be performing alongside the duo on a few collaborative singles they have in the works.  More info on the tour here. TOBi is also putting the finishing touches on his next album project. Stay tuned for more music from TOBi coming soon.

Voted by Complex Magazine as “a top artist to watch” TOBi has received critical praise from Interview MagazinePitchforkVogue, Teen Vogue, L’OfficielPaper, Billboard, Rolling Stone, Clash, OkayAfrica, Flaunt, Exclaim!, Refinery29, Essential Homme, COLORS, and many more. The rising star signed with Same Plate Entertainment/RCA Records in 2020 and has enjoyed over 50 million streams globally.

Prior to ELEMENTS, TOBi released his debut album STILL in May  2019 followed by a deluxe edition, exploring themes of vulnerability, post traumatic growth, self-reflection and masculinity in his time emigrating from Nigeria to Canada. STILL’s release was followed by two new singles “Holiday” produced by !llmind,  “Paid,” the “City Blues Remix” featuring The Game, the “180 Remix” featuring Kemba and the “24” remix featuring all Torontonians SHAD, Haviah Mighty, Jazz Cartier and Ejji Smith.

Fashion illustrated by Mina Tocalini for use by 360 MAGAZINE

Happiness Days

By: Thara Prashad

“These are happy days. I’m hoping that the happiness stays. I just wanna be in this state, I’m tryna feel the sun on my face, yeah”. My husband, Jay Sean, recently wrote and released this beautiful song, “Happiness Days.” During quarantine as we listened back, he was pushing our daughter on the swings and we immediately knew that the music video for this song needed to be different. In a time of so much heartbreak, loss, fear and constant emotional ups and downs, he wanted to put out a song that would make people feel good again. Something to make them happy. Something to make them smile.  

Why do we find happiness to be so fleeting? It’s here one moment and gone the next? It seems we are all in search of happiness? How do we find it? Where do we find it and most importantly how do we hold onto it? It seems to slip through our fingers so quickly.

As a yoga and meditation teacher, health coach and Karuna Reiki Master, a massive part of my life has become devoted to helping myself and others find their happiness and figure out how to stay in that happy space. One of the greatest lessons that I often share is that our happiness, our peace, cannot be contingent on outside sources. When we begin to understand that, massive shifts can occur. The outside world is always going to ebb and flow. Our family, our friends, they are all going to do things that are outside of our control. So if our happiness is contingent on outside sources, on people, well that leaves a lot at risk. It leaves your happiness in a very volatile state if it can constantly be affected by all of these other sources.  So how do we cultivate happiness from within?  

Here are some of my favorite tips!

  1.  First we have to get really clear on what makes us happy. Spend some time quietly and ask yourself, “What makes me happy? What truly brings me joy?” So often we are so busy running around in the hustle and bustle of life that we don’t even know what truly makes us happy, let alone making time for it.
  2. Make time for things that make you happy on a daily basis. These don’t have to be big things like dinners with friends or a fancy vacation to the beach. It’s really about aligning with the little things. One of my favorite daily moments is my coffee in the morning.  I look forward to the smell and that quiet first sip. I make sure to get up before my kids in the morning so I can have that little moment to myself. That helps me start my day off happy.  I also love starting the day with gratitude. It immediately shifts you into a positive state to receive all the opportunity that a new day brings. Start writing a list of 10 things you’re grateful for every morning. Write it down and watch how you become aware of all the little things in life you have to be grateful for; a warm bed, an invigorating shower, food to nourish your body, your breath… Some of these things seem obvious and we so often take them for granted but when we start noticing all of these little things, everything becomes so much more precious. The more we pay attention to, the more we have to be grateful for!
  3. Create moments of happiness. The reality is that we have jobs, we have commutes, some of us have kids, we have responsibilities and bills to pay.  Of course some teachers would tell you to find joy in ALL of it but I don’t know, sometimes I find that a bit unrealistic. Of course I could sit here and tell you how to find happy in all of those moments, but I will spare you. What I will say is, create your moments. And as you start creating your moments, you will inevitably learn how to create even more moments. So this kind of goes back to #1. Get clear on what your happy moments are. Then find ways to integrate a few of them into your daily life. So I know coffee is one for me, meditating is another, exercise is another, sharing yoga with my kids is another, cooking is another, watching a favorite show with my hubby… So my job is to integrate as many of these moments into my day as I can. Some days there will be more and some days there will be less. But if I can consciously pull these happy moments into my day, making that choice to create happy moments rather than just letting life happen to me, it will make all the difference. Every moment isn’t going to be blissful, but if I can create my moments throughout the day, it will help to keep me filled. And when my happiness bucket is feeling a little too empty, I will know it’s time to refuel and I know what to reach for.   

We’ve all had those days where we wake up feeling grumpy or something happens not to plan or we get that email that just puts us into a negative state. And it’s in those moments that we have to choose. We have to decide if staying grumpy is going to serve or hurt our day? We all know the answer but for some reason we often choose to stay grumpy even though that just leads to more frustrating moments throughout the day. And what purpose does that actually serve?  So instead of staying grumpy or frustrated or even angry, I choose happiness. I choose to reach into my tool basket of things that make me happy and create the shift. Because, well, the alternative just kind of sucks right? And if we have the choice, why would we choose otherwise? 

 Get clear on what makes you happy and commit to creating it each and everyday.  Everyday may not be blissful but you can create your moments that will fill your cup.  And when you find them, stay in that moment and let the good feelings wash over you so you can reach for them whenever you need the reminder. Close your eyes, take a deep breath in and remember that you can always choose happiness. Let your heart swell with gratitude. When your eyes open, let the colors be brighter and the world be just a little bit sweeter. In the words of Jay Sean, “Ain’t life sweet lemonade.”  

Make sure to check out our video for Happiness Days and I hope it reminds you of what makes you happy!

Madonna collage via PR NEWSWIRE via SOURCE Warner Music Group Corp. for use by 360 Magazine

Madonna × Warner Music Group

Madonna and Warner Music Group Announce Milestone, Career-Spanning Partnership

Landmark, Multi-Year Catalog Series to Launch Next Year

2022 Will Mark 40th Anniversary of Madonna’s Recording Debut

WMG Will Now Represent Madonna’s Entire Body of Work Across Both Recorded Music & Music Publishing

Madonna and Warner Music Group today announced a milestone, career-spanning global partnership that includes a new agreement for her entire recorded music catalog. With global sales of over 300 million records, Madonna is the best-selling female artist of all time, with countless accolades that include seven Grammy Awards, 24 ASCAP Pop Music Awards, and numerous international trophies, including BRIT, Bravo Otto, Danish Music, Edison, GAFFA, International Dance Music, Ivor Novello, Juno, MTV, and World Music Awards, among many others across the globe. She was inducted into the Rock & Roll Hall of Fame in 2008.

This partnership marks the revitalization of a decades-long relationship with Warner that began with the release of Madonna’s debut single in 1982. The deal encompasses her entire Sire/Maverick/Warner catalog, including global smash albums such as MadonnaLike a VirginTrue BlueLike a Prayer, and Ray of Light. It also includes her three most recent studio albums, MDNARebel Heart, and Madame X, which will join the Warner catalog beginning in 2025. All in all, the new pact includes 17 studio albums plus singles, soundtrack recordings, live albums, and compilations.

Warner Chappell Music also globally administers all of Madonna’s songwriting work. This features such top-charting hits as “Like A Prayer,” “Vogue,” “Into the Groove,” “La Isla Bonita,” “Live to Tell,” “True Blue,” “Open Your Heart,” “Who’s That Girl,” “Express Yourself,” “Lucky Star,” “Take A Bow,” and many more.

2022 will mark the  40-year  anniversary of Madonna’s recording debut. This new deal heralds the launch next year of an extensive, multi-year series of catalog releases that will revisit the groundbreaking music that made her an international icon. For the first time, Madonna will personally curate expansive deluxe editions for many of her landmark albums, as well as introduce unique releases for special events, and much more. The series of releases will be overseen by Warner Music’s catalog team, led by Kevin Gore, President of Global Catalog, Recorded Music, with the first release to be announced soon.

This monumental deal was executed by Madonna’s longtime manager Guy Oseary at Maverick, Allen Grubman of Grubman Shire Meiselas & Sachs P.C., her business manager Richard Feldstein of NKSFB, and Max Lousada, CEO, Recorded Music, Warner Music Group.

Madonna said: “Since the very beginning, Warner Music Group has helped bring my music and vision to all my fans around the world with the utmost care and consideration. They have been amazing partners, and I am delighted to be embarking on this next chapter with them to celebrate my catalogue from the last 40 years.”

Guy Oseary said: “Over the past 30 years, I’ve been fortunate enough to meet and spend time with many of Madonna’s incredible fans, and this new partnership will bring to fruition what so many of them have been patiently waiting for: a celebration of her groundbreaking catalogue. My partner Sara Zambreno and I are working closely with Warner Music Group to bring new life to these iconic works.”

Max Lousada added: “We’re honored to be forming a dynamic new partnership with an incomparable superstar whose influence on our musical and artistic landscape is immense and immutable. Madonna has changed the course of pop and dance music, while taking live performance to new heights of drama and invention. At the same time, she uses her fame to amplify some of the most important social issues and movements of our time. Constantly and fearlessly challenging convention, her four decades of music are not only an extraordinary body of work, but a playbook for creative and cultural evolution.”

On October 8, Madonna will be releasing her highly anticipated documentary film, MADAME X, exclusively on Paramount+, the streaming service from ViacomCBS, and MTV Entertainment Studios in the U.S., Latin America, Australia, the Nordics, and Canada. Fans outside of these markets can watch the documentary on MTV. Filmed in Lisbon, Portugal, the film captures the pop icon’s rare and rapturous tour performance, hailed by sold-out theatrical audiences worldwide. The unprecedented, intimate streaming experience will take viewers on a journey as compelling and audacious as Madonna’s fearless persona. Madame X is a secret agent traveling around the world, changing identities, fighting for freedom, and bringing light to dark places.

In other news, Madonna has announced her birthday wish for friends and supporters to adopt a bed at the Mercy James Centre hospital in Malawi, built especially for children. There are 50 beds in the hospital’s ward, where children recuperate after surgery or regain strength following intensive care. By adopting a bed, you can ensure that any sick or injured child that comes through the hospital doors has access to world-class specialized care. Madonna has challenged supporters to adopt all 50 beds in honor of her birthday. For more information on how to donate, visit HERE.

Auction illustration by Heather Skovlund for 360 Magazine

Kruse GWS Auctions September 2021

ELVIS PRESLEY’S FAMOUS MADISON SQUARE GARDEN EYELET JUMPSUIT AND CAPE – IS HEADING TO THE AUCTION BLOCK AS PART OF AN UNPRECEDENTED COLLECTION OF RARE & ICONIC MEMORABILIA

The Artifacts of Hollywood & Music Auction Includes Some of the Rarest Personal & Career Items from Elvis Presley, Les Paul, Jimi Hendrix, Marilyn Monroe, Peter Fonda, John Wayne, Steve McQueen, Ben Affleck, Jack Nicholson, Tom Hanks, Leonardo DiCaprio, Carmen Miranda, Mae West, Audrey Hepburn, Elizabeth Taylor and More

Kruse GWS Auctions – Over 320 Lots – Saturday, September 4, 2021

Kruse GWS Auctions, the world-record breaking auction house specializing in entertainment memorabilia, Royal artifacts and fine jewelry has announced an unprecedented offering for auction of iconic Elvis Presley memorabilia to be included in the Artifacts of Hollywood and Music auction to take place Saturday, September 4, 2021 beginning at 10:00 a.m.

In 1972, Elvis Presley marked his first live performance at Madison Square Garden in New York. The performances sold out and his iconic Eyelet jumpsuit and cape designed by the famous Bill Belew quickly became one of the most photographed and iconic costumes of Elvis’ career. Fans packed the famous venue to hear songs including Love Me Tender, Heartbreak Hotel, Don’t be Cruel and so many others. Imagine being in the audience when Presley strolled out on stage in the custom made eyelet jumpsuit and embellished cape swooning the thousands of fans who came to see him perform. The Eyelet Jumpsuit has been in a collection for over 30 years and has not been offered for sale since. The jumpsuit was made by Bill Belew, who is famous for creating some of Elvis’s most iconic wardrobe. The most phenomenal thing is that the artifact also still contains the IC Costume, Hollywood California tag still inside. Presley was the first person in history to sell out four shows consecutively at Madison Square Garden at the time.

In 1968, Elvis Presley starred in the film Speedway opposite Nancy Sinatra. Presley played a racecar driver in the musical action film. The racing suit Elvis Presley wore in the film is among the other Elvis Presley highlights. One of the most surprising items in the sale is Elvis’s helmet that no one knew still existed that was worn by the superstar in the film Viva Las Vegas; his personal Schick Electric Razor and case; Presley’s personal rattail comb; Presley’s personal guitar pick; and an Elvis Presley signed 1956 Songwriter’s contract among other items from the private collection.

With over 320 lots being offered on September 4th, additional highlights include:

  • Les Paul’s personal guitar case which carried the very first 1952 Les Paul guitar
  • Jimi Hendrix’s personally owned red scarf and personally owned red crystal bottle
  • Marilyn Monroe’s black sleeveless Wiggle dress from the 1950s
  • Sharon Stone personally signed check made out to Tiffany & Co.
  • Ben Affleck’s Reindeer Games worn costume
  • Elizabeth Taylor’s National Velvet worn maroon dress
  • Elvis Presley’s personal guitar pick
  • An extraordinary celebrity autograph collection from a Denmark museum
  • Andy Warhol’s Polaroid SX-70 Land camera
  • Elvis Presley’s spent bullet from a Las Vegas suite
  • Barbra Streisand’s The Concert performance worn gown
  • Audrey Hepburn’s black woven wide brim hat
  • Peter Fonda’s The Wild Angels denim biker vest
  • James Dean 12” Columbia Records pressing
  • Star Trek memorabilia from Gene Roddenberry
  • Even vintage Playboy Playmate puzzles from the 1960s and so much more.

The auction represents the most important and historically significant assets Kruse GWS Auctions has ever had the distinction of representing at public sale.

The collection of Presley memorabilia alone is an exemplary assemblage chronicling some of the most outstanding moments in his career. Collectors seeking historical items from the lives of the biggest stars will not only be able to bid on some of the most important artifacts of Hollywood from film and music, but also get the opportunity to own the most amazing items from stars who left us far too soon.

We are absolutely delighted to announce our upcoming September 4th sale event. The sheer volume of iconic pieces of memorabilia from legends such as; Elvis Presley, Jimi Hendrix, Les Paul, Steve McQueen, Barbra Streisand, John Wayne, Elizabeth Taylor and so many other icons from the Golden Era are incredible. This collection chronicles so many important moments in entertainment history. We hope you will join us beginning at 10:00 a.m. Pacific on Saturday, September 4th for an auction we are sure will always be remembered. The world is waiting to see where these iconic pieces of history end up. – Dame Brigitte Kruse, Founder & Lead Auctioneer, Kruse GWS Auctions

AUCTION DETAILS

Saturday, September 4, 2021

Beginning at 10:00 a.m. PDT

BIDDING DETAILS HERE

To register a bid go to their website.

ABOUT KRUSE GWS AUCTIONS, INC.

Kruse GWS Auctions is the world-record breaking auction house specializing in Hollywood Memorabilia, Fine Jewelry, Master Timepieces, Royal Artifacts, Luxury Vehicles, Antiques and Collectibles and the first auction house to announce the acceptance of all forms of global cryptocurrency.  Founder Dame Brigitte Kruse is the first auctioneer to be knighted by a Royal Family, the first female auctioneer to be recognized by the Guinness Book of World Records and is a member of the Forbes Los Angeles Business Council.  Fifth generation auctioneer Kruse recently co-founded iSynergy Network, a group of innovative industry leaders providing a platform and solutions for entrepreneurs within a network of professionals across interconnected industries for the betterment of all. The global auction house has been featured around the world for sales of such notable items as Elvis Presley’s personal jet, Marilyn Monroe’s famous black wool dress, Marlon Brando’s historic watch, Italian Renaissance philosopher Machiavelli’s estate in Florence, and the 14th century celadon bowl owned by the last Empress of Vietnam. Visit their website.

Avengers via Marvel Comics for use by 360 Magazine

Avengers #750

This November, Marvel Comics proudly presents the 750th issue of AVENGERS, and it promises to be one for the ages! Continuing Jason Aaron’s Marvel Universe-shaping run, AVENGERS #750 will be a 96-page milestone issue consisting of multiple game changing stories by an all-star lineup of artists including Carlos Pacheco, Aaron Kuder, Ed McGuinness, and Javier Garrón. The giant-sized epic will be packed with revelations and jaw dropping moments, including the introduction of THE MULTIVERSAL MASTERS OF EVIL, the deadly new group of villains fans met in this year’s FREE COMIC BOOK DAY: AVENGERS/HULK #1!

 Throughout this supersize extravaganza, fans will also witness the shocking conclusion of “World War She-Hulk”, finally learn the true purpose of the prehistoric Avengers, uncover the shocking secret of the Iron Inquisitor, watch the Avengers recruit some surprising new members, and follow the Ghost Rider on a quest for vengeance across the Multiverse that will spark an all-new era in Avengers history!

“It’s such an honor to be a part of issue #750 of AVENGERS, and I’m looking to celebrate the rich history of the title and its iconic characters by using this issue as the gargantuan-sized kick-off for a story that’ll be as wildly sweeping and swing-for-the-fences epic as it can possibly be,” Aaron said. “It’s not just that everything I’ve been doing in the last 50 issues of AVENGERS has been leading to this, but there are threads feeding into the next year’s worth of stories that stretch back to most every major series I’ve ever written in my 15 years at Marvel Comics.”

In addition, best-selling author Christopher Ruocchio, known for his award winning The Sun-Eater series, makes his Marvel Comics debut alongside superstar artist Steve McNiven in a bonus story starring Thor.

“I’m honored to play a small part in this moment of Avengers history and thrilled to get to work with Steve McNiven to bring you all a little classic Thor,” Ruocchio said. “It’s a bit surreal to get to work with a character I grew up with, and I hope I’ve told a tale worthy of the God of Thunder.”

Be there when the startling future of Earth’s Mightiest Heroes kicks off in AVENGERS #750 this November! For more information, click HERE.