Posts made in July 2021

illustration by Samantha Miduri for use by 360 Magazine

Ransomware: Piracy on the IPs

By: Casey Allen with Concentric 

Where there is commerce, thar be pirates! The techniques, tactics, and procedures of modern-day pirates have expanded significantly since the Lukkan buccaneers first raided Cyprus back in the 14th century. The practice of maritime piracy is still alive and well, but as technology has advanced from bronze to blockchain the booty of choice for 21st-century corsairs has evolved from gold to Bitcoin. Data has become the world’s most valuable commodity, and the submarine communications cables that form the backbone of the internet are the shipping lanes for trillions of dollars worth of global commerce. With so much at stake, it should come as no surprise that cybercriminals continue to raise the Jolly Roger in digital form. 

Ransom has been a staple of the pirate’s playbook since Teuta, the Pirate Queen of Illyria, captured the Epirus capital city of Phoenice in 231 BCE. Queen Teuta was successful in holding the city hostage long enough to force the Epirotes into paying her a ransom to release their citizens and vacate its borders. The extent of Queen Teuta’s means, the sophistication of her organization, and the insatiability of her greed made her an “Advanced Persistent Threat” (APT) to victims all over the Mediterranean. As cybercriminals have become more sophisticated and organized, they too have become APTs, with their reach extending the entire breadth and depth of our information superhighways. 

Ransomware is a specific type of malware that infects information systems with the goal of making them inaccessible until a ransom is paid in exchange for restoring the victim’s access. Such a disruption can be crippling for an organization, often leaving leadership with no other choice but to submit to the ransomer’s demands in order to resume normal operations as quickly as possible. Information security professionals and government agencies agree that paying these ransoms is incentivizing future attacks, and should only be done as a last resort. However, without adequate alternatives, the average cost of downtime remains 24 times higher than the average ransom amount, resulting in ransom payment being considered the most expedient and cost-effective solution for the victim. 

The U.S. Department of Treasury announced in October of 2020 that companies facilitating payments on behalf of ransomware victims may be in violation of federal law if the cybercriminals are on a list of sanctioned entities identified by OFAC (Office of Foreign Assets Control). Several states have followed suit and begun drafting legislation that would criminalize paying these kinds of ransoms. There is significant debate in the security community as to whether or not this outright ban on paying ransoms would cause more harm than good. Banning ransom payments would almost certainly result in the creation of another black market to facilitate these transactions and discourage victims from reporting ransomware incidents to the authorities. A similar position was taken by the USG in response to hostage ransom payments by families. Ultimately, however, punishing the victim was determined to be an ineffective—and unethical—deterrent, nor did we see ripples of that preclusion within the international hostage-taking market. The Treasury Department’s recent involvement in cyber extortion response, specifically their success in returning $2.3M of the $4.4M ransom paid for the Colonial Pipeline extortion event, is a significant demonstration of the benefit of including the USG in extortion response efforts. 

The scale and sophistication of ransomware attacks have been steadily increasing since Joseph Popp—widely credited as the father of digital ransom—first attempted to extort victims of the PC Cyborg Trojan he authored nearly 30 years ago. Once a system had been infected, Popp’s malware asked victims to send $189 to a post office box in Panama in exchange for a repair tool. By comparison, the largest single payout for ransomware to date was made in May of 2021 by CNA Financial in the amount of $40M worth of Bitcoin. 

The final step in any sales funnel is always the completion of a financial transaction. One of the major enabling factors for the profitability of cybercrime has been the proliferation of cryptocurrency. $40M worth of pirate booty would weigh around 1,370 pounds in the form of gold, or just over 880 pounds in the form of $100 bills. Bitcoin, on the other hand, weighs absolutely nothing. Not only is cryptocurrency easy to store and move around, but it’s also hard to track and easy to launder. While this is advantageous for the attackers it can present additional challenges for their victims. 

Many organizations that fall victim to ransomware don’t have the liquidity to pay such ransoms, let alone cryptocurrency assets on their balance sheets. Ransomware attacks typically involve a ticking clock intended to create a sense of urgency in victims. The time factor compounds victims’ panic by threatening to delete their data permanently if the ransom isn’t paid by a certain deadline. For organizations who don’t have any backups of their data, this could be the iceberg in their hull that sinks them for good. For organizations who have the means and foresight to maintain robust backups, attackers will often threaten to publish their sensitive data and invaluable intellectual property if their ransom demands aren’t met; this trend is called “double extortion”. For victims scrambling to make ransom payments, getting their hands on enough cryptocurrency can be a challenge. Cash is still king in terms of liquidity. Even Bitcoin—easily the most liquid of all cryptocurrencies—isn’t anywhere close to fiat currencies in terms of its liquidity. The popularity of Bitcoin has led to dramatic increases in the volume of transactions, which can lead to significant delays in conversions and transactions. When evaluating the risk ransomware poses to your organization it is critical to consider these secondary and tertiary risks beyond the inability to access your data. 

If your organization maintains digital assets of any significant value, the possibility of falling victim to a ransomware attack should be high on the heatmap of your risk assessment. However, there are steps individuals and corporations can take to ensure that an extortion-level event does not become an extinction-level event. So, what can you do to not be a victim of piracy on the IPs? 

  1. Prepare. Conduct a business impact assessment to understand the impact a cyber extortion event could have on your organization. This should include a financial analysis for potential ransom responses and techniques for ransom payment, if necessary. Develop a robust incident response plan and conduct table-top exercises on a regular cadence to build muscle memory, test its efficacy, and identify gaps. 
  2. Prevent. Use a password manager and long, strong, unique passwords in conjunction with multi-factor authentication wherever possible. Keep systems up-to-date to limit vulnerabilities and restrict access to information systems according to the principle of least privilege. Educate your workforce with engaging security awareness training, especially with respect to identifying and reporting phishing emails.
  3. Partner. Experts in the cyber crisis field can assist you prior to and during these extortion events. All too often ransomware victims wait to reach out until after the breach has occurred. For best results, it is highly recommended to establish a relationship with a trusted partner prior to an incident occurring to enable efficient and effective solutions. 
image from Meghan Kehoe for use by 360 Magazine

GASHI ANNOUNCES NORTH AMERICAN TOUR DATES

Last week, genre-bending artist GASHI announced his 2022 Out The Door North American tour. The 24-date tour will start in Oakland, CA on March 18th and end in San Diego on April 21st. Excited to get back on the road, GASHI will bring his live energy to the stage this summer at E11EVN Miami on July 16th and joining Wiz Khalifa in Chicago on July 17th.

Tickets for the tour will go on sale to the general public on July 23rd at 10:00 AM Local Time with various pre-sales starting as early as July 20th. For artist and partner pre-sales and more information please click HERE.

Just last month, GASHI released his new single and music video for, “Don’t Pass On Love.” You can listen to his new single HERE. You can watch the accompanying music video HERE. Look out for more music from GASHI coming soon.

North American Tour 2022:

March 18, 2022           Oakland, CA                New Parish

March 19, 2022           Sacramento, CA          Harlows

March 21, 2022           Seattle, WA                 The Crocodile

March 22, 2022           Vancouver, BC            Biltmore Ballroom

March 23, 2022           Portland, OR               Hawthorne

March 25, 2022           Salt Lake City, UT        Urban Lounge

March 26, 2022           Denver, CO                  Cervantes Otherside

March 28, 2022           Minneapolis, MN        Fine Line

March 29, 2022           Chicago, IL                  Bottom Lounge

March 30, 2022           Cleveland, OH             Grog Shop

April 1, 2022                Detroit, MI                  Majestic

April 2, 2022                Toronto, ON                Mod Club

April 3, 2022                Montreal, QC              L’Astral

April 5, 2022                Boston, MA                 Sinclair

April 6, 2022                Philadelphia, PA          Foundry

April 8, 2022                Washington, DC         Union Stage

April 9, 2022                New York, NY              Irving Plaza

April 11, 2022              Durham, NC                Motorco

April 12, 2022              Atlanta, GA                 Masquerade – Hell Stage

April 14, 2022              Houston, TX                Warehouse Live Studio

April 15, 2022              Dallas, TX                    Trees

April 16, 2022              Austin, TX                    Empire Control Room & Garage

April 19, 2022              Phoenix, AZ                Crescent Ballroom

April 21, 2022              San Diego, CA             Music Box

About GASHI:

Born in Libya, GASHI spent much of his young life as a refugee, moving from country to country. His family eventually settled in Brooklyn, NY, where he was introduced to music at a very young age. GASHI absorbed a melting pot of musical influences throughout his youth, resulting in the formation of his own unique sonic palette that blends together different genres of music. His dynamic sound has allowed GASHI to collaborate with a wide range of talents ranging from Chris Brown to Travis Scott. In the last couple of years, he released two studio albums album, sold out venues across the globe, and has accumulated over 720 million streams with over 130 million video views worldwide.

Last summer, GASHI released his sophomore album 1984 which saw GASHI exploring and harboring new sounds that brought you back to his favorite time—the ’80s and featured his breakout hit “Mama” with the legendary Sting. He also released his documentary GASHI: Now You Know (watch HERE) and performed his first ever livestream performance featuring tracks from the 1984 album (watch the performance HERE).

Lifetime Cover Art via Republic Records for use by 360 Magazine

Swedish House Mafia – Lifetime × It Gets Better

Global supergroup Swedish House Mafia have just released a new song and video “Lifetime” featuring Ty Dolla $ign and 070 Shake, following up on  last week’s release of “It Gets Better” which was accompanied by the news of their reunion and signing to the prestigious Republic Records. The band are performing on today’s episode of The Tonight Show Starring Jimmy Fallon with both Ty Dolla $ign and 070 Shake joining in.  The seminal global group last released music in 2013 with fans and press worldwide hoping and speculating for years about a return.

PAPER said about the group, “The track absolutely slaps no matter how much of a club snob you might pretend to be, but ‘It Gets Better’ is also a huge stylistic curve ball from the group embracing a sound more akin to The Chemical Brothers than a 2012 peer like Avicii or Tiësto.” VULTURE said “The progressive-house giants have released their first new song in eight years, ‘It Gets Better,’ which incorporates some techno influences and features an instantly infectious, clangy drop.”

Listen to “Lifetime” HERE

Listen to “It Gets Better” HERE.

About Swedish House Mafia

Formed in Stockholm in 2008, Swedish House Mafia is, as the name suggests, a Swedish House music group. They placed number ten on the DJ Mag Top 100 DJ Poll 2011, and were incredibly influential in the rise of House and EDM music in the early 2010s with their biggest hit being “Don’t You Worry Child.” In 2012, the band officially said they were splitting up and were on hiatus until last week when they announced their reunion.

1500 Sound Academy x ASU — Music Program for use by 360 Magazine

SZNS Launch Swimwear Brand

Los Angeles based pop-quartet SZNS are set to launch their own swimwear brand SZNS SWIM. This news follows the groups recent Times Square billboard and feature in People Magazine for their newest single “Build A Boy.” SZNS music gives a fresh take on the classic 90’s girl group music we all know and love with blending elements of EDM, Latin-synth, and House inspired beats, incorporating the styles and backgrounds of all its members. Similarly, to their song writing process Winter, Spring, Summer, and Autumn have brought together their unique styles in collaboration with Brazil’s top active wear workshop São Paolo to create the vibrant SZNS SWIM collection. Just as they have with their music SZNS want to make a product for all to enjoy no matter who they are.

When asked about their new swimwear line SZNS SWIM, SZNS said, “SZNS aims to inspire women and girls everywhere with their message of self-love and empowerment! SZNS SWIM is a natural extension of this message as SZNS SWIM embraces all body types, shapes, and sizes!”

In order to better understand SZNS, one must first understand the unique personalities of each member Winter, Spring, Summer, and Autumn and how their names uniquely play into seasons they represent.  Winter for instance is your shoulder to cry on, a listening ear and your biggest advocate, someone who is there for you during those tough times. All Spring wants in life is to connect and heal people through her music, using her talents to help others grow through her art similarly to how the showers of April bring help bring the beautiful flowers of May. Autumn on the other hand is troublemaker of the group, some might see her tough exterior but those closest to her in SZNS know she’s a real softie, you may find her out on town on Friday night but you have just a good a chance of finding her curled up on the couch watching Netflix. While Summer is known for being the bubbliest of the group, and can be found dancing everywhere she goes bringing her energy that turns even your darkest times to a bright sunny day. Together these four personalities come together to create the fresh high energy sound of SZNS. With this in mind SZNS are getting ready to release a series of four EP’s each specifically crafted for each member/season, emanating power, vulnerability, wit, and reality ranging from bass dropping dance beats to sultry ballads! Stay tuned to SZNS’s socials (below) for more information on the release of SZNS SWIM as well as upcoming tour dates and new music releases from SZNS.

Music Notes by Mina Tocalini for use by 360 Magazine

Alex Banin Unveils EP

Today, rising singer/songwriter Alex Banin unveils her debut EP, DID I IMAGINE. To coincide with the release, she also releases a visual for standout track “Forget About It,” which was shot in Chicago.

Click HERE to listen. Watch the video HERE.

The London born, Chicago based, by way of New York artist emerges with her introspective and reflective debut, which showcases her soulful vocals over relatable storytelling in her lyrics. The result is powerful genre-bending, emotive R&B/soul and pop music with hip-hip and electronic influenced production elements.

The 4-track offering includes production from Chuck Inglish, vlush and Mike Hector as well as a feature from Chicago rapper, Saba.

On the inspiration for the project and title Banin shares “When you have a lot of time to reflect on stuff, you don’t know if everything is accurate later.” “Am I remembering things correctly? Is this really how I felt? How I was feeling was real, but I waited so long to write about it that it’s hard to tell.”

Banin previously shared single releases “Hollywood (No This Isn’t), “Nightmare” and “About April” and standout “Hawthorne” that has nearly half a million streams on Spotify.

Listen to DID I IMAGINE HERE:

Spotify Apple Music

Watch “Forget About It” HERE

CLEVER image provided by Beau Benton and Republic Records for use by 360 MAGAZINE

CLEVER × Tattoo Your Name

Today, acclaimed genre-breaking hitmaker CLEVER uncovers a new single and music video entitled “Tattoo Your Name” via Posty Co./Republic Records.  Listen to “Tattoo Your Name”—HERE. Watch the music video for “Tattoo Your Name”—HERE.

On the track, airy guitar cuts through 808s, and CLEVER’s instantly recognizable wail takes hold as he croons, “I want to tattoo your name on my bones, so it’s there when I’m gone. In the accompanying visual, he delivers an emotionally charged performance by a lake. Meanwhile, an artist etches his wife’s name, Lyndsie, right next to his earlobe. “Tattoo Your Name”captures all of the cathartic intensity he remains renowned for.

Next up, CLEVER launches his first North American headline run the Call Me Nobody Tour this fall. After he makes appearances at Lollapalooza on July 29 and Firefly Festival on September 26, the tour kicks off on October 22 in San Francisco, CA at Great American Music Hall, rolls through major markets coast-to-coast, and comes to a close at the world-famous Roxy in West Hollywood, CA on November 21.

Check out the full confirmed itinerary below.

CLEVER will be touring in support of his critically acclaimed debut album, CRAZY, available now via Posty Co./Republic Records. Listen to CRAZYHERE.

Be on the lookout for more from CLEVER soon.

Amber Van Day image provided by Madi Florence and Capitol Records for use by 360 MAGAZINE

Amber Van Day Releases Touch

Once again, the multitalented Amber Van Day is taking us back to the dance floor with the release of her second solo single “Touch” out via Capitol Records. Following her global Shazam success with her debut single “Kids in the Corner”, prominently featured in the opening scene of the #1-Netflix-Show “Fate: The Winx Saga”, and her anthemic collaboration “See You In Tears” with fellow singer, songwriter and creative powerhouse Ilira, the new single “Touch” has everything to become the anthem of the summer! Stream HERE.

The beat-driven tune, infectious hook and stunning vocals melt into a catchy dance pop banger, celebrating desires, lust, passion and closeness. Especially the latter, which was more or less banned in the past pandemic months and left a void in all of us. “Touch” is the perfect sequel to the self-reflecting and powerful songs Amber Van Day has released so far, adding another hit to her more dance infused productions and collaborations such as Hugel, Younotus and most recently the top UK producers Goodboys (Meduza / Piece Of My Heart). The new single is coming from the empowering perspective of a young female artist, who is in the game to stay and eventually takes what she desires.

“Writing Touch was so much fun. I don’t really write too much about love or lust but this was a really natural one for me”, Amber says about the creative process behind the new single. “We kept all of the original ideas from the first session and even the original vocals in for the final version. The production feels really nostalgic. I do just love how dark and conversational it is.”

The Academic image provided by Madi Florence and Capitol Records for use by 360 MAGAZINE

The Academic × Community Spirit EP

Irish purveyors of hook-heavy indie-rock scorchers The Academic are excited to share the Community Spirit EP, featuring the new single “Not Your Summer” out now via Capitol Records. Listen to the full EP HERE.

“Not Your Summer” opens Community Spirit, and debuted on Thursday with a global first live animation event using Google Slides, created in collaboration with BDDO New York and Open the Portal. Fans were able to watch live as a team of animators put together the video in real time. Click HERE for more information on the Google Slides collaboration. It’s a fizzing, frenetic tune, with Craig Fitzgerald’s vocals floating effortlessly over a bed of breezy guitar chords. The circumstances in which the song is being released only adds pertinence to this wistful ode to what would usually be such a celebratory season. “Maybe it’s not your summer // Maybe it’s not your year,” resolves the song’s chorus hook, delivered in a cool falsetto which brings to mind The Strokes’ Julian Casablancas.

Although “Not Your Summer” wasn’t written directly about lockdown, the anxiety induced by the pandemic has undeniably left its mark on the single. Frontman Craig explains: “Enjoying your own company can be a great thing, but it can also take its toll and that’s how I was feeling at the time, needing time away from myself.”

Community Spirit sees the Mullinger four-piece honing their knack for epitomizing the excitement and apprehension that one meets at the intersect between youth and adulthood, without a hint of cynicism or pretense. These are sky-scraping, heart-on-the sleeve anthems, accented with guitar hooks which immediately take up residency in the head of anyone who listens.

Kids (Don’t End Up Like Me)“- the only cut from Community Spirit to have been shared thus far – marked an unflinching return from The Academic. Written by Craig as a teenager, the song documents his fears of never leaving his hometown or amounting to anything. “I started looking through all my old notebooks and found this song fully written,” he says, retrospectively. “I had a gut feeling that it might come to life now with a few more years of living behind me since it was originally written.”

Having collaborated with Kaiser Chief’s Nick Hodgson on last year’s Acting My Age EP, this new collection of tracks will mark The Academic stepping into the producer’s role, unquestionably developing as musicians with each thumping release that passes.

Despite their young years, Craig, Dean, Matthew and Stephen have already acquired a following and a CV that many bands would relish from a lifetime of work. Support slots with Pixies, Noel Gallagher’s High Flying Birds and The Rolling Stones (upon Sir Jagger’s personal request), as well as a debut album that reached #1 chart in the Irish charts, firmly cements The Academic in an enviable position amongst their peers in the category of UK and Irish bands on the path to global superstardom.

WATCH THE “KIDS (DON’T END UP LIKE ME)” VIDEO HERE

image from Christina Santamaria for use by 360 Magazine

RYAN LEVINE — “SIGNS”

On Friday, singer and songwriter Ryan LeVine shared his debut solo single “Signs,” via BMG. You can listen to the new song HERE. This is the first song from his upcoming EP, Good Things To Remember, out October 22. Alongside the new song, Ryan will perform at Hotel Cafe in Los Angeles this Saturday, July 17. Tickets are available HERE.

At the end of 2018, Ryan LeVine’s life cracked down the center. His band of six years, Wildling, called it quits and his relationship with “the one,” fell apart. Like it always had been, songwriting was the only tool he knew to use as a means of processing the loss and confusion. This time however, he traded elaborate home demos for simple voice memos and focused a lot more on the songwriting rather than the production. Ryan started recording the EP in early 2020 at Boulevard Studios in Los Angeles and then connected with his co-producer Kevin Ratterman (My Morning Jacket, Ray LaMontagne) to finish the songs at Kevin’s home studio later that spring. The result was an introspective body of work which reveals a songwriter searching for answers. While he may not always find them, there is a resolving sense of peace that comes from the process.

About the first single “Signs,” Ryan shares, “It speaks to feelings of self-doubt, lack of faith, and apathy. I’m vulnerable here, even wounded, and unsure of how to move forward. I like how the song doesn’t exactly resolve or answer any of its questions. There’s an awareness of the state I’m in and a desire to move through it, but no real answers yet. Ultimately, I’m okay to sit with that uncertainty.”

Stay tuned for the official music video for “Signs” and more new music very soon.

image from Lydia Kanuga for use by 360 Magazine

ILLENIUM — FALLEN EMBERS

PLATINUM CROSSOVER ELECTRONIC ARTIST AND PRODUCER/DJ ILLENIUM RELEASES HIGHLY ANTICIPATED FOURTH ALBUM

Fallen Embers, the highly anticipated fourth album from platinum crossover electronic artist and producer/DJ ILLENIUM makes its debut today via 12Tone Music. You can listen to the new album HERE.

Following a roll out of singles including “Nightlight” (150M global streams), “Hearts on Fire” with Dabin feat. Lights (60M global streams) “First Time” feat. iann dior (50M global streams), “Sideways” with Valerie Broussard and Nurko (25M global streams) and “Heavenly Side” with Matt Maeson (5M global streams) ILLENIUM now has accumulated over 300M global streams on all of his 12Tone Music releases and collectively has more than 5B global streams on his entire catalog.

Earlier this month, ILLENIUM performed a four-set show at The Las Vegas Raiders’ Allegiant Stadium, making him the first artist to ever perform at the venue. The first three sets at the show commemorated his previous 3 albums—Ashes, Awake and Ascend. The night ended with a final set, bringing closure to the story of the previously mentioned albums and starting a new one with Fallen Embers.

Of the new album, ILLENIUM shares, “This album is the result of my healing and personal growth. A lot of passion went into every single song. Thank you to everyone involved who helped make this album what it is. I’m stoked it’s finally here and I hope you enjoy the start of this new chapter I’m sharing with you.”

Adds Steve Bartels, “It has been an amazing trail from the end of the trilogy until now, making new history in releasing ILLENIUM’s latest musical chapter Fallen Embers.  All of us at 12Tone Music and our many global partners have worked tirelessly to match the musical journey and intensity that ILLENIUM has brought forth. We can now share each of these Fallen Embers with the world stage and burn brightest with collective belief.”

Fallen Embers Tracklist:

  1. “Blame Myself” with Tori Kelly
  2. “Heavenly Side” with Matt Maeson
  3. “Fragments” with Natalie Taylor
  4. “Sideways” with Valerie Broussard and Nurko
  5. “First Time” with iann dior
  6. “U & Me” with Sasha Sloan
  7. “Nightlight” with Anikka Wells
  8. “Hearts on Fire” with Dabin and Lights
  9. “Lay It Down” with Krewella and SLANDER
  10. “Losing Patience” with nothing,nowhere
  11. “In My Mind” with Excision and HALIENE
  12. “Paper Thin” with Tom DeLonge and Angels & Airwaves
  13. “Crazy Times” with SAID THE SKY and Rock Mafia
  14. “Brave Soul” with Emma Grace

About ILLENIUM:

As one of the most successful crossover electronic artists today, Denver-based producer/DJ ILLENIUM, née Nick Miller, has elevated dance music via his bold, progressive take on the genre. His expansive sound, which mixes elements of celestial electronic, mellow alternative, rock-fuel dubstep, emotional indie and pop-tinged bass music, has topped the U.S. charts, and garnered more than 5 billion collective streams.

Recognized as one of Billboard’s Top Dance/Electronic Artists of the 2010s, ILLENIUM brings his dynamic music to life via his live show, which has dominated festivals like Coachella, Lollapalooza, Bonnaroo and EDC. His 2019 Ascend Tour, which featured a five-piece live band, sold out landmark venues like Madison Square Garden, STAPLES Center and three consecutive nights at Red Rocks Amphitheatre. Most recently ILLENIUM performed his four-set Trilogy show at Allegiant Stadium in Las Vegas, becoming the first artist to ever perform at the venue.