Tara Reid burst onto the scene as the flawless blue-eyed babe of the iconic 1999 camp comedy American Pie, a Fast Times at Ridgemont High for twenty-something Gen-Xers and precocious Millennials. Her flawless all-American looks led to films from cult favorite The Big Lebowski, to Urban Legend, Van Wilder, Josie and the Pussycats, Dr. T & the Women and My Boss’s Daughter. She starred and held her own alongside Ryan Reynolds, Ashton Kutcher, Rosario Dawson, Kate Hudson, Richard Gere and other movie heavyweights.
And then… something happened. Reid was young, stunning and famous; and the media began taking more of an interest in her after-hours role as Hollywood’s resident party girl.
A painful public breakup with then-fiancé Carson Daly and a bout with botched plastic surgery further spun Reid’s public narrative out of control. She recently told E! news, “They almost make a cartoon character out of you, and they keep going with it,” referring to the rampant tabloid journalism of the 2000s.
The experience sent Reid reeling, and into a self-imposed exile where she learned to reflect, regroup, and re-emerge focused on her craft, and with a healthy sense of humor as she displays in her willingness to embrace the camp genre with the Sharknado film series. In addition to working in front of the camera, she’s added film producer to her resume, with an upcoming slate of releases under her production banner, Hi Happy Films.
The following are excerpts from internationally syndicated columnist Allison Kugel’s latest interview, featuring Tara Reid. The interview is available for re-publication in its entirety, or in select quotable excerpts.
On working with the late DMX on his last film:
“It’s a movie called Doggmen. It’s his last film and it was really interesting, because he didn’t get to finish the whole film. They had to do what they did with Paul Walker (in his last Fast & Furious role). They make these facial sculptures and they put it on a face, and it looks exactly like him. It’s crazy. The last couple of scenes that he has to film, that will be what they are doing. It’s incredible and it looks so real. So, that is how they are going to film his last scenes, and I’ll be in those scenes with him. I think everyone was absolutely broken by DMX’s [death]. He wasn’t just a great rapper, but he was a poet. I think he was one of the best rappers of our time, and this movie explains that. The last person that really did that was Tupac. I think it will be a great film. He’s a great actor, he’s a voice, and that mattered a lot to him. I think he will be really happy about how this movie comes out and looks. It’s DMX, and just to be a part of that history with him is pretty much incredible.”
On forgiving the tabloid media for how they treated her in the past:
“I didn’t [for a long time], and I was upset about it when I was younger. But I realized the only way I was going to grow and get out of that situation was to grow as a woman. So therefore, I do forgive them now. I have moved on, and my press has changed. I’m not angry about it anymore. When you finally let something go, it goes. It’s like taking a balloon and putting it up in the air, and it’s gone. I’m 45 years old and I’m not a child anymore. I’m not the little girl from American Pie.”
On one historical event she would love to witness if she could time travel:
“I wouldn’t want to change anything, but if I were to go back in time to a historical event that was fun, I would have loved to have been Marilyn Monroe singing “Happy Birthday” to the president [John F. Kennedy] (laugh). It was such a legendary moment.”
On freezing her eggs for a maybe baby:
“Will I have kids? Let’s see what is in store for me. It’s not a no, and it’s not a yes. I have gotten my eggs frozen so there is definitely the potential of that. If it is meant to be, it will happen. If not, I’m very comfortable where I’m at.”
How prayer and listening to Deepak Chopra changed her life:
“I do pray, and who I pray to depends on what situation I am in. I pray to Jesus, but I also pray to my parents all the time. They are probably my number one. And I pray to my guardian angels; I pray to St. Jude, St. John, or St. Christopher. They have different meanings depending upon what you are in need of. I also listen to tapes by Deepak Chopra which has helped me tremendously. His tapes help you break down, ‘Who am I close to? Who am I? What do I want? What do I not want?’ And you really have to write it out in a diary form. My life started changing. A lot of us don’t know how to direct that positive energy, and I think that he is someone that really knows how to give that to you.”
Back in 2016, the BBC delivered its first mini-computer to one million school children in the UK. Originally unveiled in the summer of 2015, the plan was for the computer to “…change the way children think about their ability to make things happen digitally,” according to then BBC director-general, Tony Hall.
At the time of the BBC micro:bit’s launch, schools across the country had already been using Raspberry Pi in the classroom for a few years. The Pi was first launched in the UK in 2012 and in the nine years that have passed, this single-board computer has become part of a market that’s grown rapidly, with an estimated worth of $3.8 billion by 2027.
So, what’s the difference between the two? Read on to find out how they compare and what they offer.
The BBC micro:bit – computers for curious kids
The BBC micro:bit was developed to help children master basic coding and give them the opportunity to gain an interest in programming early in their education. It is known for being basic – but that’s the point. Its purpose is to offer a user-friendly approach to coding for young people.
This palm-sized mini-computer has a 25-LED matrix screen, two buttons, compass, accelerometer and Bluetooth. It also has 3 PINs so that it can be connected to external inputs and outputs like thermometers, lights, and buzzers. Last autumn, it received an upgrade, with new models featuring a speaker, microphone, and AI capability.
Crucially, it’s a microcontroller. This means that it has no interface that’s accessed by hooking it up to a monitor. Instead, you write a program on it computer and the code is uploaded to the board.
The Raspberry Pi – computers for everyone
The Pi is a very different device to the micro:bit. This is a credit card-sized single-board microcomputer. Unlike the micro:bit, which is a microcontroller, the Pi has an interface that can be accessed by plugging it into a monitor. While the Raspberry Pi Foundation launched its first microcontroller – the Pi Pico – earlier this year, it’s still known for developing microcomputers. This is significantly different to the micro:bit.
Another major difference is that the Pi is more advanced. It offers access to a range of applications that suit children and adults alike, with Scratch being a popular option among schoolchildren.
However, the Pi can be used as a desktop, too. The latest model, the Pi 4, comes is fast enough to operate as a desktop replacement that works well for internet browsing, writing notes, and other basic functions.
What’s the difference?
BBC micro:bit was never meant to rival the Pi. In fact, it was designed as a steppingstone for children to learn the building blocks of coding before moving on to the more advanced Pi.
It’s worth keeping this in mind if you’re trying to decide between the two. If you’re starting out in the world of coding and programming, the micro:bit has what you need. But if you’re planning a bigger project and have already laid the coding groundwork, the Raspberry Pi could be ideal.
Reese Sherman is a talented photographer who creates stunning portraiture. The photographer has been featured by the likes of Town & Country, Essence, Ambassador Digital Magazine, W Magazine, Muze, and more. The vibrant portfolio of Sherman’s evocative, striking, beautiful photographs can be viewed on their website or Instagram. Sherman looks to empower viewers with their photography and highlight gender-neutral inclusivity and LGBT+ acceptance. During this pride month, we sat down with the artist to discuss their latest photography project, which involves self-exploration, unity, and love.
Could you tell us about your photographic approach to this project?
This all came about during the BLM and Trans Lives Matter movement, where I was noticing so many people were standing up and showing up as themselves. Such an array of different people showed off their style and spoke loud and proud about who they are. [It] really inspired me to pick up my camera and shoot my husband wearing masculine clothes mixed with feminine jewelry against bright, bold and colorful backdrops. [These photos] showcase[ed] him being 100% comfortable within the style of art and fashion. I wanted to explore incorporating feminine elements within a masculine framework in a way that transcends sexuality. This is all about style and freedom and identity that goes beyond any pre-conceived category.
“This is all about style, freedom, and identity…” Was your model, Jamarr, a part of the creative process as well?
Jamarr is a creative individual… I love to collaborate with him and have him give his input into projects, especially this one, where we both styled the wardrobe and jewelry. Also having my husband a part of this, I wanted the story to stay true to his own authentic style, since his normal everyday accessory wear isn’t geared towards feminine pieces. But, styling him with a pink beaded necklace, yellow roses and eyeliner really took him out of his norm—but he was confident in wearing it all.
Did photographing your partner make this project more intimate/personal?
Absolutely! We just know each other so well to the point when we first started to talk about this project, we spoke about the issues the LGBTQ+ community was going through. The issues that the Black community was dealing with made this personal to us. Seeing Jamarr model and stay grounded in his sexuality was inspiring to me. This made us both proud of what we’re hoping to accomplish, which is gender-neutral inclusivity.
Some of your images are more detailed and some of them not, could you tell us what this mean/how you would like the viewers to interpret your photos?
I want the viewers to see timeless, intimate and non-conforming pictures. I want viewers to feel confident to do whatever is it that makes them happy. if you want to pile on a bunch of jewelry head-to-toe, do it! If you’re a man and you come across an accessory that is traditionally feminine, wear it and be proud! If you’re a woman, same thing applies, if you want to wear clothing that’s traditionally male. Be proud of how you present yourself. I just want people to feel empowered.
What is the most important component of this collection of work?
Two words: unity and love.
What is the most challenging component of this collection of work?
The challenge was putting this all together and hoping the result would match what we envisioned in our minds.
Could you comment on the styling of choice and what inspired you to choose these colors in particular? (Apart from the colors of the pride flag!)
The unapologetic energy of the model, the juxtaposition of the traditionally feminine jewelry against his body hair, the structured clothing made of shiny, flowing fabrics—they all promote the idea that masculinity is what you make it. Initially the pink just felt fun and exciting. Yellow felt like sun kissed skin plus it reminded us of “Breakfast at Tiffany’s.” The orange/red was striking and sexy. And a lot of the jewelry was my grandmother’s, so that added an even more personal aspect to the work.
Kaylynn Sanchez, aka Kay Lindaa, is a talented tattoo artist based out of the Brooklyn, New York. 360 Magazine first had the pleasure of meeting Kay when she tattooed at the Bodega, our pop culture and design pop-up shop. At the event, Kay impressed all of the guests with her dazzling artistry. With over four thousand followers on her thriving Instagram, Kay is a Brooklyn tattoo artist who is quickly on the rise. She spoke with us about how she got into the tattoo industry, her participation in the Bodega, and her favorite parts of the profession.
When did you first start tattooing?
I first started professionally tattooing at the age of 19, about two years ago. But the first time I picked up a machine was about 14 years old. I always knew I wanted to be a tattoo artist at the age of 13, so ever since then I just stuck with it.
What styles do you predominantly tattoo?
I predominantly do Polynesian/tribal, anime, and black & grey realism.
Do you prefer working in black and white or color?
I prefer working in black & grey because I like the depth that it brings out in realism. It reminds me of drawing and sketching–which is something I always enjoyed doing– [I] use pencil and sketch out anything that comes to mind or inspires me.
What is your favorite part of being a tattoo artist?
The art, clientele, environment, and the satisfaction of seeing the final piece–all while making my customers happy. I would say my favorite part of being a tattoo artist is everything that it consists of.
Do you offer flash sheets of your work? Where is the best place for prospective clients to view your tattooing portfolio?
I don’t have any flash sheets made yet, but I do share all of my work on social media platforms, such as Instagram.
What was your favorite tattoo design you worked on at The Bodega?
My favorite tattoo design that I worked on at The Bodega was a 616 tattoo. It was my favorite because it was different to me and no one else had that style tattoo, so it was original.
If readers are interested in booking a tattoo appointment with you, how is the best way to do so?
The best way for anyone to book a tattoo appointment with me is to reach me through my Instagram and DM me. Or, contact me through my business card where my business phone can be reached at (332) 216-5256
PrideHouseLA has created major buzz this June during pride month. The accepting, rainbow-emblazoned content house supports the LGBTQIA+ community and is a judgement free zone for all. The content house’s members consist of Mollee Gray, Jeka Jane, Kent Boyd, and Garrett Clayton. Together, the Pride House collective looks to spread tolerance and supports everyone being the most authentic version of themselves. We spoke with the members of the house about their coming out stories, advice for those who may be afraid to come out, and how PrideHouse fosters queer expression.
What was the original concept for PrideHouseLA?
PrideHouseLA was always intended to be an inclusive platform for people in the LGBTQ+ community and our allies! We wanted to create a positive space that radiates acceptance and love, regardless of your sexual orientation or gender identity!
If you’re comfortable saying so, how does everyone in the house identify and what are their pronouns?
Of course!
Mollee Gray: I’m queer and my pronouns are She/Her.
Jeka Jane: I’m straight and my pronouns are He/Him.
Kent Boyd: I’m gay and my pronouns are He/Him.
Garrett Clayton: I’m gay and my pronouns are He/Him.
Besides PrideHouseLA members being part of the LGBT community, in what ways does the PrideHouse foster and feature queer expression?
We truly feel that queer expression is what makes us PrideHouseLA! Whether it be “gender bending” how we identify, or simply just being, we represent our community in all facets! The community is really big on self-expression. Through the arts, makeup and creative collaborations, PrideHouseLA is extremely vibrant and loud with how we choose to showcase our life!
What are the biggest ways in which PrideHouseLA is contributing to the LGBT community?
PrideHouseLA is very involved with GLAAD and is openly supporting The Trevor Project as our charity on social media. Apart from being an advocate for big organizations, we personally take the time to respond to our DM’s, support small LGBTQ+ businesses, and always make sure to be extremely active in elections to make sure our community is being fought for and to demand that our rights be as important as others!
If they’re comfortable answering, what were all of your coming out experiences like?
Mollee: I grew up Mormon in Utah, so I was extremely nervous to come out. I do believe it was a shock to some people and others responded with, “I’ve been waiting for you to tell me.” I had to be okay with it being a process for everyone and not just myself. I didn’t come out until I was about 20, so I know it was a change for others! I gave people who needed time, time and they were able to witness my relationships and see that love is love! They realized that who I love is just as valid as who they love.
Garrett: When I came out to my mom, I accidentally dramatized it by saying I had something really important to tell her…she got nervous and thought I was doing drugs! I immediately told her no, and that I just needed her to know I was gay. Right away, she said she knew and that she loved me so much. The response was the same with my step dad! The relationship with my brother is very different. Ever since I came out, our relationship has been estranged. He does not believe I should have the right to get married, which is obviously very hurtful and unacceptable, so we have not spoken in years.
Jeka: My coming out story is pretty crazy, and I feel like a lot of trans people can relate. In elementary school I had my first realization that I wasn’t a girl, but back then transgender wasn’t a big topic so my feelings just fell away. I always knew I was attracted to girls and the only label, and I use that lightly, that made sense was lesbian. Something about that didn’t sit right. My mom was very accepting but some other family member weren’t so inviting. They told me it was a phase. I didn’t let that affect me! I lived with this mask on for years. Then, one of my really good friends came out as transgender a few years back and my gut just sank. I remember the feeling of being weirdly jealous. Not in a bad way, but in a way that he was living his truth and I was stuck wearing this mask. First came top surgery, which was a slow filter into what I was really feeling without actually realizing it. After some time with this internal battle I told my wife “I am transgender.” Oh the weight that I felt lift off my shoulders. Since then, I’ve been educating myself on trans issues and really connecting with my community. I want people to know that there’s no timeline for coming out. So do it at your own pace and safely.
Kent: I actually was very lucky, being from Ohio. I came out to each of my family members, and gratefully enough, they were all so supportive. My sister was the first one I told, and she was so sweet and accepting. She later wrote me a letter explaining that she was just sad that I hadn’t let her in sooner, but she was so happy I finally did.
What advice would you have for fans of PrideHouseLA who are afraid to come out?
Coming out is YOUR process and YOU deserve the right to handle it how you want. Please know that you always have a safe space with PrideHouseLA, and we will love you unconditionally!
PrideHouseLA has already collaborated with internet personalities such as Todrick, Jojo Siwa, and Ruba. Can fans expect any other internet collaborations to come?
Yes! We have some really fun ones coming up, so follow us on TikTok and Instagram to stay up to date!
Does PrideHouseLA have any exciting, upcoming plans for Pride Month?
Most definitely! We will be hosting our own event as well as teaming up with our community to bring you all the joy and excitement this month!
“It’s human nature to want to go further, do more, be greater than ourselves. The innate desire to extend horizons and define new limits is an instinct we’ve always understood at Rolls-Royce; and we have acted upon it once again with our new Landspeed Collection.
“The Collection, which includes both Wraith and Dawn Black Badge, celebrates someone with exactly that dauntless, fearless, pioneering spirit. His name was Captain George Eyston, a Cambridge University graduate, racing driver, gifted inventor and engineering genius. In the late 1930s, he broke the world landspeed record three times with his car Thunderbolt, powered by two Rolls-Royce R V12 aero engines. He was a true hero from an age of epic endeavours; yet both he and Thunderbolt have been all-but forgotten for more than 80 years.
“With this Collection, we have revived Eyston’s memory and retold his remarkable story. Throughout Wraith and Dawn Landspeed, clients will find numerous subtle design elements and narrative details that recall and commemorate his amazing achievements, grand vision and exceptional courage.”
–Torsten Müller-Ötvös, CEO, Rolls-Royce Motor Cars
Rolls-Royce has been associated with world speed records on both land and water for more than a century. But while the exploits of Sir Malcolm Campbell are well documented and widely known, another British hero who set three landspeed records using Rolls-Royce engines has been largely overlooked by history.
Now, after more than 80 years, Rolls-Royce recalls this hero’s inspiring exploits. With the new Wraith and Dawn Black Badge Landspeed Collection, the marque uncovers and retells the remarkable story of the redoubtable Captain George Eyston, and his extraordinary car, Thunderbolt.
Born in 1897, George Eyston was fascinated with motorsport from childhood, racing both cars and (under an assumed name) motorcycles while still at school. His degree in engineering at Trinity College, Cambridge, was interrupted by the Great War, in which he served with distinction, rising to the rank of captain and winning the Military Cross. He spent the 1920s and 30s developing and driving racing cars; a talented inventor, he also held a number of patents, particularly in the field of supercharging.
In 1935, Eyston was among the first British racers to travel to the Bonneville Salt Flats in Utah, where he set new 24-hour and 48-hour endurance speed records. He subsequently received the Segrave Trophy, awarded to ‘the British national who demonstrates Outstanding Skill, Courage and Initiative on Land, Water and in the Air’.
In 1937, he returned to the Flats and went on to set three world landspeed records with Thunderbolt. This extraordinary machine had three axles, eight wheels and weighed seven tonnes, earning it monikers such as ‘behemoth’ and ‘leviathan’ in contemporary reports. The body was made from aluminum and, in its original form, had a blunt, heavyset profile topped with a large triangular tail fin.
CELEBRATING ACHIEVMENT, INNOVATION AND COURAGE
The Rolls-Royce Landspeed Collection draws inspiration from George Eyston’s remarkable life and record-breaking feats. It also has strong aesthetic links to the unique, otherworldly landscape of the Bonneville Salt Flats where Thunderbolt made him, albeit briefly, the fastest man on Earth. The Collection Car duo is presented in a specially created two-tone finish, which marries Black Diamond Metallic with a new Bespoke color, Bonneville Blue. This specially developed hue bares particular significance to the Collection, with a color that transitions under sunlight from light blue to silver, illustrating the reflections of both the vast sky over Bonneville and the crisp salt flats on Thunderbolt’s aluminum body.
Thunderbolt was powered by a pair of Rolls-Royce R supercharged 37-liter, V-12 aero engines, each producing well over 2,000 horsepower. Around only 19 of these engines were ever made: indeed, they were so rare that Thunderbolt’s engines had a previous career in the Schneider Trophy-winning Supermarine S6.B seaplane that would lay the foundations for the legendary Spitfire.
Today, Thunderbolt’s two R engines are preserved at the Royal Air Force Museum, Hendon and the Science Museum in London. The car itself, however, has been lost. After being exhibited at the 1940 Centennial Exhibition in New Zealand, it was placed in storage, but was sadly destroyed in 1946 when 27,000 bales of wool, housed in the same building, caught fire.
HOLDING THE LINE
Eyston set his records on the International Speedway, a specially compacted section of the Bonneville Salt Flats 10 miles (16km) long and 80 feet (24m) wide. The terrain is perfectly level in all directions and shines brilliant white in the sunlight: the absence of landmarks and ferocious glare combines to make holding course and judging distance extremely difficult at high speed.
George Eyston himself, commented, “On the salt bed, which has to be carefully prepared by dragging, we paint one or more black lines along the whole length. These lines act as guides and prevent the driver straying; for errors of a few feet in steering might culminate in disastrous results. You see, you might drive a few feet away from the absolute line, something else might happen and you get a few feet more and, believe me, you will never get back”.
As he recognized, deviating from the speedway would have been extremely hazardous, particularly given Thunderbolt’s enormous weight. In response, Eyston’s team painted darkened track lines on the salt surface for Eyston to follow – effectively his sole means of keeping Thunderbolt straight at over 350 mph. This simple yet ingenious idea is recalled in the Landspeed Collection by a subtly perforated dark detail in the upper-center of the steering wheel, which continues through the centerline of the driver’s seat, accentuating both Wraith and Dawn’s driver focused appeal.
The Bonneville Salt Flats may appear smooth; but in fact, they’re seamed with tiny fissures. This distinctive texture is perfectly reproduced, digitally retraced from the surface itself, in the wooden veneer of Landspeed Collection’s fascia and console lids. The interior references continue with Thunderbolt’s unique silhouette, and the records it achieved, depicted on the polished, anodised aluminum surface of the Landspeed Collection’s front tunnel. Dawn Landspeed additionally celebrates George Eyston’s vision with the outline of the Silver Island mountains, which dominate the Bonneville horizon, engraved on the upper ‘waterfall’ between the rear seats.
According to the history books, Eyston’s third and final landspeed record of 357.497 mph stood for 341 days. In the new Collection Cars, it is commemorated for all time, engraved into the housing of the dashboard clock alongside the name ‘Bonneville’, in homage to where the record was set.
Thunderbolt was originally left unpainted, which caused an unexpected problem. During the first record attempts, the photo-electric timing equipment was unable to detect the polished alumunium body against the searing white of the Salt Flats’ surface, making accurate timing impossible. Eyston’s brilliantly simple solution was to paint a large black arrow with a yellow circle on the side, to heighten visibility when traveling at great speed. Bright yellow accents throughout the Landspeed Collection, including two-tone yellow and black bumper inserts, pay tribute to this vision.
The clock’s design recounts this theme. Based on the instrument dials from Thunderbolt, with yellow and black details, black-tipped hands are inspired by the arrows painted on the original car’s exterior.
The allure of the Bonneville Salt Flats draws not only record-breakers, but astronomers, too. Stargazers prize this vast, unpopulated wilderness for its exceptionally dark night skies, which create perfect conditions unspoiled by artificial light.
In Wraith Landspeed, the Starlight Headliner perfectly recreates the heavens as they appeared over the Flats on 16 September 1938, the date on which Eyston and Thunderbolt set their third and final world landspeed record. The constellations are precisely marked using 2,117 individually placed fibre-optic ‘stars’, the largest number of stars in a Rolls-Royce Wraith Starlight Headliner ever featured.
During his lifetime, George Eyston received three significant honors. He was awarded the Military Cross (MC) while serving in the Great War; in 1938, after his record-breaking runs with Thunderbolt he was made a Chevalier of the Légion d’honneur, France’s highest civilian decoration; and in 1948, he received the Order of the British Empire (OBE).
These honors are marked in both Wraith and Dawn Landspeed with a subtle detail in the driver’s door, made in the same Grosgrain weave silk and colors to match the original medal ribbons. The armrests on both the passenger side and below the ribbon detail are specially padded to give them the comfortable ‘club armchair’ quality that Eyston favoured in his driving seats, much to the amusement of his fellow racers.
Production of Landspeed Collection cars is strictly limited to just 25 examples of Dawn and 35 of Wraith, all of which have already been allocated to customers.
In closing, Mr Müller-Ötvös said, “Rolls-Royce has been synonymous with adventure, daring and pushing boundaries throughout its history. We are delighted that with the Landspeed Collection, we can add another hitherto unsung hero to the illustrious roll call of pioneers associated with our great marque. With his vision, boldness, determination and genius for innovation and invention, George Eyston embodies so much of what makes Rolls-Royce unique. These cars are a fitting and long overdue tribute to a truly inspiring character.”
Goon Des Garcons is a Little Rock, Arkansas rapper known for his deeply original genre-bending style. He mixes several different genres, including hip hop and emo rock. He grew up in church, played the saxophone and began writing music in middle school. At 18, he left Arkansas and since then has lived in Baltimore, New York, New Zealand and now L.A. In his music, Goon gravitates toward spacey, deconstructed, melodic beats. Working closely with his longtime collaborator and fellow Arkansas native, Idle Kid, he explores a range that finds him riding beats with punctuated flow, clamoring through vocal distortion, and crooning against sparse, emo rock production.
Which artists inspires you the most?
Ye, P, Cud, FKA TWIGS. I try to make music that can span genres like all of them. They can make sense of anything and everything musically, and still all very much feel like their own style and vibe.
What led you to include the heavy industrial stylings your music is known for having?
Really Idle and Yeezus. I was always on the punk high energy vibe. Then I met Idle doing these super industrial beats that sounded like they were from the future and immediately knew this was the sound I was always running towards. Minimal and futuristic.
How would you best describe your music?
Hmm.. I dunno, that changes everyday really. I’ve honestly never had a proper answer for that but ima just say post-modern. That’s my shit right now haha.
What in real life inspires you the most?
Movies, Clothes, Art… shit, “outside” at this point. Last year was crazy what the f***.
Which artist would you like to collaborate with the most?
Ye, Pharrell, Cud, Twigs. My idols of course! I feel like we could make something crazy, but also just to learn from the greatest would be amazing.
One of your most recent singles is titled A24. Are you a major film buff?
Major haha. I went to vegas while LA was still on lockdown just to go to the movies.
Do you have any details about upcoming projects you’re able to share with us?
SHEESH!, should be out by the time this posts right? All the details anyone needs to know right now is all there 🙂
What’s it like releasing an album with a label as iconic as Def Jam?
Intense lol I love it. being in the same breath as so many of those legends is crazy for me. I’m just trying to get on that level. Inspiring.
Returning with extreme intensity, critically acclaimed multi-platinum Florida spitter Ski Mask The Slump God is back with a brand new project entitled Sin City The Mixtape via Victor Victor Worldwide/Republic Records.
It notably marks his first body of work since 2018’s chart-topping gold-certified Stokeley. Living up to its namesake, he rips through these nine tracks with all the frenetic energy, ominous unpredictability, and epic scope of the Robert Rodriguez adaptation of Frank Miller’s classic graphic novel Sin City. Once again, his verbal acrobatics steal the show as he perverts pop culture references into pummeling rhymes on the likes of the single “Admit It” where Reptilian and Alice In Wonderland breathe the same contaminated air. “Intro” pairs a cracking, yet intimate vocal over the hum of a defibrillator, while clean guitar bleeds into an X-Men-worthy barrage on “Mental Magneto” and the acoustic “Lost In Time” spins depression into melodic bliss.
Check out the full tracklisting below.
Last year, Ski Mask The Slump God dropped the protest-anthem “Burn The Hoods.” The politically charged banger amassed north of 70 million streams thus far. Picking up critical acclaim, NPR claimed it “captured the defiant, cathartic energy of a crowd of people tearing down a statue of a Confederate general.”
Allow Ski Mask The Slump God to welcome you to Sin City The Mixtape now.
Stay tuned for much more soon!
About Ski Mask The Slump God
Since emerging from the darkest corners of South Florida back in 2015, Ski Mask The Slump God has consistently pushed the limits of hip-hop with his lyrical dexterity, rhythmic unpredictability, and elite wordplay. He asserts himself as a rare rap force who defies categories and eras with unapologetic attitude and boss-level skill. Following a string of buzzing mixtapes, he seized #6 on the Billboard Top 200 with his 2018 full-length debut, Stokeley [Victor Victor Worldwide/Republic Records], which received acclaim from Pitchfork, XXL, and NME. Along the way, he also logged five platinum singles—“Catch Me Outside,” “Take A Step Back,” “Nuketown,” “Babywipe,” and “Foot Fungus”—in addition to the double-platinum banger “Faucet Failure.” Simultaneously, he dropped multiple joint tracks with the late XXXTentacion and collaborated with the likes of Lil Yachty, Higher Brothers, Denzel Curry, J. Cole’s DreamVille, and many more. Meanwhile, he made a statement in 2020 with the incendiary banger “Burn The Hoods,” which garnered praise from Complex and more. After gathering 3 billion-plus streams, Ski Mask The Slump God adds another dimension to his dynamic, dark, and deep world with the 2021 Sin City The Mixtape.
Heating up summer to a boiling point, buzzing Sacramento, California rapper and #RunwayChallenge queen Stunna Girl reveals the music video for “10 Times” today. Watch it here. It stands out as the latest single from her 2021 mixtape, Stunna This Stunna That, out now. Get it here via Epic Records.
Once again, she delivers another striking visual. Donning a series of colorful looks and upping her fashion game (as always), she raps with a combination of undeniable charisma and formidable presence, lighting up the camera. Each line hits hard as she commands, “If you gonna talk to me, then talk dirty,” before reminding, “10 times out of 10, I’m that bitch…10 times out of 10, I look better than my pics.” Of course, a trio of judges rank her performance with “10’s” across the board! The video directed by Azzie Scott, is the perfect kick off to summer as it intercuts one captivating colorful vignette after another.
Right out of the gate, Stunna This Stunna That earned critical acclaim. HotNewHipHop raved, “It’s a 12-track project filled with bangers from top to bottom,” and she sat down with Hip Hop Wired for an extensive interview. LA Weekly predicted Stunna This Stunna That “should see Stunna Girl’s already blossoming profile go up another level in 2021.”
Get ready for more soon!
Her rapid-fire flows, head-turning bars, and endless attitude drive Stunna This Stunna That at high speed. On the project, “Ask About Me” couples an unshakable chant with punchy verses over throwback production. She lives up to the title of “Unfuckwittable” by tearing through a bass-y beat with no apologies. “No Real Bitches Left” affirms her outlier status, while the melodic conclusion “Where You Belong” illuminates her vocal range.
Check out the full track listing below.
She capped off a breakout 2020 with “Rotation.” Not only did it generate just shy of 1 million total streams and views, but it also received critical acclaim. FLAUNT Magazine raved, “Stunna Girl is the definition of a bad bitch who’s ready to take over the rap game single-handedly.”
She dropped a succession of bangers last year. “Runway” clocked 31 million Spotify streams and sparked the #RUNWAYCHALLENGE with nearly 4 million Tik Tok creates. “Like I Said Tho” and “Lil Boy Cash” increased her momentum, while “Rotation (Game Mix)” graced the Madden 2K21 Official Soundtrack.
Dripping with attitude and ready to inspire confidence, Stunna Girl is ready for her close-up. “I want you to get off the wall. Don’t just stand there to stand there!” The singer created a viral frenzy for her 2019 style anthem, “Runway.” After releasing a project independently and inking a deal with Epic Records, she is inevitably poised to be one of Hip-Hop’s most anticipated voices of the new decade. “I’m a threat!” she promises.
Born and raised in Northern California, music offered a refuge from a tragic home life. After dealing with a tough upbringing, which saw her having to balance family problems with her own, she knew that she could draw upon her life experiences as creative fuel. Stunna Girl came out of the other side with a newfound sense of confidence and focus, diving headfirst into fulfilling her long standing musical dream. In 2019, she became a major player in the local Sacramento music scene and made waves with her independent debut album, YKWTFGO. When the #RunwayChallenge organically exploded on TikTok, she inspired a viral movement facilitated by millions of videos by fans and influencers such as Nikita Dragun, and more. The song proved so gripping that by the end of the year, TikTok proclaimed her as the fourth top artist on the platform for the year, behind only Lil Nas X, Mariah Carey and Lizzo.
Her nimble raps, fearless rhymes, and unapologetic spirit went on to receive attention from TIME, BuzzFeed, The New Yorker, Teen Vogue and more with Pitchfork saying that there is “no question that women especially may find her confidence genuinely empowering.”
As she told Genius for their coveted Verified series, she free-styled “Runway” in 30 minutes with the intention of creating a motivational anthem. “When I was in the studio, that’s how I felt. Like, ‘Bitch, you look like you’re fresh off the runway. I really just wanted to keep making music that got people to move.” Now, with her major label debut EP on the way, she’s about to shine like never before in 2020.
M Resort Spa Casino will host their Fourth of July fireworks and partnership with the City of Henderson’s Star-Spangled Sky 2021. To honor and celebrate the Henderson community and neighboring Las Vegas locals, the resort will offer spectators an extended 15-minute firework display choreographed to music on Independence Day, Sunday, July 4 beginning at 9 p.m.
The 2021 Star-Spangled Sky fireworks will be choreographed to music broadcasted locally from four iHeartRadio stations including Sunny 106.5, 95.5 The Bull, 93.1 The Mountain and Real 103.9 FM. Patriotic music can be heard live on air as well as via stream from the iHeartRadio app available in the Apple App Store or Google Play Store.
While free public viewing of the fireworks will be available from many areas inside and surrounding the resort, M Pool Deck will offer a special reserved firework viewing area offering pool access for guests starting at 8 p.m. through the conclusion of the fireworks. Admission for the M Pool Deck reserved area is priced at $10 a person with limited availability and seating will be first come, first serve the day of the event. Swimming is permitted with proper swim attire.
M Resort became Henderson’s only resort on the famous Las Vegas Strip when it opened its doors in 2009. This place was also recommended by top gambling review sites and listed by best online casinos in New Jersey as one of the most promising gambling venue of the year. Now celebrating its 12th year, the award-winning property is a pillar of the Henderson community and the Official Team Headquarters Hotel of the Las Vegas Raiders.
About M Resort Spa Casino
M Resort Spa Casino, the Official Team Headquarters Hotel of the Las Vegas Raiders, is a Forbes Four-Star resort located on more than 90 acres on the southeast corner of St. Rose Parkway and Las Vegas Boulevard. Situated higher in elevation than other resort-casinos on the Las Vegas Strip, M Resort provides optimal views of the world-famous Las Vegas skyline from its guest rooms, suites, conference center and restaurants. The resort offers 390 guest rooms and suites, over 92,000 square feet of gaming, nine restaurants and bars including the all-new Raiders Tavern & Grill, the Forbes Four-Star Spa Mio, a modern fitness center with floor to ceiling windows overlooking M Pool, the resort’s 100,000 square foot pool and events piazza. M Resort is operated by Penn National Gaming, Inc.