Posts made in June 2021

Giraffe illustration by Heather Skovlund for 360 Magazine

Rendezvous In The Zoo!

San Diego Zoo Wildlife Alliance Kicks Off Annual Virtual Fundraising Gala—Rendezvous In The Zoo (R·I·T·Z)—with Silent Auction to Save Wildlife

Festivities start at 7 p.m. Saturday, June 5.

San Diego Zoo Wildlife Alliance is engaging wildlife allies everywhere to help save species during the annual virtual Rendezvous In The Zoo (R·I·T·Z)—Bringing the World to You. This premier online gala takes place Saturday, June 5 at 7 p.m., and aims to raise funds for rare and endangered wildlife at the San Diego Zoo and San Diego Zoo Safari Park, along with fueling the nonprofit organization’s crucial wildlife conservation work worldwide – continuing its stated commitment to build a world where all life thrives.

“Last year, tens of thousands of wildlife allies from more than 21 countries on six continents, and across 35 states, helped us make history at our first-ever virtual R·I·T·Z,” said Paul A. Baribault, president and CEO of San Diego Zoo Wildlife Alliance. “In a year of changes and challenges, we were able to come together, raise funds and share the extraordinary ways our members, donors and guests are helping us save wildlife around the world. They are counting on us, and we will never give up.”

This year’s gala is a few days away, but the public is encouraged to get a head start by taking part in the R·I·T·Z online silent auction. Anyone can visit the auction pages to bid on one-of-a-kind and exclusive items that cannot be found anywhere else. Among other incredible items is Nature, a limited-edition work of art by international artist Romero Britto. This inspirational piece was developed to commemorate and celebrate the organization’s transformation into San Diego Zoo Wildlife Alliance, and its effort to amplify the importance and urgency of its mission to save wildlife worldwide. Jewelry and accessories, such as a Princess Diana-inspired purse; and amazing vacations, including a New Orleans Getaway, are also highlights. Virtual R·I·T·Z participants can also join in this year’s Love for Wildlife Competition. The competition highlights four of the conservation programs San Diego Zoo Wildlife Alliance allies make possible, and how they are saving wildlife—including polar bears, jaguars, platypuses and burrowing owls—in the organization’s eight regional conservation “hubs” that represent its highest-priority work with communities and partners around the world.

Anyone with a computer or a smartphone can participate in this year’s gala, from the comfort of home, simply by visiting the R·I·T·Z Facebook page. Guests to the virtual R·I·T·Z will enjoy special guest appearances, amazing live musical performances, handcrafted cocktail-making demonstrations, multiple wildlife visits from San Diego Zoo Rady Ambassadors, fascinating stories about wildlife and updates on the organization’s worldwide conservation efforts—plus, many more fun surprises. Attendees who register in advance will receive exclusive insider details and be entered in a sweepstakes to win air travel for two, to an Alaska Airlines destination of their choice, provided by Alaska Airlines, Official Airline Sponsor of the San Diego Zoo and San Diego Zoo Safari Park.

Virtual Rendezvous In The Zoo (R·I·T·Z)—Bringing the World to You begins at 7 p.m. Pacific Daylight Time on Saturday, June 5. The online silent auction starts Friday, May 28 and closes at 8 p.m. PDT on Sunday, June 6. For more information on R·I·T·Z, and how to make a donation, visit San Diego Zoo Wildlife Alliance. Those wishing to help via traditional mail can send a donation of any amount to San Diego Zoo Wildlife Alliance, c/o R·I·T·Z, P.O. Box 120551, San Diego, CA 92112.

About San Diego Zoo Wildlife Alliance

San Diego Zoo Wildlife Alliance is a nonprofit international conservation leader, committed to inspiring a passion for nature and creating a world where all life thrives. The Alliance empowers people from around the globe to support their mission to conserve wildlife through innovation and partnerships. San Diego Zoo Wildlife Alliance supports cutting-edge conservation and brings the stories of their work back to the San Diego Zoo and San Diego Zoo Safari Park—giving millions of guests, in person and virtually, the opportunity to experience conservation in action. The work of San Diego Zoo Wildlife Alliance extends from San Diego to strategic and regional conservation “hubs” across the globe, where their strengths—via their “Conservation Toolbox,” including the renowned Wildlife Biodiversity Bank—are able to effectively align with hundreds of regional partners to improve outcomes for wildlife in more coordinated efforts. By leveraging these tools in wildlife care and conservation science, and through collaboration with hundreds of partners, San Diego Zoo Wildlife Alliance has reintroduced more than 44 endangered species to native habitats. Each year, San Diego Zoo Wildlife Alliance’s work reaches over 1 billion people in 150 countries via news media, social media, their websites, educational resources and the San Diego Zoo Kids channel, which is in children’s hospitals in 13 countries. Success is made possible by the support of members, donors and guests to the San Diego Zoo and San Diego Zoo Safari Park, who are Wildlife Allies committed to ensuring All Life Thrives. 

All time low courtesy of Elektra Music Group for use by 360 Magazine

All Time Low Announce Additional Tour Dates

ALL TIME LOW ANNOUNCE ADDITIONAL 2021 TOUR DATES, NEW SUMMER U.S. HEADLINE DATES WITH THE MAINE & GRAYSCALE BEGIN AUGUST 8TH, FALL NORTH AMERICAN HEADLINE TOUR WITH NOTHING,NOWHERE. & MEET ME @ THE ALTAR STARTS OCTOBER 12TH, TICKETS AVAILABLE TO THE PUBLIC THIS FRIDAY HERE

Platinum-selling Fueled By Ramen band All Time Low has announced additional 2021 tour dates. This Summer, the band will embark on a run of U.S. headline shows with support from The Maine and Grayscale. In the Fall, the band will return to the road for a North American headline trek with support from labelmates nothing,nowhere. and Meet Me @ The Altar. Pre-sale tickets will be available beginning today at 3:00pm ET, and general on sale begins this Friday, June 4 at 10:00am local time here.

All Time Low will also headline Sad Summer Fest 2021, which kicks off in August and visits US cities throughout the Summer. Additionally, the band is scheduled to appear at music festivals including Chicago, IL’s Lollapalooza and Las Vegas, NV’s Life Is Beautiful. A complete list of upcoming live dates can be found below.

All Time Low currently hold two spots in the Top 10 at Alternative Radio, as their latest single Once In A Lifetime ascends, and their smash hit Monsters (feat. blackbear) holds strong. The band just delivered the network television debut performance of Once In A Lifetime on The Late Late Show with James Corden. Watch the performance and interview here. Last week, All Time Low earned nominations for both Alternative Rock Song of the Year and Alternative Rock Artist of the Year at the 2021 iHeartRadio Music Awards. Additionally, the band received a nomination for Top Rock Song at the 2021 Billboard Music Awards.

Monsters (feat. blackbear) notably marked All Time Low’s first #1 at radio and remained in the top spot of the Billboard Alternative Airplay Chart for an unprecedented 18 weeks. The band delivered unforgettable network television performances of the song on Good Morning America, Jimmy Kimmel Live!, and The Ellen Degeneres Show. In December, All Time Low welcomed global superstar Demi Lovato to join them on a new version of the track. Monsters (feat. Demi Lovato and blackbear) marked All Time Low’s highest positions on the Billboard Hot 100 and Top 40 Radio Chart to date. Upon its release, the track received praise from The New York Times, Rolling Stone, People, and more.

All Time Low’s latest studio album Wake Up, Sunshine was released in April of 2020 and debuted at #1 on Billboard’s Top Rock Albums Chart. Billboard proclaimed, The album is All Time Low’s most vibrant set to date, combining the band’s rambunctious spirit with roaring guitars and anthemic melodies. Forbes praised the collection as an album that crackles with youthful exuberance and the energy of a live show, while Nylon declared All Time Low just wants their new album to make you feel good. Wake Up, Sunshine is available physically and digitally now here.

ALL TIME LOW TOUR DATES

Festival Appearances

July 29-August 01, 2021 – Chicago, IL – Lollapalooza

September 18, 2021 – Las Vegas, NV – Life Is Beautiful

Sad Summer Fest 2021

August 06, 2021 – Sacramento, CA – Papa Murphy’s

August 07, 2021 – Anaheim, CA – The Grove Outdoors

August 20, 2021 – Orlando FL – The Orlando Amphitheater

August 21, 2021 – Atlanta, GA – Masquerade

August 27, 2021 – New York, NY – The Rooftop at Pier 17

August 28, 2021 – Baltimore, MD – MECU Pavilion

August 30, 2021 – Toronto, ON – RBC Echo Beach

August 31, 2021 – Columbus, OH – Express Live! Outdoor

September 03, 2021 – Asbury Park, NJ – Summer Stage

September 04, 2021 – Boston, MA – The Palladium Outdoors

September 05, 2021 – Philadelphia, PA – Skyline Stage @ The Mann

September 07, 2021 – Pittsburgh, PA – Stage AE Outdoors

September 10, 2021 – Milwaukee, WI – The Rave

September 11, 2021 – Pontiac, MI – Crofoot Festival Grounds

 

Headline Dates with The Maine and Grayscale – JUST ANNOUNCED

August 08, 2021 – Phoenix, AZ – Van Buren

August 10, 2021 – Denver, CO – Mission

August 13, 2021 – Kansas City, MO – KC Live!

August 14, 2021 – St. Louis, MO – Ballpark Village

August 15, 2021 – Tulsa, OK – Cain’s Ballroom

August 17, 2021 – Dallas, TX – South Side Ballroom

August 18, 2021 – Austin, TX – Stubb’s

August 22, 2021 – Nashville, TN – Marathon

August 24, 2021 – Norfolk, VA – NorVA

August 25, 2021 – Harrisburg, PA – XL Live

September 01, 2021 – Cleveland, OH – Agora

 

UK Headline Dates

September 22, 2021 – London, UK – O2 Academy Brixton

September 23, 2021 – London, UK – O2 Academy Brixton – SOLD OUT

September 26, 2021 – Manchester, UK – O2 Apollo – SOLD OUT

September 27, 2021 – Glasgow, UK – Barrowland Ballroom – SOLD OUT

September 28, 2021 – Glasgow, UK – Barrowland Ballroom – SOLD OUT

Headline Dates with nothing,nowhere. and Meet Me @ The Altar – JUST ANNOUNCED

October 12, 2021 – New Orleans, LA – Orpheum Theater

October 13, 2021 – Birmingham, AL – Avondale Brewing Company

October 15, 2021 – Richmond, VA – The National

October 16, 2021 – Raleigh, NC – The Ritz

October 17, 2021 – Charlotte, NC – The Fillmore

October 19, 2021 – New Haven, CT – College Street Music Hall

October 20, 2021 – Buffalo, NY – Town Ballroom

October 23, 2021 – Grand Rapids, MI – 20 Monroe Live

October 24, 2021 – Louisville, KY – Paristown Hall

October 27, 2021 – Sioux Falls, SD – The District

October 28, 2021 – Des Moines, IA – Val Air Ballroom

October 30, 2021 – Minneapolis, MN – The Fillmore

October 31, 2021 – Winnipeg, MB – Burton Cummings Theatre

November 02, 2021 – Edmonton, AB – Union Hall

November 03, 2021 – Calgary, AB – MacEwan Hall

November 05, 2021 – Vancouver, BC – Vogue Theatre

November 06, 2021 – Portland, OR – Roseland

November 07, 2021 – Seattle, WA – Showbox SODO

November 10, 2021 – Oakland, CA – Fox Theater

November 11, 2021 – Los Angeles, CA – Hollywood Palladium

November 12, 2021 – San Diego, CA – Humphrey’s

About All Time Low

Throughout a catalog streamed nearly half-a-billion times and highlighted by two gold albums, three gold singles, and a platinum single, All Time Low have continually raised the bar for both pop and punk. Since 2003, the group has notched five straight Top 10 entries on the Billboard Top 200, spanning the gold-certified Nothing Personal [2009], Dirty Work [2011], Future Hearts [2015], and Last Young Renegade [2017]. The latter attracted tastemaker acclaim from the likes of Rolling Stone, Paste, and more as the band canvassed the world, headlining arenas on three continents. 2019 saw All Time Low celebrate Nothing Personal with a string of sold-out anniversary shows and a documentary following the band as they revisited the album at RedBull Studios. The record’s influence remains prevalent with Rock Sound citing its impact on Fall Out Boy, 5 Seconds of Summer, and more. After nearly two decades together, All Time Low have rekindled the spark they first ignited in a Baltimore basement on their 2020 full-length studio album, Wake Up, Sunshine. These four lifelong friends walked into a tiny room, plugged in, and turned up with the same spirit, but with more experience, and proficiency gained from performing to millions worldwide. As a result, they’ve delivered Wake Up, Sunshine, a captivating body of work featuring the hit single Monsters (feat. blackbear), which spent 17 weeks atop Billboard’s Alternative Airplay chart marking the group’s first #1 at radio. A brand-new version of Monsters was released at the end of 2020 featuring both blackbear and global super star Demi Lovato. In 2021, the band returned with their latest single Once In A Lifetime.

Find out more about All Time Low via their website, Facebook, Twitter, YouTube, Instagram and Fueled by Ramen’s website

1923 Prohibiton Bar via The Vox Agency for use by 360 Magazine

1923 Prohibition Bar Celebrates National Bourbon Day

1923 Prohibition Bar at Mandalay Bay, open seven days a week, announces National Bourbon Day specials on Monday, June 14 with 15% off their house bourbon flight available at the bar top with tasting notes. The bourbon flight is regularly priced at $32 and includes a sampling of today’s most popular bourbons including Buffalo Trace, Bulleit, Angel’s Envy and Angel’s Envy Rye.

The new, Prohibition-themed 1923 Prohibition Bar, is a private, hidden, modern speakeasy, serving bourbon spirits and signature barrel-aged specialty cocktails. The elegant venue also hosts live burlesque shows, live rock band karaoke and bourbon education and tasting classes.

Prohibition

For those of you who don’t know what prohibition and speakeasies are, Prohibition started in 1920 with the Volstead Act and was essentially a piece of legislation that outlawed drinking within the US, and was created as a result of the Christian Temperance movement that started with what we consider to be the first wave of feminism in the 1820s-1930s, as women wanted to, among other things, prevent spousal abuse that would occur as a result of drinking. Needless to say, the act was hard to enforce and people began distributing liquor illegally, known as “bootlegging,” and people would go to illegal bars, known as “speakeasies.” Gangs rose in popularity during this time, such as Al Capone, as a result of bootlegging. The act was officially repealed in 1933.

National Bourbon Day

National Bourbon Day is a day in which to celebrate America’s National Spirit, a drink created officially by Elijah Craig in the limestone shelf region, where most whisky is still made, in the 1700s. Charred barrels gave the whisky it’s iconic oaky flavor. It is still produced predominantly in America (hence the title of America’s National Spirit) and is enjoyed by many today.

Art by Mina Tocalini for use by 360 Magazine

Cruise Industry Declines Following Pandemic

Cruise Industry to Generate $6.6B in Revenue in 2021, Almost Five Times Less than in 2019

The COVID-19 had a devastating impact on the global cruise industry, with cruise lines practically disappearing after the pandemic hit and all operators witnessing double-digit sales drop.

However, it seems that 2021 might bring a new hit to the sector, which is already on its knees. According to data presented by StockApps, the entire cruise industry is expected to generate $6.6bn in revenue in 2021, almost five times less than in 2019.

Confidence in the Cruise Lines Plummeted Amid Pandemic, The Number of Users Down by 76% in Two Years

When the COVID-19 hit, cruise ships immediately suffered high infection rates among passengers and crew. Thousands of people were stranded on board, spending months in quarantine. By the end of April 2020, more than 50 cruise ships confirmed hundreds of COVID-19 cases. It didn’t take long for cruises to be depicted as places of danger and infection.

In 2019, the entire cruise industry generated $27.4bn in revenue, revealed the Statista data. After the pandemic struck, revenues plummeted by 88% in a year to $3.3bn in 2020. Although this figure is expected to almost double and hit $6.6bn in 2021, it still represents a massive 77% drop compared to pre-COVID-19 levels.

Statista data indicate it will take years for the cruise industry to recover from the effects of the COVID-19 pandemic. By 2023, revenues are projected to reach $25.1bn, still $2.3bn less than in 2019. In 2024, cruise line revenues are expected to rise to over $30bn.

As people lost confidence in the entire cruise industry amid the pandemic, the number of cruise line users plunged to the deepest level in years. In 2019, almost 29 million people worldwide had chosen cruise lines for their vacation. Last year, this figure dipped to 3.4 million. Although the number of cruise line users is forecast to recover to 6.7 million in 2021, it still represents a massive 76% drop in two years.

Combined Revenues of Top Five Cruise Markets Still $16B Under Pre-COVID-19 Levels

The Statista survey revealed that, despite a $10.24bn revenue drop in 2020, the global cruise giant Carnival Corporation remained the largest player in the market with a 45% market share in 2021. Royal Caribbean Cruises ranked second with a 25% share. Norwegian Cruise Line and MSC Cruises follow, with 15% and 5% share, respectively.

Analyzed by geography, the United States represents the world’s largest cruise industry, expected to generate around $2.8bn in revenue this year, 78% less than in 2019.

Revenues of the German cruise line market, the second-largest globally, are expected to hit $830 million in 2021, compared to $2.8bn before the pandemic struck. The UK’s cruise companies are forecast to generate $650 million in revenue, down from $2.4bn two years ago. Chinese and Italian markets follow, with $570 million and $218 million in revenue, respectively.

Statistics show that combined revenues of the world’s five largest cruise markets are expected to amount to over $5bn in 2021 or $16bn less than in 2019.

The full story can be read here at StockApps’ website.

Rimac Nevera via Rimac Automobili for use by 360 Magazine

Rimac Automobili Unveils the Nevera

Hypercar manufacturer and electric technology specialist Rimac Automobili unveiled the production version of the C_Two, now becoming the Nevera, an all-electric, 1,914hp, 258mph, $2.4m hypercar designed and engineered to unleash an unprecedented level of performance.

The Nevera is the production-ready iteration of the Rimac C_Two concept car, which was revealed at the International Geneva Motor Show in 2018. Since then, Rimac’s engineers have refined their new flagship on every level during an extensive development program, in the pursuit of the ultimate electric hypercar driving experience. With the majority of key components of the Nevera developed in-house at Rimac’s HQ in Croatia, all systems have been improved and enhanced since the initial prototypes to deliver on the ambitious performance targets set for at the beginning of the project in 2018.

Underlining his own commitment to the project, Mate Rimac will personally test and sign off each of the Neveras, before they are delivered to customers from the company’s current production site on the outskirts of Zagreb, Croatia.

Named after a force of nature

Fittingly, the Nevera bears a proud Croatian name and one that truly reflects the prodigious performance the car can unleash in the blink of an eye. The name given by the locals to a quick, unexpected and mighty Mediterranean storm that races across the open sea off Croatia, a nevera is extremely powerful and charged by lightning.

Appearing with exceptional speed and potency, Rimac’s next-generation hypercar shares the Nevera’s name and looks set to leave a similarly disruptive effect on the global hypercar market. And, like the force of nature it is named after, it is just as adept at transforming its character in an instant – from assured and comfortable grand tourer to ultra-focused performance machine.

Form follows function

Rimac favors lean and effective engineering at every stage, and that philosophy is exemplified in the form-follows-function nature of the Nevera’s timeless, elegant design. It is applied to every single detail, including Rimac’s signature ‘cravat’ feature, which is incorporated into its flanks.

“Since the 17th Century, the necktie has provided a symbol of Croatian strength and identity, and we first paid tribute to it on our Concept­_One hypercar in 2011,” reveals Rimac Director of Design, Adriano Mudri,And, like every element of the car’s design, it is there to provide a key function of the Nevera’s performance, serving as an air intake for the rear cooling systems.”

A comprehensive raft of changes to the Nevera’s bodywork, air diffusers and intakes has delivered a 34% improvement in aerodynamic efficiency over the early prototypes­. The profile of the bonnet, the shape of the pillars and the design of the diffusers, splitters and radiators have all been intensively analyzed and refined to improve airflow and downforce. Inlets and cooling channels have been painstakingly developed to increase the cooling efficiency of both the brake and powertrain systems, resulting in a 30% improvement at low speeds and a seven per cent enhancement at high speeds.

Rimac has also created numerous new innovative active aerodynamic elements to elevate the Nevera’s cooling, performance, stability, and efficiency. The front bonnet profile, underbody flap, rear diffuser and rear wing can each move independently, driven by complex algorithms that provide the optimum aerodynamic configuration for every driving situation. Switching from ‘high downforce’ to ‘low drag’ mode reduces aerodynamic drag by 17.5% to create a 0.3 coefficient of drag. Changing back into ‘high downforce’ mode increases downforce by 326%.

Despite incorporating a wealth of active aerodynamic elements, as well as many cameras and sensors that enable the Driver Coach feature, the Nevera’s body design remains a coherent graphic. It combines both the drama and beauty of a hypercar and appears simultaneously shaped by the air and forged with technology. The stunning butterfly doors elegantly carve away from the car’s wide sill as they open, creating a generous space for ease of entry and egress.

Lightweight, forged alloy wheels feature a unique aerodynamic design that channels cooling air to the Brembo carbon-ceramic braking system and ensures smooth airflow down the car’s flanks.

World’s most advanced monocoque construction

Nevera’s groundbreaking monocoque, developed by the former C_Two Chief Engineer Daniele Giachi, includes a bonded carbon roof, integrated structural battery pack and rear carbon subframe, forming the largest single carbon fibre piece in the entire automotive industry. Weighing less than 200kg and utilising 2200 carbon fibre plys and 222 aluminium inserts, the monocoque encases the car’s battery to form a compact yet incredibly strong structure with a torsional stiffness of 70.000Nm/degree. The level of unmatched strength and safety this provides has contributed to the Nevera meeting strict global homologation standards, and delivering the most rigid structure of any car ever made.

Driving the future

The key to the Nevera’s exceptional performance is Rimac’s pioneering electric powertrain. Every component of the Nevera’s electric powertrain has been exhaustively reworked since its inception to deliver more torque, greater performance and enhanced efficiency.

The unique H-shaped, liquid-cooled, 120kWh, 6960-cell battery was designed from scratch by Rimac and sits at the very heart of the Nevera. Capable of producing 1.4MW of power, the Lithium/Manganese/Nickel battery also forms an integral part of the car’s core, adding 37% structural stiffness to the carbon fibre monocoque. The battery’s optimum positioning low and central within the car’s floor contributes to an ultra-low centre of gravity. This helps create an excellent 48/52 front/rear weight distribution and the best possible handling balance.

Developments of the advanced battery cooling system have made it even more efficient since the introduction of the C_Two, enabling more power to be delivered for greater periods. Four bespoke surface-mounted permanent magnet motors drive the Nevera’s four wheels individually. Together, they enable 1914hp and 2360Nm of torque, which is triple the output of a ‘conventional–engined’ supercar. The front and rear wheels are each connected to a pair of single-speed gearboxes.

Capable of instantly summoning maximum torque from the first moment, the Nevera’s electric motors are 97% efficient–compared with 40% for the most effective internal combustion engines–and completely maintenance-free throughout their operating life.

Out of this world acceleration–beating the ambitious targets

With the ability to sprint to 60mph in 1.85 seconds and continue the acceleration all the way to a 258mph top speed, the Nevera opens up a new dimension in hypercar performance. Accelerating from rest to 100 mph requires just 4.3 seconds and it maintains its eye-widening acceleration throughout a full-throttle cycle, achieving 186mph from rest in 9,3 seconds, shredding a whole 2,5 seconds from the initial targets. Finally, it achieves a record-breaking 8,6 seconds quarter-mile time.

Perfect power delivery, impeccable stopping power

Rimac’s All-Wheel Torque Vectoring 2 (R-AWTV 2) system replaces traditional Electronic Stability Program and Traction Control systems to further bolster grip and traction. Meanwhile, the Nevera’s R-AWTV 2 system enables infinitely variable dynamic responses to road and track conditions by calibrating the amount of torque supplied to each wheel. R-AWTV 2 calculates the precise level of torque to channel through each wheel for ultimate stability and exceptional agility. Both predictive and responsive, R-AWTV reads the road and makes over 100 calculations per second to tailor the level of torque to achieve the desired driving style.

The Nevera is also equipped with cutting-edge braking technology. A complex electro-hyrdaulic brake booster with brake pedal feel simulator distributes the braking force between the friction brakes and electric powertrain, depending on the battery, powertrain and brake state. For instance–it dissipates kinetic energy through the friction brakes if the battery is close to its thermal limits, or activates more regenerative braking in case the friction brakes are hot. All those transitions should remain in the background, not noticeable to the driver. This enables the Nevera to make the highest use of regenerative braking of any other car on the market now. In addition to a maximum range-enhancing regenerative braking of 300 kW provided by the electric motors, substantial stopping power comes from 15 inch Brembo CCMR carbon-ceramic brake discs and six-piston callipers. Combined they provide consistent, fade-free and exceptionally powerful braking, even when the car is subjected to extreme forces on the track.

Relaxed grand tourer with track attack precision

Double wishbone suspension with electronically controlled dampers and active ride height adjustment provides a combination of a smooth and comfortable ride, exemplary body control and ultra-agile handling.

Further emphasizing Rimac’s technology-first approach, the Nevera utilises the very latest electric power steering with steer-by-wire function, enabling adaptive driver-feedback, depending on the drive mode. Additionally, it works as a drive-by-wire system when in “Driver Coach” mode to demonstrate optimum racing lines and vehicle control to the driver.

Rimac’s versatile and responsive R-AWTV 2 system enables drivetrain calibration for the Nevera to facilitate any driving style through seven different driving modes.

For a truly engaging drive on the road, “SPORT” mode sharpens the response of the throttle, brakes, suspension and steering, while “DRIFT” mode supplies more torque to the rear wheels to accentuate oversteer and help hold the car in a controlled power slide on the track. “COMFORT” mode strikes a perfect balance between a relaxing ride, efficiency and driving pleasure, while “RANGE” mode enables the Nevera to achieve maximum mileage from each battery charge. In expert hands, “TRACK” mode sets the Nevera to full, unrestrained configuration to help drivers exploit the car’s full potential. Finally, two “CUSTOM” modes enable drivers to access their personal, pre-selected performance characteristics.

Minimalist design cabin, maximum comfort and control

With space for two occupants in full race regalia and their luggage, Nevera is as much a capable grand tourer as it is a performance hypercar. Digital screens soak up needless toggles and switches, leaving only essential tactile controls, giving more space to enjoy Nevera’s carefully designed interior.

The cockpit features a trio of high-definition TFT screens, which present as much, or as little, information as the user requires. Configured for both track driving and comfort, the layout of the cockpit is divided into two zones. The focus of the top segment is entirely placed on driving pleasure and performance, while the lower part houses the infotainment system, comfort controls and driving data.

Tactile billet aluminum rotary controls and switches, including three displays with rotating control, provide a resolutely analogue feel, tailored to enable the driver to utilize the cutting-edge digital technology in an even more engaging manner. From the cockpit, the driver can monitor every aspect of the car’s performance with real-time telemetry, downloadable to a laptop or smartphone for later review.

Artwork courtesy of Fondazione Antonio Dalle Nogare for use by 360 Magazine

Michael Krebber – Studiofloor and Diamond Paintings

From 29th May 2021 to 8th January 2022, the Antonio Dalle Nogare Foundation presents Michael Krebber’s first solo exhibition in Italy, entitled Studiofloor and Diamond Paintings. Find more information here

Michael Krebber (b. Cologne, 1954) is an internationally acclaimed artist and a figure central to the German art scene between the 1980s and ‘90s. Over the years he has become a reference point for a generation of younger artists, thanks to his constant and attentive focus on questioning the conventions and limits of the medium of painting, which he sees as a space for dialogue and a cross-genre hotbed, rather than something focused on the production of an object. 

For decades, Krebber’s art has been distinguished by a conceptual approach to painting, based on the conviction that it is impossible to invent anything new in art, as everything has already been invented. Rather than inventing something new, Krebber’s minimal and apparently unresolved interventions present the viewer with canvases that are open and full of possibilities. Like an unfinished sentence, his works leave the viewer free to imagine what might happen. 

The painting is viewed by the artist almost as a performance. It has been defined as a system of hesitations in which opposing forces simultaneously motivate and block one another, an approach that expands painting beyond the conventional notion of the artwork as an object. 

Krebber’s incomplete aesthetic, however, is not the result of an attempt to sabotage the medium, but stems rather from an explicit desire to extend dialogue beyond the canvas and space traditionally attributed to painting. This intention emerges clearly in the two series displayed in the exhibition.  

The series entitled studiofloor MK/P MK19/087/1-8 (2000), was presented with an enigmatic image on the cover of Artforum in 2005. In an exhibition staged several years ago, Krebber asked collectors to loan a series of his own paintings that he laid out on large tables in the centre of the room. Turning the common notion of display on its head, the walls – on which the paintings would normally have hung – were left empty and covered with large masonite panels from the artist’s floor, cut and positioned on the wall like paintings.

The second series displayed in the exhibition also replaces traditional painting techniques with a readymade approach.

In the fourteen Diamond Painting (2003) canvases, Krebber systematically demystifies, as the title of the series suggests, the centrality of subject and technique in painting by proposing a space that is open to suspension and incompleteness. So, store- purchased fabrics, decorated with pre-printed patterns, replace the traditional canvas, and become the surface on which Krebber paints simple geometrical white diamond shapes. As often happens in his work, the reference to influential German artists, in this case that have used fabric, like Rosemarie Trockel and Sigmar Polke, reveals his profound knowledge of art history and contemporary painting. La

The exhibition is staged in collaboration with Greene Naftali, New York.

Find more about the Antonio Dalle Nogare Foundation by visiting their website.

TOMORROW X TOGETHER illustration by Heather Skovlund for 360 Magazine

TOMORROW X TOGETHER

K-POP’S 4TH GENERATION LEADERS TOMORROW X TOGETHER RELEASED NEW ALBUM THE CHAOS CHAPTER: FREEZE

K-pop’s 4th generation ‘It’ Boys make their return with title track “0X1=LOVESONG (I Know I Love You) feat. Seori”

K-pop’s 4th generation ‘It’ boys TOMORROW X TOGETHER (SOOBIN, YEONJUN, BEOMGYU, TAEHYUN, HUENING KAI) have finally released their long-awaited second studio album on May 31.

The Chaos Chapter: FREEZE begin’s the Chaos Chapter, TOMORROW X TOGETHER’s second album series, following their previous Dream Chapter series. It tells the tale of a boy who has frozen as a result of the onslaught of the world.
 
The unequivocal declaration of a boy’s first love takes musical form in TOMORROW X TOGETHER’s new title track: “0X1=LOVESONG (I Know I Love You) feat. Seori” (read “zero by one lovesong”). The trendy Hybrid pop rock song expresses a boy’s certainty in the love he feels for ‘you,’ who came to him in a world of chaos. The title uses numbers to visually represent that in this world of zero, ‘you’ are my one and only.

The title track is notable for the name of its global contributors. The song is the collaborative effort between producers of HYBE’s labels Slow Rabbit and “hitman” bang, American singer-songwriter and Rock Hip hop artist Mod Sun and No Love For The Middle Child as songwriters, and RM of BTS who helped pen the lyrics.

Other songs within the eight-track studio album include “Anti-Romantic,” “0X1=LOVESONG (I Know I Love You) feat. Seori,” “Magic,” “Ice Cream,” “What if I had been that PUMA,” “No Rules,” “Dear Sputnik” and “Frost.”

The Chaos Chapter: FREEZE also includes genuine and very personal creative contributions from all five members, drawing empathy from teens all over the world through unique and individualized lyrics. “Ice Cream” was penned in part by SOOBIN, “What if I had been that PUMA” by YEONJUN, TAEHYUN, and BEOMGYU, “No Rules” by YEONJUN, HUENINGKAI, BEOMGYU, and TAEHYUN. TAEHYUN wrote both music and lyrics for “Dear Sputnik,” while HUENINGKAI wrote lyrics and marked his first producing credit for the same track. “Frost” saw lyrical contributions by YEONJUN.

The Chaos Chapter: FREEZE has recorded over 700K pre-orders, marking a new high for the young group. Evidently, TOMORROW X TOGETHER are continuing their track of successive growth with each release.
 
Music Video YouTube Link

About TOMORROW X TOGETHER
TOMORROW X TOGETHER, read as “Tomorrow by Together,” has come together under one dream in hopes of building a new tomorrow. The act consists of SOOBIN, YEONJUN, BEOMGYU, TAEHYUN, and HUENINGKAI. In just two months after its debut in March 2019, TOMORROW X TOGETHER successfully sold out their first US showcase in 6 cities. Emerging as super rookies within the global K-pop scene, the band has been globally recognized by names such as Radio Disney and the MTV Video Music Awards. Their latest release, minisode1 : Blue Hour, charted No. 25 on the Billboard 200, establishing the boyband as a top-seller and leader of K-pop’s 4th generation.

Karen Underhill and Bruno Schulz Self-Portrait given by The Polish Cultural Institute of NY for use by 360 MAGAZINE.

Bruno Schulz’s Lasting Impact

Bruno Schulz (1892-1942) created a rich symbolic world in his small body of literary work and in his graphic art that left a huge legacy in Polish literature and in Jewish literature outside Poland. His stories contained mainly in two collections, Cinnamon Shops (1934) and The Hourglass Sanatorium (1938), along with a few other stories published separately, critical works, and letters, are a testament to the fecund cultural environment of the East European region of Galicia between the wars. Schulz is a secular Jewish writer whose stories, which we know from the recent discovery of an early work entitled, Undula (1922) seem to come out of the themes in his artwork, but were forged into their mature form as letters to the Yiddish modernist poet Debora Vogel. He wrote them in Polish, was celebrated in Polish avantgarde circles, and the most extensive body of Schulz scholarship is in Polish. His work reflects the influence of German writer Thomas Mann, as well as Franz Kafka and Leopold von Sacher-Masoch (author of Venus in Furs), who were German-language writers of non-German cities of the Austro-Hungarian empire like Schulz Prague and Lemberg (Lviv) respectively. Postwar Jewish writers in a variety of languages such as Philip Roth, Cynthia Ozick, Danilo Ki¡, David Grossman, Jonathan Safran Foer, and Nicole Krauss, have created characters on the model of Schulz’s biography. In the confluence of cultures brought about by modernization and aggressive industrial forces in the Drohobycz-BorysŽaw oil producing region, Schulz’s idea of the writer sifting through the trash tandeta to find and reassemble mutilated fragments of cast-off mythologies or systems of meaning would become a model for generations of writers following the upheaval of the Second World War, post-Communism, and even post-Colonialism.

In this episode of “Encounters with Polish Literature,” we are focusing on Karen Underhill’s research into Schulz in the Jewish modernist context of his own day, rather than his post-Holocaust legacy among the international community of Jewish writers, or strictly in the Polish-language modernist context of writers like StanisŽaw Ignacy Witkiewicz (“Witkacy”) and Witold Gombrowicz or Polish writers influenced by or responding to Schulz in their work like Tadeusz Kantor, Agata Tuszyska, Stefan Chwin, and Olga Tokarczuk.

Finally, Prof. Underhill says a few words about the extensive interdisciplinary offerings in Polish studies at The University of Illinos Chicago.

Learn more about this episode, and see the biography of the guest on the Polish Cultural Institute New York’s website. The linked page includes a bibliography of works in English by and about Schulz: Episode 5.

Bartek Remisko, Executive Producer

David A. Goldfarb, Host & Producer

Natalia Iyudin, Producer

Upcoming Episodes

  • Episode 6 (July 1, 2021): Tadeusz Racewicz with Joanna Trzeciak (Kent State University).
  • Episode 7 (August 1, 2021): Zofia NaŽkowska with Ursula Phillips (translator)
  • Episode 8 (September 1, 2021): StanisŽaw Lem with Bozena Shallcross (University of Chicago)

This project is a part of the anniversary celebration of the Polish Cultural Institute New York.

Geneva Supply illustration by Heather Skovlund for 360 Magazine

Geneva Supply Increases Minimum Wage

Geneva Supply Increases Minimum Wage to $15 for Hourly Employees

Co-Founders Jeff Peterson and Mark Becker lead efforts to boost worker wages in Wisconsin, South Carolina, and Arizona and offer new day-of-hire benefits.

Geneva Supply Co-Founders Jeff Peterson and Mark Becker, along with the company’s human resource team, Mariann Hunter and Emma Hobday, have announced a pay adjustment and wage increase to $15.00 per hour for all full-time hourly employees. The increase became effective on April 5, 2021. 

  • In addition, employees are now eligible for medical, dental, and vision benefits on the day of hire. 
  • Workers also can choose to be vested in the company retirement plan as soon as they have started their employment with Geneva Supply. 

The moves have impacted workers operating from five U.S. cities across three states, including employees at Geneva Supply’s corporate headquarters in Delavan (Wisconsin) and business locations in Wilmot (Wisconsin), Menomonee Falls (Wisconsin), Charleston (South Carolina), and Phoenix (Arizona).

“This has been an ongoing matter of great importance to us, and the employee feedback and support for these positive changes continues to enliven us,” said Jeff Peterson, CEO of Geneva Supply. “As we move ahead, we will keep focused on our workers and acknowledge the significance of what this increase means to each of them – their families – and the communities they live in.”

Wisconsin and South Carolina’s minimum wage is currently set at $7.25, the same level as the federal minimum wage. Arizona’s state minimum wage rate bumped to $12.15 per hour in early 2021. Although this is a considerable recalculation for Geneva Supply, it is one which Jeff and Mark feel is essential when offering competitive wages to current workers and for attracting potential employees. 

“As Geneva Supply continues to grow, we have made it a priority to invest in our people. Adjusting our full-time minimum wage to $15.00 per hour contributes to the people-first momentum our incredibly hard-working employees support each day. This adjustment is necessary, and we have no doubt it will open more doors for our workers and company in the future,” said Mark Becker, COO of Geneva Supply.

Part of Jeff and Mark’s mission has always included focusing on company culture and employee retention. By raising the minimum wage for all full-time hourly employees, the Small Business Administration award-winning entrepreneurs and leadership team are confident Geneva Supply is taking another step in the right direction.

“Raising our wages is also a smart business move. We know that paying people fairly leads to greater employee retention, which reduces the cost of hiring and training new people to replace employees who leave,” said Mariann Hunter, Human Resource Manager of Geneva Supply. “More important though, we value the people that choose to work here and hope that by increasing the hourly wage, they see and feel that.”

For more information, visit Geneva Supply or for available career opportunities, head to Geneva Supply Careers.

Chef Claudio Lobina at SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC for use by 360 Magazine

THE CONTINUUM INTIMATE DINNER SERIES

THE CONTINUUM HOSTS AN INTIMATE ITALIAN AFFAIR FOR THE SOUTH BEACH WINE & FOOD FESTIVAL 20TH ANNIVERSARY

James Beard Award Winner and Michelin Star honoree Chef Michael White join forces with Chef Claudio Lobina from The Patio for an exquisite culinary showcase 

Continuum, South Florida’s premier resort-style oceanfront condominium residences, participated in its second year for the 20th Anniversary of the Food Network & Cooking Channel South Beach Wine & Food Festival presented by Capital One (SOBEWFF®), with a sophisticated evening of regional Italian cuisine on Friday, May 21.

James Beard Award Winner and Michelin Star honoree Chef, Michael White, joined forces with Chef Claudio Lobina from The Patio restaurant at the Continuum in Miami Beach to present a refined three-course menu for guests, co-hosted by husband-and-wife restaurant proprietors Michele Merlo and Tullia Gasparotto. Residents and guests experienced a memorable evening under the stars, within the heart of the luxury beachfront residences, as part of the official Intimate Dinner Series during this year’s 20-Year anniversary of the festival.

“Our second year of participation during this year’s South Beach Wine & Food Festival proved equally remarkable as our inaugural showcase last year,” says Rishi Idnani, Managing Director of the Continuum. “Despite the need for increased precautions to ensure the safety and comfort of everyone in attendance, this wonderful collaboration by Chef Michael White, a coveted award-winning Michelin Star honoree, and our very own Chef Claudio Lobina, gave our residents and guests a world class experience in culinary excellence as well as an evening of musical entertainment. On behalf of the entire Continuum management team, I would like to thank the festival’s organizing committee, together with the sponsors and our patrons for helping to make this second installment a resounding success.  We would like to congratulate the festival’s management team for achieving an incredible 20-year milestone for one of the nation’s most highly regarded events on the culinary calendar.”

Guests were welcomed to The Patio restaurant with a live performance by the jazz group “Yamit and The Vinyl Blvd” as attendees were shown to their seats. Singing sensation Jean Vailant, returned with a superb vocal rendition of the Andrea Bocelli classics “Canto della Terra and “Time To Say Goodbye.” This was followed with a welcome speech and introduction to Chef Michael White by Steven Moll from the Florida International University Chaplin School of Hospitality and Tourism Management.

The night’s exclusive menu in regional Italian cuisine by Chef Michael White and Chef Claudio Lobina included: Lobster Caprese spoons to start, followed by Pea, Pecorino & Lardo Crostini, Warm Sicilian Red Shrimps with mango and potato chutney and Venetian Baccalà on polenta cake, as additional appetizersMain entrée dishes included Amberjack and Burrata Olivada with lemon and pistachio; Risotto Porcini with Oregon Blonde Morel mushrooms and salmon with roasted peppers, asparagus and Salsa Bagna Cauda. The dessert course presented a Deconstructed Meringata with wild fresh berries.  Each course was paired with a selection of international wines provided courtesy of Southern Glazer’s Wine & Spirits portfolio.

About Continuum

Continuum is South Florida’s premier resort-style oceanfront condominium residencies, located on the southern-most tip of Miami Beach. Developed by The Continuum Company, LLC, the property includes two towers – the South Tower, which opened in 2000, comprising of 42 floors, and the North Tower, which opened in 2007, comprising of 37 floors. With 26 different residential condominium floor-plans and 5 different townhouse floor-plans offered, amenities at Continuum include two lagoon pools, private patio restaurant, sporting club and spa with state-of-the-art gym and lap pool, Tennis Pavilion with 3 clay courts, indoor parking garage with 24-hour gated security, multiple meeting rooms and a full-time concierge. Continuum provides direct access to the beach and is situated on 12 acres of perfectly manicured oceanfront property, with unobstructed views of the Atlantic Ocean to the east. Continuum represents the largest parcel of beachfront property available in the South of Fifth neighborhood of Miami Beach. For further information, visit HERE.

About the Food Network & Cooking Channel South Beach Wine & Food Festival presented by Capital One

EAT. DRINK. EDUCATE. All proceeds from the Festival benefit the students of the Florida International University Chaplin School of Hospitality & Tourism Management who also assist Festival organizers with sponsorship fulfillment, restaurant and exhibitor recruitment, logistics, and inventory as well as working alongside some of the world’s greatest celebrity chefs and winemakers. To date, SOBEWFF® has raised more than $31.8 million for the School. In September 2019, BizBash named the Festival the #1 Food & Restaurant Industry event in the United States for the seventh year in a row.

The South Beach Wine & Food Festival® is produced by Florida International University and Southern Glazer’s Wine & Spirits, with the support of the Miami Beach Visitors & Convention Authority and the Miami-Dade County Department of Cultural Affairs. For more information about the Festival, visit SOBEWFF’s website. For more information about Florida International University visit this website, for the Chaplin School of Hospitality & Tourism Management visit HERE and for more information about Southern Glazer’s Wine & Spirits visit Southern Glazer’s website.

Amberjack Burrata & Pistachio image from SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC for use by 360 Magazine

Amberjack Burrata & Pistachio image from SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC

Yamit and The Vinyl Blvd image at SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC for use by 360 Magazine

Yamit and The Vinyl Blvd image at SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC for use by 360 Magazine

SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC for use by 360 Magazine

SOBEWFF intimate dinner at the Continuum via Eliot Stares at ESPR INC