Posts made in June 2021

Becky Hill and David Guetta press image via Hannah Flaherty for use by 360 Magazine

Becky Hill x David Guetta New Single Remember

Becky Hill released her new single Remember in partnership with David Guetta.

Today, show-stopping UK vocalist and songwriter Becky Hill released her brand new single Remember, a collaboration with the legendary David Guetta. Remember, which is co-written by Becky Hill and co-produced by David Guetta, is the most recent single to be lifted from Becky’s upcoming debut studio album out this summer.

“My whole career has built up to this moment!” says Becky. “I have a sure-fire single with David Guetta, and an album I’ve spent my whole adult life making is finally coming out. I’ve grafted and strived to reach this milestone for a few years now, and my patience has definitely been tested! But it’s definitely been worth the wait, as my creativity and vision for the album has now come to full fruition. It’s been an honour to collaborate with David Guetta on this release too. I feel so proud of the work I’ve created, and so thankful for the team around me who’ve stuck by me throughout this process. To the first of many, and to a very bright future ahead!”

David Guetta says, “Becky is becoming one of the very rare queens of dance music. She has an incredible voice and it felt so good to go back to house music for this record.”

Remember follows the release of Becky’s Better Off Without You ft Shift K3Y, (which is certified Platinum in the UK after accumulating over 600,000 sales), Heaven On My Mind, (which has accumulated over 65 million streams and is now certified Gold in the UK), and the recently released UK Top 40 hit, Last Time.

Becky Hill’s debut studio album will follow Get To Know, a collection of 13 singles Becky either released herself or wrote and guest performed on. Get To Know is now certified Gold in the UK after being confirmed by Official Charts as one of 2020’s top 5 most streamed albums by a female artist in the UK and peaking at No.16 on the Billboard Dance/Electronic Albums Chart in the US.

With an irrefutable aptitude for writing chart-smashing pop songs and a reputation as a pioneer in the electronic music scene, Becky Hill is one of Britain’s most in-demand musical exports of the moment. She has over 180 songs registered with ASCAP – no mean feat considering only 17% of PRS for Music’s registered songwriters are female – and an impressive string of hits to her name.  Having written and performed on twelve singles which charted in the top 40 of the UK Official Singles Chart, (including two top 10 singles, one number 1, and nine platinum records), Becky has now amassed over 2 billion streams on Spotify alone, and 1 billion streams in the UK. She has over 14 million monthly listeners on Spotify after being crowned the 2nd most-streamed British Female Solo Artist on Spotify UK in both 2019 and 2020.

Joes Rubuchon MGMLV provided by Ashley Farkas and MGM Resorts International for use by 360 MAGAZINE.

MGM Grand Announces Reopening of Joël Robuchon’s Restaurants

The pinnacle of French fine dining will make its return to Las Vegas as MGM Grand announces the reopening of its restaurants by the late legendary chef, Joël Robuchon this July.  The namesake destination, Joël Robuchon – Las Vegas’ only Three Michelin-starred restaurant – will welcome guests back beginning July 1 with a menu celebrating beloved dishes from over the years. L’Atelier de Joël Robuchonthe creative countertop workshop, will open its doors July 15 experimenting with simple ingredients to create dishes new to Robuchon’s restaurants while maintaining its impeccable standards.   

“It is an exciting day for us to bring back Joël Robuchon’s award-winning establishments back to MGM Grand’s dining portfolio and the Las Vegas restaurant scene overall,” said MGM Grand Vice President of Food & Beverage Andreas Reich. “For nearly two decades, Chef Robuchon’s restaurants set the standard for French culinary innovation on The Strip, and we cannot wait to enter this new era, carrying on the master’s legacy.”  

Inside Joël Robuchon’s Reopening – July 1 

  • Overview: Epitomizing the pursuit of the perfect fine dining experience, Joel Robuchon will reopen with its heralded degustation menu – 15 courses of edible masterpieces conceptualized by Chef Robuchon through his years. Additionally, guests will see the return of favorite tableside moments including its cherished cheese, bread and mignardises carts roaming the luxurious Art Deco space complete. 
  • In the chef’s words: “We’ve felt an immense outpouring of love from Robuchon fans looking forward to the moment they’ll be able to dine with us again. In the spirit of reembracing those we have missed dearly, we’re cultivating a menu of the most beloved dishes in honor of each of our guest’s memories over the years.”  – Christophe de Lellis, Executive Chef of Joël Robuchon

     

  • Menu Highlights:  
    • Le Caviar Imperial – Osetra caviar served atop king crab in a crustacean gelée dotted with cauliflower puree.  
    • La Langoustine – Truffled langoustine ravioli served with simmered cabbage and foie gras sauce.  
    • La Rosa – Delicate gelee of Dassai “39” sake topped with white chocolate rose and orange coulis.  

Inside L’Atelier de Joël Robuchon’s Reopening – July 15 

  • Overview: Chef Robuchon’s rebellious concept built to challenge the status quo of fine dining will continue its purpose through experimental new dishes that blend approachable ingredients with boundary-pushing cooking techniques. Guests can enjoy Pre-Fixe and A La Carte menu options while dining at L’Atelier’s countertop, wrapping around its open kitchen and framing the precision, mastery and artistry of its culinary team.  
  • In the chef’s words: “The downtime provided us the opportunity to brainstorm ways to revive the daring spirit of L’Atelier. Guests will be wowed by the way we will transform commonly used ingredients into dishes never-before-seen at a Robuchon restaurant or elsewhere. The menu is both recognizable and approachable for newcomers, as well as a stimulating challenge for gourmands. I cannot wait to introduce our year’s worth of conceptualization into action.” – Jonathan Doukhan, Executive Chef of L’Atelier de Joël Robuchon 

     

  • Menu Highlights:  
    • Le Saint Pierre – John Dory à la plancha on a “sambol” of tomato, confits lime zest and cilantro puree.  
    • Le Grenouillle – Caramelized frog legs on creamy spelt risotto. 
    • La Framboise – White chocolate sphere with fresh raspberry and yuzu ice cream.

Hours of operation for both restaurants will be Thursday – Monday from 5:30 p.m. – 10 p.m. To make reservations, visit MGM Grand’s website or call 702.891.7925.  

Joel Peterson photo via Deseret News for use by 360 Magazine

Joel Peterson x My Road to Cancellation

Joel Peterson, Stanford Professor and former JetBlue Chairman, writes about his experience navigating the minefield of woke hostility in his piece My Road to Cancellation:

“Wokeism,” America’s new civil religion, draws on elements of neo-Marxism, critical race theory, social justice and identity politics. Its adherents believe it will lead to a more just society. Its detractors, on the other hand, believe its “cancel culture” will push civil society to the brink. And, for the “woke,” either will do.

The roots of my own unlikely cancelation go as far back as 1987, when Jesse Jackson marched Stanford students up Palm Drive to a rhythmic chant of “Hey, hey, ho, ho! Western Civ has got to go!” The next year, I joined the advisory council of its Graduate School of Business where I was soon invited to fill a one-year faculty vacancy. To everyone’s surprise (including my own), I returned every fall for the next three decades to teach four courses to a generation of exceptional MBA candidates.

Then, last year, before a student-politician boldly posted that “White people need to be eradicated,” I was summoned to respond to an equally disturbing complaint over having “triggered” woke students. Because I didn’t think I’d done anything worthy of the summons and because I had received the distinguished teaching award from students, a “Silver Apple Award” from alumni and been appointed to a faculty chair, I wasn’t worried. Alas, I’d misjudged my peril.

Years after Jackson’s campaign to eliminate Stanford’s requirement to study Western civilization, an Iowa-born, New York Times reporter, Nikole Hannah-Jones, developed what she titled “The 1619 Project.” In it, she presented America as founded on slavery and stained by perpetual bigotry.

With boosts from the Pulitzer Foundation and from George Floyd’s tragic death, her social justice message struck a nerve. However, when a number of historians debunked the pseudo-history, Hannah-Jones repositioned her essay as “a work of journalism that explicitly seeks to challenge the national narrative.” She followed up with a New York Times Magazine article headlined “What is Owed” making a case for reparations, consistent with her 1995 letter to the editor in Notre Dame’s “The Observer,” in which she likened Christopher Columbus to Hitler.

With police departments defunded, monuments vandalized and cities torched, Dr. Seuss was soon condemned as racist, Mr. Potato Head scheduled for gender reassignment, and free speech restricted by social media oligarchs. So, it wasn’t a surprise to see social justice warriors on the previously welcoming Graduate School of Business campus.

Content of character vs. color of skin

In a class I teach, students objected when guest CEOs claimed to have been “color blind.” When I volunteered that I, too, had resisted hiring based on skin color, gender or quotas, and had relied, instead, on character, competence and commitment, some students were offended. To understand why those “triggered” would object to standards of character and competence being added to the emergent holy grail of diversity, equity and inclusion (DEI), I turned to one of my own daughters.

Sensing my bafflement at the outrage, she immediately wrote back:

“I have known you my entire life, and I know by your words and deeds that you value all people of all races, ethnicities, and genders. I know you are constantly impressed and inspired by immigrants and their amazing stories of courage and perseverance. I’m proud of the work you’ve done. If this younger, ‘triggered’ generation pushes out of their lives all who seek to improve their understanding, teach them, and open their minds to broader ways of thinking, it will be to their detriment.”

I’d taught my kids – and, until now, my students — that talent, character, and competence are evenly distributed across every demographic. In response to my determination to be on the lookout for leaders without regard to identity, an offended gender-studies major wrote that she’d not known “whether to scream or throw up.” After all, it had been nearly 60 years since Martin Luther King had dreamt of the day when the content of one’s character mattered more than the color of one’s skin. But, by the time that day happily arrived, “wokeism” had hijacked his dream, re-elevating skin color over character.

As demands for skin-color diversity were broadened to include gender and sexual orientation, a student notified me that I’d called on more men than women in two (of four) classes. Knowing that I was no respecter of persons — whether by gender, race, sexual orientation, or anything else — I moved ahead with the course, suddenly aware that my interactions with students were being catalogued by identity.

Soon, a Black Lives Matter advocate asked, of all things, whether I would stand for the American flag. To provide context for my decision, I shared a story. As a toddler, I’d seen my mother take a call from the Department of Defense announcing that her fighter-pilot brother had been killed. Honoring her grief, I’d chosen to stand for the flag under which my only uncle had offered the ultimate sacrifice. The student’s response was presented as an irrefutable argument; my choice was “racist.”

Furthermore, in this woke new world, my professional experience was no longer relevant because of the race and gender I’d been assigned at birth. Despite having created tens of thousands of jobs, promoted women and minorities, and coached scores of entrepreneurs, I was deemed an “oppressor” in the catechism of “wokeism.” Furthermore, the penance for being raised in a “systemically racist” society — founded on millennia of Greek, Roman and Judeo-Christian antecedents, no less — was submission, and, if resisted, cancelation.

The reason behind such tyranny came into focus for me when Condolezza Rice, former secretary of state and current director of the Hoover Institution at Stanford, told me she’d shared with her students that the capture of Khalid Sheikh Mohammed (9/11’s architect) had felt like “having Erwin Rommel under lock and key.” The blank looks on the faces of her very bright students revealed that they had never heard of WWII’s famous Desert Fox.

Until then, I’d traced the enmity to activists like Jackson and Hannah-Jones. Now, I could see that it also stemmed from students having swapped an education for indoctrination. Those enlisted as social justice warriors had avoided the lessons of history, missed out on refining skills that might have allowed them to judge assertions, and denied themselves the insights required to make wise trade-offs.

Because such uninformed activism brought with it a minefield of woke hostility, I kept to myself any reservations I harbored about critical race theory, gender fluidity, and climate alarm. And, when Stanford’s math department proposed achieving “racial equity” by eliminating AP math (as racist, no less), I also kept quiet. Instead, I hoped my hardscrabble climb to CEO might inspire those who saw themselves as victims of inequity. Ironically, those who strained to label my uphill journey a product of “white supremacy” were often the very beneficiaries of woke preferences.

Oppressor-victim

To understand this recipe for canceling predecessor generations, I spoke next with Stanford military historian Victor Davis Hanson. Because Hanson had written the following, I wanted his help in gracefully handling the oppressor-victim theme:

“We should not… allow a current affluent, leisure, and pampered generation to hijack the past, and damn it to perdition. (They have) not earned the right to… cancel… those of the past who won Gettysburg, or built the Hoover Dam, or produced a Liberty ship every week.”

While Stanford had long nurtured a remarkably diverse and admirably inclusive community, it nonetheless rejected Hanson’s counsel in favor of a now fashionable “institutional racism.”

When Graduate School of Business faculty were further instructed to avoid “racist and xenophobic rhetoric and actions against the Asian American and Pacific Islander community,” I found myself wondering if the addendum were a virtue-signaling accusation, or if it were based on something I’d simply never encountered in all my years at Stanford. And, when the facts behind subsequent murders (of a Capitol police officer and 10 Colorado shoppers) contradicted de rigueur narratives, I wondered if the time had come to move beyond racial memes.

Apparently not. With free markets also labeled “racist,” those of us with responsibilities outside the ivory tower began to feel our “diversity of optic” (based on long experience) had been dismissed in favor of a “diversity of identity” (rooted in ideology). So, while I care deeply about Stanford University, and like and admire its president, provost, and business school dean, I was beginning to feel isolated.

Their deference to selective diversity led me to reflect upon a meeting I’d conducted in Berlin as chairman of JetBlue Airways. After the meeting, I’d taken a stroll down Unter den Linden to the Bebelplatz, 500 yards to the east of Berlin’s famous Brandenburg Gate. It was at that plaza, on May 10, 1933, that newly empowered Nazi officials had orchestrated the burning of “objectionable” books. Later dubbed “The Night of Shame,” the conflagration eventually contributed to Germany’s liberal democracy turning a blind eye to Kristallnacht, the Holocaust and an appalling rationale for war.

While loath to compare such a long-ago shame with how I was currently feeling in Palo Alto, of all places, I remembered being impressed that, in Berlin, the survivors of that era’s cancelation had later inserted “stumbling stones” between pavers to ensure that all who followed neither forget, nor repeat, that calamity.

As I traversed the once-riven capital city, the ground-level reminders had provoked in me a surge of optimism. Surely, the world would avoid the sort of conflict for which my own father had gone to war. Surely, everyone realized by now that banning books, restricting free speech and stoking fear would lead to tragedy. And, just as surely, America would eventually reject totalitarianism, even in its “wokest” form.

Yet, here I was, only three years later, 6,000 miles to the west of Berlin, sensing I was perilously connected to a prior generation’s intolerance. Adding to my anxiety was a discovery that my grandchildren’s generation were being scheduled to view an honorable heritage through a lens cleverly manufactured to provoke shame.

Forced to consider moving to a less hostile teaching environment, I heard from former students. One female “of color” offered that, of all her professors, I’d been the most supportive of women and minorities. Another confirmed that the majority of his classmates felt silenced by the threats of a racist label. One student even scolded me for having allowed “the slings and arrows” of the woke to achieve their hoped-for effect.

I smiled wanly to see that Prince Hamlet had somehow survived Jesse Jackson. I, on the other hand, had failed utterly to anticipate the distorting polemics of identity politics. The script advanced during America’s annus horribilis had pitted race against race, gender against gender, and generation against generation, all risking a degradation of spirit worse than any virus.

As a former CEO, it seemed to me that the narrative had gone well beyond gaining political or market advantage. It had even exceeded antifa’s hope for French-Revolution-style anarchy. In fact, by 2021, it looked like a bold attempt at a hostile takeover of mankind’s best hope for peace and prosperity.

This conclusion led me to contrast two Americans best known for their connections to societal breakdown — a mid-19th-century Abraham Lincoln and a mid-20th-century Saul Alinsky. I selected Lincoln because he’d guided America through a civil war, and Alinsky because his dream had been to provoke civil unrest by inciting those he called the “have-nots” against those whom he called the “haves.”

President Lincoln’s observation of America’s vulnerability mirrored community organizer Alinsky’s precondition for a successful revolution. Thus, the warning attributed to Lincoln that “America will never be destroyed from the outside; if we falter and lose our freedoms, it will be because we destroyed ourselves” was the basis for the race and class warfare Alinsky welcomed by rewriting history, inciting envy and “canceling” a large portion of the population.

Whereas Martin Luther King had called upon our “better angels” to subordinate our differences to shared values and, thus, to overcome what Condi Rice called our nation’s “birth defect,” Alinsky chose to repudiate King’s redemptive dream. If he could get people to ignore e pluribus unum (America’s motto since 1782), he might be able to overcome the spirit under which the nation had thrived.

By 2020, the pandemic had offered activists a unique opportunity to cleave the nation along identity and tribal lines, skirting the 238-year-old aspiration that had been Alinsky’s steepest obstacle. Using a fear of cancellation to silence half the population, SJWs dismissed the steady social progress that was the trademark of the world’s most successful multicultural society. Instead of celebrating the progress flowing from our commonalities, they fomented division by pointing to historical injustices.

Between a pandemic, racial tensions and the absence of a Lincolnesque figure to bind up our wounds and bring us together, America was, indeed, vulnerable. As its citizens awakened to the soft tyranny promoted during the pandemic, many felt betrayed by institutions they’d once admired and leaders they’d once trusted. And, for my part, I discovered that the experience I’d had with cancellation in the academy was being repeated all across the nation.

While I may well survive, America will not survive the rewriting of its history, the violation of its Constitution and the abandonment of the freedoms it has promised to citizens of all political persuasions, ethnicities, genders and orientations. No matter our differences, unless we preserve free speech, secure our Constitution and re-enthrone individual responsibility over victimhood, all the king’s horses and all the king’s men will be unable to put Humpty Dumpty back together again.

And Alinsky’s vision will have canceled Lincoln’s.

Joel Peterson Bio

Joel Peterson is the Robert L. Joss Professor of Management at Stanford University, the former managing partner of the Trammell Crow Company, the former chairman of the board of Overseers of the Hoover Institution, the former chairman of JetBlue Airways and the founder and chairman of Peterson Partners, a sponsor for a quarter century of more than a dozen funds covering private equity, venture and real estate investments in hundreds of companies and real estate projects across the nation and throughout the world.

RV camper illustration by Heather Skovlund for 360 MAGAZINE

2021 Is The Summer of Road Trips

Make this the Summer of the road trip! What to see and where to stay.

This summer is all about making up for the lost vacations from the last year, and what better way to see it all (and make up for lost time) than a road trip to our country’s beautiful state and national parks! Pack up the car or, better yet, try out the popular RV lifestyle by renting an RV from peer-to-peer rental platform Outdoorsy.

As always, pinpointing where to go can be the hardest part but we’re here to help. We’re sharing some of the most scenic views across the country and where to stay when taking in all this beautiful country has to offer.

Arizona: Red Rock State Park

If you’re visiting the Sedona area, Red Rock State Park provides some of the most breathtaking scenery you may ever see. Simply strolling through this rugged valley with its startling sandstone formations is a sight for the eyes, but if you choose to visit the Chapel of the Holy Cross, you’ll add to the magnificent spectacle. Built into the buttes of the Red Rocks, the Chapel of the Holy Cross is considered an architectural wonder. Spend the night at the Verde Valley RV Campground in Cottonwood just a 30-minute drive from Red Rock State Park. Bring your RV or stay in one of their adorable tiny houses or cabin rentals.

California: Yosemite National Park

Any way you slice it, Yosemite National Park is one of the most scenic spots on Earth. To get a spectacular view of the Park’s highlights, including Half Dome and Yosemite Falls, take in the scenery from Glacier Point. With a commanding elevation of 7,214 feet, this popular overlook is a great way to see all the beauty of the Yosemite Valley. You can set up your home base at Yosemite Lakes RV Campground only five miles from the west entrance of the national park. Park your RV in a full hookup site or stay in one of their cozy riverside yurts.

Maine: Acadia National Park

Thunder Hole in Acadia National Park is named due to the thundering sound that occurs when the waves of the Atlantic roll into the cavern on this inlet at Acadia. The water can splash as high as 40 feet! Thunder Hole also offers fabulous views of Otter Cliff and the Great Head from the safety of an observation deck. A seaside RV site or a colorful cottage at Narrows Too RV Campground in Trenton is the perfect place to stay for a visit to Acadia and offers amazing views of the Mt. Desert Narrows Island.

New Hampshire: Odiorne State Park

Pick your favorite vista when you visit Odiorne State Park, in Rye. There are beautiful views of the woodlands, the rocky coastline and the Atlantic Ocean. On a clear day you can see the Isles of Shoals, a small group of six islands located about six miles off the coast. In addition to the views, there is also the Seacoast Science Center and the remains of Fort Dearborn, established during World War II to help protect the Portsmouth Harbor. Tuxbury RV Campground is a little over 30 minutes from Rye and is the perfect hideaway. Enjoy the beautiful swimming pool, kayak on the pond and then retreat to your RV or one of their cozy tiny house vacation rentals.

Pennsylvania: Tucquan Glen Nature Preserve

One of the most scenic spots in Lancaster County is Tucquan Glen Nature Preserve. Lake and river views, as well as streams, creeks, and waterfalls are just a few of the scenic details here.  The rugged terrain of the woodlands provides possible glimpses of the preserve’s wildlife inhabitants, including coyotes, fox, and deer. Several well-marked trails lead the way as you explore the amazing scenery. A little over 20 minutes from the Preserve, visit Circle M RV Campground which offers both RV sites and yurt rentals, the perfect way to enhance this once in a lifetime vacation.

Washington: Kerry Park

Kerry Park, in Seattle, is the perfect spot to grab a panoramic view of the Emerald City. If you’ve seen such a shot in a magazine or movie, it was most likely taken from Kerry Park. There are so many pluses to visiting this location. Not only is the view of the city skyline spectacular, two bonus views include Mt. Rainier and Elliot Bay. Also, the charming neighborhood of Queen Anne provides views of 19th century homes in Upper Queen Anne, and another one of Seattle’s best locations for amazing views, the Space Needle, in Lower Queen Anne. Seattle is a perfect day trip when you stay at the Leavenworth RV Campground. Park your RV, pitch a tent or rent a cabin or cottage.

by CODAworx for use by 360 Magazine

California Artwork Up For International Design CODAawards

2021 People’s Choice CODAawards Vote On Favorite Community Artwork, A Global Competition

The general public has the opportunity to vote, June 18-30, on 100 large-scale community artworks from around the world, nominated for a People’s Choice CODAaward. Hundreds of commissioned art projects were submitted for the CODAawards, which are given annually to the remarkable works that successfully integrate art into interior, architectural, and public spaces. The two projects that collect the most online votes will receive a coveted People’s Choice CODAaward and be announced, alongside all of this year’s CODAaward winners (one in each of ten categories), in the August issue of Interior Design magazine.

Voters are encouraged to rally behind the work they like in the CODAawards categories of Landscape, Residential, Healthcare, Commercial, Institutional, Liturgical, Public Spaces, Transportation, Hospitality, and Education.

This year the 374 CODAawards entries represent $477 million in commission fees, and projects from 30 countries. The diversity of artwork includes “Please Be Seated,” a public art installation touring across Chinese Mainland; “Sea Change,” an interactive light-based artwork that activates the pedestrian experience within a bus exchange transit tunnel in North Vancouver, Canada; and “Eon,” a 30 x 9-foot digital installation commissioned for Welch Hall, the largest academic facility at The University of Texas.

Cindy Allen (EIC, Interior Design), Malene Barnett (Founder, Black Artists + Designers Guild), and Frances Bronet (President, Pratt Institute in New York City), are among the eighteen jurors, all leaders in the design and art worlds, who have spent weeks reviewing and scoring all entries. These jurors will agree on one winner in each category to create the 2021 CODAawards winners circle (plus the two People’s Choice CODAawardees that the general public will select).

“When artists, designers, industry resources, and clients work together, places are transformed into spectacular spaces. CODAworx is the hub of the commissioned art economy. Our CODAawards is a way to celebrate these works. The 12-day People’s Choice voting sprint (June 18 – 30) becomes quite heated and the heavy traffic occasionally brings the website down! It is an exciting race to the finish line – the art world’s equivalent of the Tour de France!” states avid biker and CODAworx CEO Toni Sikes.

About CODAworx

CODAworx, the hub of the commissioned art economy, is the place where architects, real estate developers, and public art agencies creative go to discover and hire talent for large-scale commission projects. They accomplish this by searching the vast treasure trove of over 8,000 projects that CODAworx members have published on the website. It is here that one can find and connect with artists who create amazing sculptures and wall work, as well as atrium and kinetic artwork, light and digital media, and structural designs such as bridges and buildings. The CODAawards are the industry’s prestigious awards program that celebrates the projects that most successfully integrate commissioned art into interior, architectural, or public spaces. CODAworx produces this nine-year-old recognition program, along with their National Media Partner Interior Design magazine, to honor the designers, architects and artists whose collective imaginations create the public and private spaces that inspire us every day.

California Nominees:

The Lader (San Francisco)

The Chronicles of San Francisco (San Francisco)

The Avery Dining Room (San Francisco)

Chase Center Seeing Spheres (San Francisco)
Chase Center Chandelier (San Francisco)

Retu(r)ned Oak (Oakland)

The Spring (Hollywood)

Reflecting Within Us (Los Angeles)

Material Girl (Los Angeles)

Launch Intention (Los Angeles)

Getting There (Los Angeles)

Flower Trail (Union City)

Cosmos (Sunnyvale)

Connecting Flights (Pasadena)

Better Place Forest (Point Arena)

Approach (Palo Alto)

 

Vote for your favorite starting June 18 here.

photo by The Influence for use by 360 Magazine

Danny A. Abeckaser Next To Be Seen In Lansky

ACTOR PROFILE: DANNY A. ABECKASER: NEXT TO BE SEEN IN LANSKY, THE MUCH-ANTICIPATED SUMMER CRIME FEATURE OUT JUNE 25, 2021

You may recognize him from The Irishman, Mob Town or The Iceman, even Holy Rollers. NOW, see him in LANSKY.

The much buzzed about film, starring Harvey Keitel, Sam Worthington, Danny A. Abeckaser, David James Elliott, Minka Kelly, David Cade, John Magaro, AnnaSophia Robb, among others, hits theatres and digital streaming channels on June 25, 2021. LANSKY, by writer/director Eytan Rockaway, is set to be the crime-drama for summer 2021.

Rockaway’s script was inspired by actual conversations that took place between Eytan’s father, Rob Rockaway and gangster Meyer Lansky before his death. Danny departs his often-seen mobster and nightlife character roles for the other side of the law, playing an FBI agent.

“LANSKY is exciting cinema and a historical piece of history, a great story to be told. I am thrilled to be a part of such an incredible ensemble of actors, and it was an amazing experience making this movie. Each day on set was a blast and Eytan created a great movie.” – Actor, Danny A. Abeckaser

Film Synopsis: David Stone (Sam Worthington), a renowned but down-on-his-luck writer, has the opportunity of a lifetime when he receives a surprise call from Meyer Lansky (Academy Award nominee Harvey Keitel). For decades, authorities have been trying to locate Lansky’s alleged nine-figure fortune and this is their last chance to capture the aging gangster before he dies. With the FBI close behind, (Abeckaser as one of the lead FBI Agents), the Godfather of organized crime reveals the untold truth about his life as the notorious boss of Murder Inc. and the National Crime Syndicate.

Abeckaser, last seen in The Irishman, is expected to show us new range as an actor in the feature, alongside Worthington and longtime friend Keitel, who starred in his directorial debut, First We Take Brooklyn (2018). Abeckaser’s next film, I LOVE US, is a feature romantic drama that he stars in and directs, due out in September 2021, further showcasing his depth in the emotional film. LANSKY co-star David James Elliott also appears in the film.

LANSKY was directed and written by Eytan Rockaway, produced by Jeff Hoffman, Robert Ogden Barnum, Lee Broda, and Eric Binns, with cinematography by Peter Flinckenberg, editing by Steven Rosenblum and Martin Hunter, and original music by Max Aruj.

Producer Jeff Hoffman says “All of the performances are incredible – Keitel is masterful and penetrating, Worthington is gritty and determined, and Magaro was the perfect choice to play the younger Lansky/Keitel. Abeckaser brings dynamic presence in his role as an FBI agent. Rockaway does a sensational job telling this remarkable story portraying the complex personality of an historically important gangster known as the Mob’s Accountant.

Danny A. Abeckaser (“Danny A”) is an Israeli born and Brooklyn raised actor, director, and producer. Danny can most recently be seen in Martin Scorsese’s The Irishman alongside Robert De Niro and Al Pacino, as well as his own directed film Mob Town alongside Jamie-Lynn Sigler, David Arquette and Jennifer Esposito, both currently on digital streaming.

Under 2B Films production and distribution company, Abeckaser has directed four films to date since his directorial debut in 2018 and produced over 13 films including several documentaries. Selective when it comes to the projects he works on, Abeckaser’s first major foray into cinema was 2010’s Sundance favorite Holy Rollers directed by Kevin Asch, where Danny stars alongside Jesse Eisenberg and Justin Bartha, also a producer on the movie. Following the film’s success, Danny went on to land one of his better-known roles as Dino Lapron in The Iceman, appearing alongside Ray Liotta, Winona Ryder, Chris Evans, and James Franco. To date, he regards the part as one of his favorite and most challenging roles. Abeckaser continued momentum completing a longtime project writing and co-producing the film Club Life, which was loosely based on his life as a New York nightclub power player. Danny also had small roles in The Wolf of Wall Street, HBO’s Vinyl, and many other notable film projects, before his first leading role in The Stand Up Guy. Other films produced and released from 2B Films include The Last Shaman, First We Take Brooklyn, Blackjack: The Jackie Ryan Story (December 2020), The Curse of Sleeping Beauty, Davi’s Way and The Experimenter. 

Follow Abeckaser on Instagram and head to theatres, VOD and digital on June 25 to watch LANSKY.

Elle cover via Marie-Andrée Picotte of Ko Media for use by 360 Magazine

ELLE CANADA × PRIYANKA

KO Média is excited to unveil the summer issue of ELLE Canada featuring “Canada’s First drag Superstar” Priyanka. The Indo-queer West Indian queen talks about leaving her job to be on the first season of Canada’s Drag Race, filming her debut EP’s lead single and why the show was exactly what Canadians needed last year. “A show like Canada’s Drag Race lets us see the light at the end of the tunnel. It was like ‘At least we have this. At least we’re all in this together.’” After performing across the country, she appreciates the warm welcomes and the support she’s received. “Getting that audience to come out and see you is so important because that’s what being Canadian is all about. We’re not a melting pot; we’re a fruit salad!”

Priyanka will also be hosting Pride Toronto’s 2021 digital parade, in honor of the massive and inclusive fest’s 40 year anniversary – just one of Elle’s front row tips for what’s hot this summer. Other recommendations include Tiffany’s engagement rings for men; flattering Canada-made, limited edition swimwear for all body types from Nettle’s Tale; and the most natural “no-makeup makeup” from Bobbi Brown’s new line.

Speaking of summer fun, if you love musicals, we’ve got the inside scoop on the breakout movie of the season, with “In the Heights” star Melissa Barrera dishing on going from telenovelas to Hollywood, working with the film’s triple-threat team (including Hamilton’s Anthony Ramos) and what the film means for the Latinx community.

Film buffs will also love our behind-the-scenes look at some of the world’s most reputable costume designers, from the dichromatic wardrobes of the Capulets in Romeo + Juliet to the 15 identical coats sewn for Ryan Gosling (and his Blade Runner 2049 stuntman).

In fashion, it’s the summer of sex, with hot days and sweaty nights driving the desire for sexy, slinky strings criss-crossed over exposed waists and diaphanous layers revealing bra tops and thongs. Meanwhile, the ‘70s are back, with flared jeans, old-school knits, happy face accessories (think 24-karat-gold-plated earrings)… and the retro rise of roller skating, as championed by fashionistas including Zendaya and Dua Lipa – complete with high-heel skates.

In beauty, we tell you how to get that healthy summer glow, and talk to an expert about the best sunscreens (and what most people are doing wrong when they apply them!).

And we take a closer look at ourselves, delving into body hair stigma (why exactly are we still shaving our legs again?); how social media and the desire for a perfect smile is leading to a rise in dental veneers; and whether we’re getting addicted to isolation. Instead of FOMO, could the end of the pandemic trigger the fear of missing in?

The summer issue of ELLE Canada will hit stands and Apple News+ on June 21th, 2021. Read the digital issue HERE.

About ELLE
The ELLE network today, including France and the international editions, reaches more than 33 million readers worldwide: 45 editions of ELLE in 43 countries, 25 editions of ELLE Decoration, 5 editions of ELLE à Table, 2 editions of ELLE Men and 1 edition of ELLE Girl. It also represents 45 ELLE local websites, gathering nearly 100 million unique visitors per month. Lagardère Group, owner of ELLE & ELLE Decoration brands, partners with prestigious publishing houses worldwide, through license contracts: With Hearst Magazines, publishing 15 editions of ELLE and 12 editions of ELLE Decoration, in 14 countries. With Burda, Aller, Ringier and 21 other partners in 29 countries, publishing 30 editions of ELLE and 13 editions of ELLE Decoration. The Lagardère Group is a global leader in content publishing, production, broadcasting and distribution.

About the Group KO
The Group KO is made up of Productions KOTV, Productions KO Scène, KO 24, KO Média and KO Éditions. Run by the screenwriter-humourist-comedian-producer Louis Morissette, the group is motivated by the desire to tell stories that captivate the public, and to do so by mastering each creative aspect that goes into doing that. Whether it’s television shows, performances, films or magazines, the mission of the group is very simple: conquer the world, and then entertain them. In an industry full of possibilities, the KO Group sees opportunities and takes them.

HER cover Back of my mindalbum from Theola Borden from RCA Records for use by 360 Magazine

H.E.R. – Back Of My Mind

We’re halfway through 2021, and H.E.R. (who is halfway to EGOT status), has not let her foot off the gas! Today, the Grammy and Academy Award winner releases her highly-anticipated full-length album, Back of My Mind, via MBK Entertainment/RCA Records. Click here to listen.

Clocking in at 21 tracks, Back of My Mind includes a star-studded lineup of guest features by Chris Brown, Ty Dolla $ign, Cordae, Lil Baby, Thundercat, Yung Bleu, DJ Khaled, Bryson Tiller, and YG. Producers Hit-Boy, KAYTRANADA, Cardiak, Rodney Jerkins, DJ Camper, and more provide lush and repeat-worthy productions, leaving adequate space for the four-time Grammy Award winner’s pristine vocals (and guitar shredding skills) to shine throughout. R&B at its core, Back of My Mind showcases H.E.R.’s unique versatility as a singer, songwriter and multi-instrumentalist.

“This collection of songs comes from feelings and thoughts that I’ve had in the back of mind,” says H.E.R. “That’s where I live sometimes. Some things I talk about in my music and other things I may have been afraid to say or admit. I’m finding freedom in being truthful with expression.”

H.E.R. kicked off 2021 in the most stellar of ways by winning two Grammy Awards – Song of the Year for “I Can’t Breathe” and Best R&B Song for her contribution to Robert Glasper’s “Better Than I Imagined,” plus an Academy Award for her powerful song “Fight For You” from the Warner Bros. Pictures’ film Judas and the Black Messiah. Her recent show-stopping performance with Chris Stapleton on the CMT Music Awards was proceeded by equally impressive performances on the Billboard Music Awards with DJ Khaled and The MigosiHeartRadio Music Awards’ Elton John Tribute, Oscars: Into The Spotlight special, Super Bowl LV, and more.

Currently gracing the cover of VarietyH.E.R. is starring in her own special episode of Amazon’s Prime Day Show, featuring music from the new album. On June 21, iHeartMedia will host the iHeartRadio Album Release Party with H.E.R. featuring an exclusive performance and an intimate conversation with Angie Martinez. The event will stream on the FOXSOUL YouTube channel and FOXSOUL.tv., and broadcast across iHeartMedia’s R&B, Rhythm and select Hip Hop radio stations at 9pm ET/6pm PT.

The dynamic performer will return to NYC’s Rockefeller Center on June 25 for her second Today Show summer concert, followed by performances at the BET Awards on June 27, and her first-ever concert with the LA Philharmonic at The Hollywood Bowl on August 13 & 14.

Listen to Back Of My Mind and stay tuned for more exciting news from H.E.R.

Back Of My Mind track list:

01 We Made It

02 Back of My Mind feat. Ty Dolla $ign

03 Trauma feat. Cordae

04 Damage

05 Find A Way feat. Lil Baby

06 Bloody Waters feat. Thundercat

07 Closer To Me

08 Come Through feat. Chris Brown

09 My Own

10 Lucky

11 Cheat Code

12 Mean It

13 Paradise feat. Yung Bleu

14 Process

15 Hold On

16 Don’t

17 Exhausted

18 Hard To Love

19 For Anyone

20 I Can Have It All feat. DJ Khaled & Bryson Tiller

21 Slide feat. YG

Connect with H.E.R.:

Twitter

Instagram

Tik Tok

Youtube

Website

Cover of Vince Staples LP via Nikki Crystal of Capitol Music Group for use by 360 MAGAZINE

VINCE STAPLES × LAW OF AVERAGES

VINCE STAPLES TO RELEASE SELF-TITLED ALBUM ON JULY 9, MARKING HIS FIRST FULL-LENGTH RELEASE IN THREE YEARS

Esteemed hip-hop artist Vince Staples today announced the release of his self-titled LP – out Friday, July 9 via Blacksmith Recordings/Motown Records. His first full-length release since 2018’s critically acclaimed FM!, the 10-track LP delves not only into Staples’ upbringing in Long Beach, but his psyche as he learns to cope with his yesterdays and strides toward new tomorrows, picking others up along the way.

In conjunction with the announcement, Staples released the much-anticipated first single off the LP, Law of Averages”, alongside the official music video for the track, directed by Kid. Studio. Set against a montage of voyeuristic moments in Long Beach, CA, the cinematic visual features imagery that embodies black joy and highlights the beauty within the fringes.

“Law of Averages” is available to stream or download HERE. Watch the official music video HERE.

Of the new Kenny Beats-produced LP, Staples says, “It really gives much more information about me that wasn’t out there before. That’s why I went with that title. I feel like I’ve been trying to tell the same story. As you go on in life, your point of view changes. This is another take on myself that I might not have had before.”

The celebrated rapper’s latest body of work is also just the beginning of his busy 2021. Staples is currently working on a number of creative projects with additional details to be announced throughout the year.

“I’m a mind more than I am an entertainer to a lot of people,” Staples says, adding, “I appreciate that my fanbase is willing to go on this ride with me. I’m ready to diversify what we’re doing and see how we affect the world.”

Boslen via Cameron Corrado for Republic Records for use by 360 Magazine

Boslen – QUARTZ

Vancouver-bred alt-hip-hop newcomer Boslen shares his latest single, a hard-hitting and hypnotic track called “QUARTZ.” Featuring Zimbabwe-born rapper Charmaine, “QUARTZ” is the third single released from Boslen’s forthcoming debut album DUSK to DAWN, due out later this year. Listen to “QUARTZ” HERE.

Produced by justsayin, Stoopid Lou, and Dalton, “QUARTZ” is the latest offering from a fast-rising artist with a proven track record of boldly defying genre boundaries. This time around, the 22-year-old phenomenon delivers one of his most formidable tracks to date, showing the full force of his commanding vocals and expert wordplay in the lines: “Never needed/No coke/Or pills/Or fat lines/Jokes on you I’m too high, I got the dopamine in my mind.” As “QUARTZ” unfolds in sinister textures and brilliantly warped beats, Charmaine slides in and shows off the fiercely magnetic vocal presence previously glimpsed on her unstoppable debut single “BOLD.”

Revealing his passionate refusal to stay in one lane, “QUARTZ” marks a major departure from Boslen’s recent single “DENY (feat. Tyla Yaweh),” a pop-punk-inspired track detailing a relationship gone wrong. Soon after premiering in March, “DENY” earned praise from the likes of HotNewHipHop, who hailed Boslen as “one of Canada’s most exciting hip-hop exports.” Check out the cinematic visual for “DENY” HERE.

Along with “QUARTZ” and “DENY,” DUSK to DAWN will feature Boslen’s early-2021 single “TRIP,” an R&B-flavored, psychedelia-tinged slow-burner speaking to the sacrifices he’s made to achieve success. The album will arrive as his first new project since the Black Lotus EP, a 2019 effort that peaked at #11 on the Canadian Apple Music streaming charts. Already known for his razor-sharp ability to move fluidly from genre to genre, Boslen is poised to accelerate his eclectic sound even further with the highly anticipated release of DUSK to DAWN.

About Boslen

Boslen is a 22-year-old trailblazing and genre-bending artist of Jamaican and Indigenous Canadian descent, based in Vancouver. Fusing hip-hop, rock, pop, and everything else under sun to craft his emotive rap ballads and bouncing trap bangers, he’s a sonic architect who meticulously takes part in the production of all his tracks. In 2018 he released his debut mixtape Motionless, then delivered Motionless II later that year. Arriving in early 2019, his single “Eye for an Eye” cemented his spot as a crucial force in the future of Vancouver’s sound. In July 2019, Boslen released “Hidden Nights,” which gained traction after receiving support from popular YouTube channel and entertainment company, the Nelk Boys. From there, Boslen went on to release his Black Lotus EP, which peaked at #11 on the Canadian Apple Music streaming charts. His momentum continued into 2020 with the release of “VULTURES,” a track clapping back at those who were taking advantage of him. As he continues to push himself creatively, Boslen is becoming widely known for his self-reflective lyricism, as well as his ability to seamlessly flow over pop, hip-hop, R&B, and alternative production. Later this year, Boslen will release his debut album DUSK to DAWN.