Posts made in March 2021

Lisa Bonet & My-Lihn Le illustration by Heather Skovlund for 360 Magazine

My-Linh Le × Lisa Bonet

The Museum of Wild and Newfangled Art Announces Avant Premiere of Groundbreaking Street Dance Turfing Film, MUD WATER, by My-Linh Le, with Pre-Show Teaser “Freedom Music” Video by Lisa Bonet

mowna hosts an exclusive online Avant premiere event for their Opening Show featuring trailblazing cinematic, dance, & music artists on March 26-27, 5:30 pm PT/8:30 pm ET as a warmup act to their Online Biennial opening on April 30th, 2021

Click here to experience the MUD WATER official trailer

NEW YORK (March 9, 2021) – The Museum of Wild and Newfangled Art (mowna), a newly opened online museum specifically designed for the digital age,  announces the Avant Premiere special event as part of mowna‘s Opening Show, which will feature the world debut screening of MUD WATER, a coming-of-age dance film starring Xavier Days, written and directed by My-Linh Le, and “Freedom”, a cutting-edge music video directed by Lisa Bonet featuring Dorothy and Angel Haze and an extremely talented, award-winning ensemble of talent, in front of and behind the camera.

The Avant Premiere is a VIP event for mowna members and MUD WATER Kickstarter supporters and is a prelude to the 2021 mowna online Biennial, which opens on April 30, 2021, and runs through September 22, featuring 100 international artists across all art mediums.

The Avant Premiere event takes place on Friday, March 26, 2021, at 5:30 pm PT/8:30 pm ET for VIPs, the press, and festival presenters, and Saturday, March 27, 2021, at 5:30 pm PT/8:30 pm ET for museum members. For more information on how to become a member to secure tickets, please click here.

mowna’s Avant Premiere MUD WATER event features Women Filmmakers

The Avant Premiere opens with the “Freedom Music” video by Lisa Bonet, followed by an introduction to MUD WATER by the filmmakers, the world premiere screening of the film, and a Q&A with directors, crew & cast including My-Linh Le, and star Xavier Days. The event will culminate in an afterparty in the mowna party room.

MUD WATER

Weaving together myth, movement, and snapshots of real life, MUD WATER is about a crew of turfers preparing for an upcoming dance battle and a man in search of his shadow.  The cast of Mud Water consists entirely of real dancers who are recognized in the turfing community as well as globally in the world of freestyle dance. Main actors Yung Phil (Turf Feinz), Dopey Fresh, Intricate, and No Name – who play themselves – are local turfers from Oakland, San Francisco, and surrounding areas.

“Getting an Avant premiere with mowna feels like one of those really lucky, synergistic moments that we’ve had throughout the making of this film. For one, I love that we’re on the same page about being ambitious and daring in our experimentation while sticking closely to authenticity. mowna and MUD WATER are of the same kind: we don’t care about high horses or usual ways of doing things, we’re just here to make the time of our lives, blowing past expectations,” said director, My-Linh Le.

Click here to experience the official MUD WATER trailer.

Freedom Music

The Freedom Music video, by Lisa Bonet, is a part of the #FreedomRemix movement, made by a predominantly female crew and features over 100 women of all ages celebrating liberation, by Dorothy, featuring Angel Haze. The project is directed by Lisa Bonet and produced by We Are Hear. Executive Producers include Linda Perry and Kerry Brown.

“This was a beautiful collaboration of dance activism. We have here, the power of women assembling, dancing, celebrating ~ protecting…the joyful participation in the sorrows of the world. The way forward is through paths yet known. Carrying in our hearts, Above All Do No Harm. We must teach this to our children. We come fierce, like mama rhino guarding her young, all the while feeding our Joy. We sway to the songs of our ancestors.” said Lisa Bonet. 

mowna Membership Made Easy and Affordable

Members of the Museum of Wild and Newfangled Art (mowna) provide support for the museum’s mission, helping to sustain mowna and supporting artists to live their lives and make their work. Membership to mowna has purposely been made affordable and accessible so members are able to enjoy free admission, access to the collection, and special events: meet the artists, curator talks, parties, mowna founders’ chats, and more. Membership to mowna is $15/month and can be canceled at any time.

70% of member contribution pays the artists for their work. The other 30% pays for the creation of the site and the curation of the work.

Click here to become a mowna member

About the 2021 mowna Online Biennial 

The deadline for submissions for the 2021 mowna Online Biennial has been extended through March 16, 2021.  For submission guidelines, please click here. 

As large institutions cancel shows, the art that is being made currently will not be seen, might be lost, or perhaps considered irrelevant by a show that is scheduled as far off as 2022. The pandemic has forced art institutions to reassess their business models and ethics and address the inequality that exists within the art world. Some venues have shut down permanently, others struggle to stay afloat. With all of this going on we are currently witnessing a two-year gap in the art world’s exhibition schedule. The Museum of Wild and Newfangled Art addresses this crisis through hosting the 2021 mowna Online Biennial through their humane platform facilitated by a sustainable business model that exhibits and supports a diverse range of art and artists right now. The 2021 mowna Online Biennial opens April 30th, 2021, exhibiting an international pool of 100 artists. This is mowna‘s largest show of the year showcasing international art made in 2019 – 2021. The Biennial includes all forms of art, inviting artists to consider new ways to exhibit their work online and to consider how artwork translates through mowna’s digital platform.

mowna is currently receiving a constant stream of submissions for the Biennial, with 42 countries represented so far. Because of the traction, the call for submissions for the 2021 mowna Biennial is extended through March 16 and may include interactive experiences, movement, abstract, play, sound, street, fashion, animations, live performance, photography, illusions, nature, software, video art, memes, writing, bots, gifs, vr, ar, xr, painting, sculpture, sketches, theater, poetry, opera, cinema, and other creative things only you can dream up.

Official artist selections for the 2021 mowna Online Biennial will be announced on April 9, 2021, and the opening party will take place on April 30, 2021.

About mowna

mowna seeks to create an ever-changing, fun, thoughtful, beautifully designed space to encourage awareness and mindfulness through the exhibition and experience of art and serves the public’s need for art for the highest good of all.  By addressing the current needs of not only the artist but also the audience, mowna is breaking barriers within the global art community.

mowna offers the preservation of artworks through an online collection that is an educational resource and archive for its members and its artists, and aims to find, display, and support wild and newfangled art through the incorporation of innovative new technologies and ways. mowna provides artists with financial compensation for their art and expands awareness of their talents via a sustainable platform where they can flourish.

Swimming article illustration by Mina Tocalini for 360 MAGAZINE

MADELINE BANIC × X1-PRO

American Record Holder, International Swim League (ISL) breakout athlete Madeline “Maddy” Banic sets sights on Tokyo Olympics by training less, using X1-PRO

Madeline “Maddy” Banic, the 18-time all-American NCAA swimmer who earned a neck-load of gold medals while swimming for the University of Tennessee and broke out on the scene for the ISL in 2020, has signed with GMX7 as an ambassador, joining GMX7 ambassador and 4-time Olympian Ryan Lochte with sights on ever bigger aspirations for 2021.

According to Banic, while she’ll continue swimming with the ISL, her next goal is to hopefully make the U.S. Olympic Team to compete in the 2021 Tokyo Olympics.

“It’s definitely my dream, and I’m pretty sure, it’s every competitive swimmer’s dream, to go to the Olympics,” said Banic, who broke the American record for the 50-meter fly at the ISL and was one of the top three breakout swimmers over the 8-week pro league. “I dream about it every day. It’s on my phone under my goals to have an American Flag Banic cap from the Olympics.”

Banic, who saw major improvements in her performance in 2020, attributes her success to a few key components, which includes practicing less.

That may sound counter intuitive, but it seems to have worked for Banic.

“Before COVID, I was absolutely murdering my body in practices, keeping my heartrate at 170 or above for several hours,” said Banic. “But when COVID hit, we weren’t able to train indoors, so I started boxing, cycling, running and kayaking and basically exercising outdoors. When I started swimming again, I was putting up decent times and that’s when I realized I had really been over doing it before.”

Then, at the end of May, Banic met David McCagg, the former 7-time gold medalist who started GMX7 and developed the X1-PRO resistance trainer, which Olympians Ryan Lochte and Caeleb Dressel also use. McCagg met Banic’s training group in Naples where she was able to try the X1-PRO.

“At first, I was skeptical. I mean, racks and towers were the standard for resistance training, but the X1-PRO changes that. It really helped me with my underwater,” said Banic, who used the X1-PRO twice a week to prepare for ISL Budapest. “Now, I use it all the time and love the X1-PRO because it’s not jerky and it travels with you the whole 25 back and forth for continuous training.”

According to Banic, her routine typically goes like this. She wakes up at 7:45 a.m., has a banana and gets ready for practice. Then, she’s in the pool from 8:45 a.m. until 10:45 a.m. At 11:30 a.m., breakfast includes eggs, avocado, yogurt, some fruit and lots of coffee.

Then, it’s time to hang out with her 5-year-old Border Collie-Australian Shepherd mix, named Remi. At 3 p.m. lunch is served which can vary, but often includes a sandwich, crackers, guacamole, salsa and dip. From 6:30 until 8:30 p.m. she’s back in the pool. After the evening swim, dinner almost always includes a meat, carb and veggie.

“That’s my typical doubles routine, but when I have singles, I’ll add in cycling with either a road bike or stationary bike, or I’ll do some yoga,” said Banic.

In addition to the workouts, and training with the X1-PRO, according to Banic, her other secret to success is her weekly massage.

“It’s an absolute must,” Banic said.

 

While 2020 was a tough year for many, Banic, who has publicly discussed her past struggles with depression and has helped others through her transparency, seems to have flourished and discovered more about herself. It has led to the realistic possibility of her perhaps earning a spot to compete in Tokyo at the Olympics for team USA.

“I’m definitely going to try my absolute best to make the Olympics,” said Banic. “I think that the ISL season proved that I’m kind of an underdog, but no matter how it goes, look out for the next ISL season.”

About GMX7

Founded in 2018, GMX7 is based in St. Petersburg, Florida and is dedicated to changing the world of swimming by empowering competitive swimmers with the best aquatic resistance training devices ever created. GMX7 was founded by David McCagg, a 7-time gold medalist, former world record holder and winner of multiple national championships. The first device on the market by GMX7 is the X1-PRO. Designed by ROBRADY Engineering, it has already been the recipient of several international awards including the 2020 International Design Excellence Award and the 2020 Red Dot Award for product design.  

Lotus Type 49 illustration by Heather Skovlund for 360 Magazine

Remixing Lotus Type 49 Sounds

The sounds of Evija: British music producer

remixes iconic Lotus engine note for EV hypercar

  •  Patrick Patrikios works with world-famous artists and on Hollywood movie soundtracks
  • Lotus Type 49 provides inspiration for Evija soundscape to create a blueprint for the company’s future electric cars
  • Patrick explains creating the sounds of the Lotus Evija on YouTube and at the Lotus website

Lotus is working with a renowned British music producer, inspired by the engine note of the iconic Type 49, to develop a range of sounds for the all-electric Evija hypercar. Patrick Patrikios has written and produced for Olly Murs, Sia, Britney Spears, Pixie Lott, and numerous other world-famous stars. He was Brit Award-nominated in 2018 for his collaboration with Little Mix, and the tracks he’s worked on have been streamed more than a billion times. “We wanted to create a soundscape for the Evija that was recognizably and distinctively Lotus,” said Patrick. “I sat with the development team at Hethel and discussed what that should be. We wanted something intrinsically connected to Lotus so we could set an audio blueprint for its future electric cars.”

Patrick loved the idea of using a famous Lotus as a starting point, and what better example than the Type 49 – one of the most iconic race cars of all time. He explained: “There’s a purity to that V8, a raw edge and an emotion that stirs something in your soul, just like the best songs.” The process began with the recording of a Type 49, which Patrick fed into his computer. In digitally manipulating the sound he and the Lotus team realized that slowing the engine note down created a similar frequency to the natural driving sound produced by the Evija’s advanced all-electric drivetrain.

“I adjusted the replay speeds and digital filtering of the Type 49 to generate a soundscape for the Evija – it was a very organic process,” said Patrick. “We all wanted something to spark an emotional connection between car and driver. Sound is hugely influential when it comes to creating and forming emotions, to enrich that bond that’s such a critical part of the Lotus experience.” Patrick concluded: “I love that the sound from one of the most iconic Lotus race cars of all time has been the inspiration for its newest. There’s a symmetry to it which is beautiful.”

Welshman Patrick has been a Lotus fan since childhood thanks to his car-loving father. An Evora driver, he splits his time between Los Angeles and the UK. His body of work includes Hollywood movie soundtracks as well as songs from internationally renowned recording artists. Patrick’s primary task was to craft the Evija’s external noise as it begins to deliver its immense ‘0-186mph (300km/h) in under nine seconds’ acceleration. However, using the Evija soundscape he created, he has also developed chimes and tones for everything from the activation of the indicators to the seatbelt warning. Few race cars from any motorsport brand are as celebrated as the Lotus Type 49. It won on its first Formula 1 outing, the 1967 Dutch Grand Prix, with legendary driver Jim Clark at the wheel, and a Type 49 was on pole position at every race for the rest of the season. The following year Graham Hill won the F1 Drivers’ Championship in a Type 49. Only 12 examples were ever made, and the car will be forever associated with two world debuts. The Type 49 was the first to use the all-new Lotus-developed Cosworth-Ford DFV engine that would dominate the Formula 1 grid for more than a decade, and it also marked the first appearance of the iconic red, white and gold colors of Lotus sponsor Gold Leaf, one of the most recognizable motorsport liveries of all time.

Lotus Type 49 image by Lotus
Lotus Type 49
Auction illustration by Heather Skovlund for 360 Magazine

Hollywood × Music Auction

RARE 1968 CHERRY RED HAGSTROM VIKING II GUITAR PLAYED BY ELVIS PRESLEY IN THE LEGENDARY “1968 COMEBACK TV SPECIAL” HITS THE AUCTION BLOCK AT KRUSE GWS AUCTIONS

 The Artifacts of Hollywood & Music Auction is one of the Most Historic Entertainment Memorabilia Auctions to Date. Exclusive Offerings Featured in the sale include Iconic Personal Items from Eric Clapton, Elizabeth Taylor, The Beatles, Janis Joplin, Marilyn Monroe, and Extremely Rare 16mm Film Reels from Woodstock

1950 Cadillac Fleetwood from “The Godfather” Commences a Large Collection of Iconic Cars from Film and Television

Dressed in black leather with his guitar strapped across his chest, Elvis Presley strolled on stage in 1968 to perform in what would become his legendary TV Comeback Special. It was here that the King reclaimed his crown in one of his greatest performances of all time. With Kruse GWS Auctions’ long-standing reputation for offering the most iconic Elvis Presley memorabilia and producing record-breaking auctions in entertainment memorabilia, fine jewelry, iconic fashion, and Royal artifacts, the auction house will exclusively offer the incredible Elvis Presley 1968 Comeback Special Cherry Red Hagstrom Viking II guitar at the Artifacts of Hollywood & Music Auction to be held on Saturday, March 27, 2021 beginning at 10:00 a.m. P.T.

The Hagstrom Viking II guitar was played by the King of Rock and Roll, on December 3, 1968, on NBC Television. This marked the superstar’s return to live performance after seven years when his career was centered on the movie business. The guitar is cherry red with a majestic mother of pearl inlay and is also pictured with Elvis on the cover of his RCA album “From Elvis in Memphis.” There is no other guitar in Elvis Presley’s history that stood for a more monumental moment. The sheet music from the TV special will also be included in the auction. (photo right: Elvis Presley Hagstrom Viking II guitar)

The original special came together when Presley’s manager Col. Tom Parker and producer Bob Finkel formulated a strategy for Presley’s return to live touring. The tour’s launch began with The International Hotel in Las Vegas. The guitar has been exhibited at the Rock and Roll Hall of Fame Museum and has been in the same collection for almost 30 years.

Of other major historical proportions, there is a once-in-a-lifetime opportunity to own a varied collection of original 16mm workprint film reels from the 1970 Academy Award-winning Woodstock documentary by Michael Wadleigh. For 50 years, the film has been the primary reference for pop culture historians. It has been deemed as one of the most important films of the era and is revered as such to this day. The lot gives an authentic snapshot of what occurred at Max Yasgur’s field and an extraordinary offering of music’s most celebrated event.

Film and Television Cars included in the auction include:

  • The 1950 Cadillac Fleetwood from the iconic film “The Godfather” and originally owned by Mae West
  • The 2006 Dodge Viper SRT One-of-a-Kind Bravado Banshee from “Grand Theft Auto V”
  • The 1993 Ford Explorer from “Jurassic World: Fallen Kingdom”
  • The 1974 Ford Falcon XB Interceptor from “Mad Max Style”
  • The 1964 Leslie Special from “The Great Race” and others.

From the monumental to the unexpected, the auction celebrates some of the highest-grossing films in entertainment history, music’s most memorable moments, and personal items from screen goddesses and award-winning actors.

“Kruse GWS Auctions is beyond thrilled to exclusively offer one of the most iconic guitars from Elvis Presley’s career – The 1968 Comeback TV Special was groundbreaking for Elvis and was a moment where he solidified and carved out his place in music history. This was truly “Elvis Un-Plugged.” I have dreamed of selling this iconic piece of history for as long as I can remember. This guitar played such a significant role in Elvis’ career and the world once again proclaimed him as the “King,” after his unforgettable performance. Along with many other exceptional artifacts like the original Woodstock film reels, iconic movie, and TV cars as well as other items from the world of music and entertainment, this guitar truly stands alone as one of the most important historical items we have had the honor and privilege of selling.” – Dame Brigitte Kruse, Founder, and Lead Auctioneer, Kruse GWS Auctions.

The Artifacts of Hollywood & Music Auction marks the first celebrity memorabilia auction for Kruse GWS Auctions of 2021. Additional highlights include Elvis Presley’s personally owned Solid 14K Yellow Gold and Blue Enamel TCB Necklace; Elizabeth Taylor’s personally owned pair of drop earrings, blue and white rhinestone brooch and necklace; Marilyn Monroe’s personally owned watch; Michael Jackson’s personally owned Western shirt and much more.

To register for the Artifacts of Hollywood & Music Auction please visit this link

 View The Artifacts of Hollywood and Music auction catalog

 

John Oates illustration by Heather Skovlund for 360 Magazine

Oates Song Fest 7908

The legendary John Oates of Hall & Oates and his wife, Aimee, are producing a free, virtual concert aimed at fighting hunger across America: Oates Song Fest 7908. The Oates are co-hosting the event with internet sensation, Saxsquatch, and are partnering with a league of star-studded performers including Dave Grohl, Sammy Hagar, Daryl Hall, Dan+Shay, Darius Rucker, Sara Bareilles, Bob Weir, Shawn Colvin, Gavin DeGraw, Matt Nathanson, Louis York, Quinn Sullivan, Infinity Song and Jewel. Additionally, there will be guest appearances by Monica, Angie Harmon, Hayley Orrantia and more.

All donations and proceeds from the event will go to Feeding America®. Feeding America estimates that more than 50 million people may face hunger in the U.S. because of coronavirus, which is 1 in 6 people, and 1 in 4 children. During the Oates Song Fest 7908 broadcast, viewers will be able to donate via a unique QR code and at this website. Oates Song Fest 7908 is streaming on NugsTV on March 20, 2021 at 8pm ET. The link for the virtual streaming concert can be found here.

Here at 360 Magazine, we chatted with John Oates about his inspiration for creating the festival, exciting celebrity collaborations, and the new song that he wrote especially for this virtual performance.

Besides the entirety of the pandemic itself, was there any particular occurrence that originally inspired you and Aimee to produce OATES SONG FEST 7908?

We were asked to revive a show that we produced in 2010 called the 7908 Aspen Songwriters Festival (7,908 ft. being the altitude of Aspen, CO). When we realized that we couldn’t have a live audience, we pivoted to the idea of doing a virtual version with a charitable component. That’s when we reached out to FeedingAmerica and NugsTV to be our streaming partners.

How did you decide on the line-up of artists to headline this fest?

Many of the artists were actually involved in the original Aspen Festival 10 years ago and most of the others are friends, or someone who we really admire.

Where did you originally discover Saxsquatch, and why were they picked as co-host?

My wife Aimee discovered Saxsquach online and turned me on to him. We reached out on Instagram and began to come up with an idea to collaborate on a project…I can’t give it away, but we will debut a special video that we did together on the Oates Song Fest 7908 and trust me, you won’t want to miss it!

What songs are you most looking forward to performing at OATES SONG FEST 7908?

It wouldn’t be fair not to mention every artist since they have all been so gracious to donate their time and music. I will say that I’m going to end the show with a brand-new song that I wrote for this performance.

Where will you be performing during your set?

I will be performing from an empty theatre in Nashville and my set will be in the middle and end of the show.

How do you work to create an immersive concert viewing experience online while operating virtually?

We will have a very entertaining variety of diverse and multi-generational musicians and celebrities who will make special appearances throughout.

How can listeners donate to Feeding America during the concert stream?

During the broadcast of “Oates Song Fest 7908” viewers will be able to donate via a unique QR code and at this website.

Pandemic Real Estate Trends

5 Massive Real Estate Trends Created by the Pandemic

By: Polina Ryshakov, Director of Valuation at Sundae

Coronavirus has had a huge impact on a number of demographic and home buying and selling trends. Here are 5 of the most noteworthy shifts. The coronavirus pandemic upended daily American life in countless unpredictable ways. Real estate was no exception. Some of the ways in which the pandemic affected housing reshape how we think about homeownership and hint at larger economic shifts down the line.

First-time buyer demographics prior to 2020

The median age of first-time homebuyers was around 33 before the pandemic started. This is the oldest age recorded since 1981 when the median age of first-time homebuyers was 29. As homeownership is commonly considered a gateway to wealth creation and a key piece of the American dream, an older average first-time buyer age could reflect a lack of economic opportunity for young people. Over the past few decades, there were several factors behind the extra four years it takes on average to buy a first home.

Contributing factors include:

  • A skyrocketing increase in college tuition
  • Delay in household formations (i.e., having children later)
  • Rapid home appreciation causing a lack of affordability
  • Other key demographic trends predating the pandemic

The median age of repeat buyers increased even more rapidly between 1981 and 2020, going from 36 to 55. As with first-time home buyers, multiple interesting factors drove this trend. For example, some studies claim that baby boomers prefer to age in place, identifying 3.6 million unoccupied rooms owned by baby boomers, thus contributing to the housing shortage.

But it’s not that simple.

Since 1980, wage growth hasn’t kept up with inflation for over 50% of American workers. Meanwhile, the dot.com bust and the Great Recession dropped S&P levels 43% and 48%, respectively, which also reduced home equity at a similar level. These essentially trapped boomers because they owed more on their homes than they could get for them, while at the same time suffering hits to their overall wealth. The Great Recession also created an opportunity for older Gen Xers and boomers with cash to purchase investment properties. As home prices dipped following the bubble bust, Americans seized their chance to buy properties for passive income, and with more distressed properties for fix and flip opportunities, real estate became a more popular way for people above-median home-buying age to create wealth, thus contributing to the increased repeat buyer age. The biggest jolt in demand is yet to come

The largest age bracket among millennials, which adds up to nearly 10 million people, has been turning 30 over the last two years. This is the milestone age of starting a family and buying a home; their home-buying appetites are already starting to show. According to the NAHB Trends Report, between the fourth quarter of 2019 and that of 2020, the number of millennials and Gen Xers actively searching for a home increased dramatically, from 46% to 65% and 43% to 57%, respectively. The relative numbers of Gen Zers and boomers remained essentially flat, with 42% and 32% looking for a home, respectively. With this demographic backdrop, and the continuing economic and social fallout from the coronavirus, what are we likely to see over the remainder of 2021 and beyond?

Trend #1: Median age of first-time homebuyers will decline

Millennials’ desire to own a home has been long debated. A number of long-term trends put millennial homeownership on the backburner:

Interestingly, the COVID-19 pandemic created an attractive new opportunity for this demographic cohort. Several things came together: immediate demand for more space with the need to work from home, record low-interest rates that translate to lower monthly mortgage payments, and the last piece of the puzzle, increased savings. While staying home, there is no need to buy new clothes or daily Starbucks. There is no going out after work or on weekends, and a lot less travel, for work or pleasure. In fact, the virus even put a pause on paying off college debt, since it became a COVID-19 Relief option. The bottom line is that more people will have the ability and interest to buy a house, sooner than they were before.

Trend #2: Median age of repeat home buyers will decline

The median age of repeat home buyers is likely to decline immediately post-pandemic but will revert to the pre-pandemic increasing trend quickly. The average tenure of homeownership continued to increase and was over 8 years at the end of 2020, up from 4 years in 2007, before the Great Recession. Assuming the median age of the typical “move up,” or second-time home buyer is roughly 40 years old (given the simple math of 33 + 8), a median repeat buyer age around 55 means that a lot more people in their 50s, 60s, and 70s are acquiring third, fourth, or even fifth properties. One of the factors behind the dramatic age increase in repeat buyers since 1981 is the growing popularity of real estate as an investment. During the Great Recession, mom and pop investors who had cash and solid credit were able to build their rental income portfolios by capitalizing on depressed home prices and strong rental demand from distressed homeowners.

Another factor is the baby boomer generation born between 1940 and 1964 has been downsizing. According to the latest Census data, many baby boomers will be single in retirement. Almost a third of men and over half of women are unmarried at 65 or older. With the onset of the pandemic, city dwellers who could work remotely and whose kids started going to school virtually began looking for bigger houses and open spaces in rural areas. With interest rates at historic lows, amid the pandemic, it became a strangely perfect time to buy a dream vacation home away from major Metropolitan Areas. The annual rise in second-home mortgage applications is more than double the increase in mortgage applications for primary homes, with demand-driven primarily by families with kids. Aside from vacation homes, working, learning, dining, working out, and self-entertaining at home created the need for more space and put a larger value on the fourth bedroom or larger back yard.

Trend #3: Length of the home search process increased and will keep increasing

Lack of supply sets the trend for buyers to view fewer homes while the home purchase process itself is increasing. Tight inventory results in fewer homes on the market and buyers must search longer for the right home. With fewer homes available, there are fewer homes that fit the buyers’ requirements coming on the market. On top of that, in the Housing Trends Survey the number one reason 40% of home searchers cited, is being outbid by other offers as opposed to not being able to find an affordably priced home, which is a big difference from 19% of home searchers a year ago.

Trend #4: Fewer sacrifices will be made to purchase a home

Financial experts recommend having three to six months’ worth of expenses saved up in an emergency account. But at the end of 2019, according to GoBankingRates survey, 69% of Americans have less than $1,000 in savings. The personal savings rate or amount people are saving as a percentage of their disposable income, soared to 33% in April of 2020. That was the highest savings rate recorded since BEA started tracking it in 1959. People realized the importance of having emergency funds and at the same time, stimulus payments and tax refunds have been distributed to help build up a reserve. Per Generational Trend Report from NAR, in order to save for a down payment, homebuyers had to cut spending on non-essential items, entertainment, clothes, vacations, get a second job or sell a car. But with severe limitations on how money can be spent, savings built up on their own.

Trend #5: Fewer repeat buyers will compromise on the top four reasons

With so few homes for sale, the additional risks of holding an open house to sell their own, and having crowds doing walkthroughs, move-up buyers are likely to stay put unless a property that meets most of their needs is identified and won in a bidding war. Not only have public health concerns necessitated virtual tours, but homebuyers are getting savvier with online tools. Even before the pandemic, 93% of homebuyers used the internet as a resource in their home search, according to the NAR. Sellers are having to keep up with the trends, too.

Further Reading: Real Estate Shifts to Accommodate Customers in a Virtual Age

What will be the big theme for 2021?

To start, a massive fear of missing out.

The headlines of every major media outlet are screaming about continuous home price appreciation. The thought of home prices reaching the point of being out of reach while interest rates have nowhere to go but up will be the end of the last opportunity to buy that first, or second, or even an investment property.

With a tight, low-inventory market dipping under 2 months of supply, the strongest contract activity in a decade, and historically low-interest rates, buyers’ fear is well-founded and likely to only get worse.

But don’t take our word for it.

Jacob de Neergaar by Hotel d'Angleterre Copenhagen for use by 360 Magazine

Hotel D’Angleterre Appoints Jakob de Neergaard as Head Chef

Chef Jakob de Neergaard to Take the Helm on April 1st

Chef Jakob de Neergaard, one of Denmark’s greatest masters of French cuisine, will lift Marchal at d’Angleterre in Copenhagen to new heights with his enormous knowledge and experience in classic gastronomy, both French and Nordic.

The level of gastronomy in Scandinavia is at an all-time high, especially when it comes to the “new” Nordic cuisine, which for many years has repeatedly put the restaurants of Denmark high on the list of “world’s best.”

The Hotel d’Angleterre has always aimed for the head chef of its gourmet restaurant, Marchal, to have deep roots in French cuisine and, at the same time, have both a love and an understanding of Nordic gastronomy. This is the primary reason the hotel chose the highly experienced and respected Jakob de Neergaard as its new head chef.

Jakob de Neergaard has worked for many years throughout Europe with French cuisine at the highest Michelin level, including at the iconic Ritz Hotel in Paris; at Paris’ three-star Alain Ducasse; and the three-star Restaurant Bruneau in Brussels – alongside one of the world’s most innovative chefs: Jean-Pierre Bruneau.

“Jakob de Neergaard has a special veneration and a huge talent for classic French cuisine,” says Lucas Johansson, General Manager of Hotel d’Angleterre. “And while Marchal will stick to its Nordic roots, we also want to integrate and emphasize the influence of French cuisine; and we are confident that Jakob will lift Marchal to an even higher level.”

Chef de Neergaard has represented Denmark as a judge at the World Championships for Chefs, won the award as “Restaurant of the Year,” and in his nine years as head chef at Denmark’s countryside Søllerød Kro, earned the restaurant its first Michelin star. He is married with two children.

“In my gastronomic life journey, I have never been prouder and more honored than to have been given the opportunity to lead Marchal forward as Head Chef,” says de Neergaard. “Marchal is one of my absolute favorite restaurants and it’s my ambition and determination to cultivate and combine the best of Nordic and French cuisine into unique and beautiful gastronomic harmony.”

When Marchal reopens in the spring, the menu will be redrawn to reflect de Neergaard’s gastronomic vision.

For more information about Marchal and the Hotel d’Angleterre, visit this website.

ABOUT HOTEL D’ANGLETERRE
Located on Copenhagen’s Kongens Nytorv (The King’s Square), Hotel d’Angleterre has long been the city’s address of choice for royalty, statesmen and the illustrious. The d’Angleterre has had an extremely colorful history, from its origins as a restaurant opened in 1755 by Jean Marchal, to its transformation into the d’Angleterre in 1795, the opening of the current building in 1875 and its rebuilding just before World War I. After a short change in ownership, The Remmen Foundation once again re-acquired and closed the storied hotel in 2011. The hotel reopened May 2013, revealing the results of massive remodeling and re-imagining: a lighter and more elegant color palette; 90 spacious rooms & suites (created from the existing 123 rooms); restaurant Marchal helmed by Michelin-rated Jacob de Neergaar; Amazing Space Scandinavian spa; and Balthazar, Denmark’s first Champagne bar.

The Weeknd by Republic Records Media for 360 Magazine

THE WEEKND – BLINDING LIGHTS

“BLINDING LIGHTS” BECOMES THE ONLY SONG IN HISTORY TO SPEND A FULL YEAR (52 WEEKS) IN THE TOP 10 OF THE BILLBOARD HOT 100

DIAMOND­ CERTIFIED ARTIST THE WEEKND SURPASSES 80 MILLION RIAA DIGITAL SONG CERTIFICATIONS, MOVING INTO THE TOP 10 FOR MOST DIGITAL SINGLE CERTIFICATIONS OF ALL TIME

“BLINDING LIGHTS” IS THE BEST-SELLING SONG OF THE PAST YEAR WORLDWIDE AS RECOGNIZED BY THE IFPI WITH THE COVETED “GLOBAL DIGITAL SINGLE AWARD”

Exceeding yet another impressive benchmark, diamond-selling Toronto artist The Weeknd’s smash single “Blinding Lights” has again broken chart records spending its 52nd week in the top 10 of the Billboard Hot 100. It becomes the first song in the history of the chart (which began Aug. 4, 1958) to spend a full year’s time in the top 10.

Additionally, The Weeknd has received the 2020 IFPI Global Digital Single Award for the septuple-platinum smash “Blinding Lights.” The Global Digital Single Award recognizes the best-selling single of the year worldwide across individual track downloads as well as paid and ad-supported streams. This marks his very first IFPI honor.

In its continued dominance, his blockbuster chart-dominating fourth full-length album, After Hours, has also garnered multiple new certifications from the RIAA. After Hours has reached double-platinum status while standout tracks “Save Your Tears, “After Hours, and “In Your Eyes” have all progressed to platinum. Additionally, “Blinding Lights” has officially been minted seven-times platinum. With these developments, he has reeled in a staggering total of 80 million-plus RIAA Digital Song Certifications, placing him in rarified air and in the “The Top 10 Most Digital Single Certifications of All Time.

The Weeknd recently announced the After Hours World Tour. The 104-date global tour will kick off on January 14, 2022 in Vancouver at Pepsi Live at Rogers Arena with stops in Chicago, Dallas, Los Angeles, Miami, Paris, London and more, before wrapping November 18 in Glasgow at SSE Hydro. The announcement comes just days ahead of the multi-platinum singer’s headlining Super Bowl performance, and also includes a handful of rescheduled dates shifting from 2021 to be a part of the After Hours World Tour in 2022. Tickets are on sale now. Full routing can be found HERE.

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

 

Wonderworks image by Cher Murphy PR for 360 Magazine

WonderWorks Syracuse Reopens

After a Year of Pandemic Closure, WonderWorks Syracuse Reopens with a New Exhibit

The moment so many people have patiently waited for is here. WonderWorks Syracuse will officially reopen on March 26, 2021. While Canyon Climb ropes course re-opened in August 2020, WonderWorks has been closed for nearly a year due to the pandemic. With the reopening, WonderWorks will have new rules and covid safety measures to help keep people safe and socially distanced.

“We are thrilled to be able to get our doors back open and welcome people to come on in,” says Nicole Montgomery, general manager of WonderWorks Syracuse. “We know that people are ready to get out and do things, and we offer a great mix of fun and educational activities, with something for everyone in the family.”

Some of the changes that patrons can expect when visiting WonderWorks Syracuse include:

  • Being cashless. Be sure to bring an electronic form of payment or purchase your tickets online ahead of time because WonderWorks will no longer be accepting cash.
  • WonderWorks is reopening on a reservation basis only, which will keep its capacity to 50 people. It will only be allowing 50 people inside every 30 minutes.
  • The hours will be limited to start with, which is currently noon–6 p.m. on Wednesday, Thursday, and Sunday, and 11 a.m.–7 p.m. on Friday and Saturday. Tickets will be available for advanced sale soon.
  • There will be COVID measures taken, such as staff health screenings and guest temperature checks before entering. Additionally, guests over the age of two must wear a face covering and everyone must adhere to social distancing of six feet.
  • WonderWorks is providing sanitizer stations throughout.

“Come on out and have some fun,” added Montgomery. “We have a lot to offer, including ropes courses, laser tag, rides, science exhibits and more.”

WonderWorks reopens with its newest exhibit that incorporates student artists. CNY Art: New York Youth Art Gallery held its first annual contest, the winning masterpieces will be on display for a year.

WonderWorks ropes course, called Canyon Climb, is the world’s largest suspended indoor ropes course. It offers three levels and 81 obstacles. Additional attractions include laser tag, where people can have fun strapping on a laser tag vest and competing in a fast-paced, action-packed battle of laser tag, a 4D XD motion theater, and various fun and educational zones. The zones focus on weather, light and sound, physical challenges, space discovery, imagination and art.

WonderWorks Syracuse recently launched some educational programs, including virtual learning labs and homeschool days. It also offers group rates, scouting programs, sensory days, birthday parties and corporate events.

To see a full list of COVID-19 safety measures being taken, visit the site.

For more information or to purchase tickets, visit the site.

For information on the exhibit, CNY Art: New York Youth Art Gallery, visit their website.

About WonderWorks

WonderWorks, a science-focused indoor amusement park, combines both education and entertainment into one venue. With over 100 hands-on exhibits, there is something unique and challenging for all ages. Feel the power of 71 mph hurricane-force winds in the Hurricane Shack. Make life-sized bubbles in the Bubble Lab. Get the NASA treatment and experience zero gravity in our Astronaut Training Gyro. Nail it by lying on the death-defying Bed of Nails. WonderWorks is located in Orlando, Pigeon Forge, Panama City Beach, Myrtle Beach, Syracuse and Branson. For more information, visit their website and follow on Facebook, Twitter, and Instagram.

 

Miami Florida illustration by Kaelen Felix for 360 Magazine

Clean Cities Clean Future campaign

Investing in Digital Twins can prevent US cities from under-reporting their carbon emissions.

Cities across the United States are underreporting their carbon emissions by an average of 18.3% according to Nature Communications, the journal for research across the natural sciences.

It has reported huge discrepancies in measurement, with some cities under-reporting emissions by as much as 145.5%, and the total amount of potentially unreported carbon equating to 129 million metric tons. But, a Clean Cities – Clean Future campaign launched by leading Digital Twin provider Cityzenith has offered to help them address this.

Kevin Gurney of Northern Arizona University said the cities’ problem is not so much that they are deliberately under-reporting carbon emissions, but the fact that they simply do not have the technology to measure them.

Gurney and his team have developed ‘Vulcan’, an automated measurement system that can estimate fossil-fuel emissions at specific geographic points and across large areas.

The team compared Vulcan’s estimates of greenhouse gas emissions between 2010 and 2015 with those reported in 48 city inventories, which discovered that many US cities were not measuring their emissions accurately.

Gurney used measuring heating emissions as an example: “Heating oil statistics are difficult to get. Cities will often just not include the heating oil in their total building estimates.”

He added that cities are also using different methods to measure emissions from various sources, such as airborne, on-road, and marine:

“The analysis highlights the need for a systematic, consistent approach to accounting for carbon emissions across the US, because inaccurate estimates make it difficult to assess how effective emissions reduction efforts are.”

The World Economic Forum says cities are crucial for the journey to net-zero emissions. Despite only covering 3% of the Earth’s land surface, urban areas are responsible for more than 70% of global carbon emissions.

Emily Tan, City Solutions General Manager at Shell Renewable and Climate Solutions also called for a consistent approach to the problem: “Integrated solutions need to be innovated and delivered. This will require unprecedented collaboration between the government, industry, and society.

“But the urgency has never been greater. After all, making cities sustainable places to live and work for future generations will be imperative if the world is to meet the broader goals of the Paris Agreement and move closer to a net-zero emissions world.”

Cityzenith CEO Michael Jansen is adamant that the solution to effective measurement and management of carbon emissions within urban areas is Digital Twin technology:

“This report should be a real eye-opener to everyone working to address the 2016 Paris Agreement and push back against Climate Change.

“We already knew that urban emissions were by far the biggest contributor to the greenhouse gases, causing our world to heat up and threaten human life and prosperity, but it now seems that some of the parameters must change through this inadvertent under-reporting.

“Fortunately, Digital Twin 3D modelling through a powerful platform like our SmartWorldOS software can aggregate all new data, and then use AI to develop lasting solutions to the problems highlighted by Nature Communications and the Vulcan team.

“We are raising $15 million through Regulation A+ crowdfunding and as part of our Clean Cities – Clean Future’ campaign, we are donating our SmartWorldOS technology platform to one city at a time for every $1m raised to help create carbon neutral cities.

“And the great news is we have already raised more than $2 million from more than 1,000 new shareholders since launching our investment platform on our website at the end of last year, which will allow the first cities to benefit to be announced in the second quarter of 2021.”