Posts made in February 2021

Green covid by Mina Tocalini for 360 Magazine

Tuberculosis Bacteria Paradox

TB-causing bacteria remember prior stress, react quickly to new stress

Tuberculosis bacteria have evolved to remember stressful encounters and react quickly to future stress, according to a study by computational bioengineers at Rice University and infectious disease experts at Rutgers New Jersey Medical School (NJMS).

Published online in the open-access journal mSystems, the research identifies a genetic mechanism that allows the TB-causing bacterium, Mycobacterium tuberculosis, to respond to stress rapidly and in manner that is “history-dependent,” said corresponding author Oleg Igoshin, a professor of bioengineering at Rice.

Researchers have long suspected that the ability of TB bacteria to remain dormant, sometimes for decades, stems from their ability to behave based upon past experience.

Latent TB is an enormous global problem. While TB kills about 1.5 million people each year, the World Health Organization estimates that 2-3 billion people are infected with a dormant form of the TB bacterium.

“There’s some sort of peace treaty between the immune system and bacteria,” Igoshin said. “The bacteria don’t grow, and the immune system doesn’t kill them. But if people get immunocompromised due to malnutrition or AIDS, the bacteria can be reactivated.”

One of the most likely candidates for a genetic switch that can toggle TB bacteria into a dormant state is a regulatory network that is activated by the stress caused by immune cell attacks. The network responds by activating several dozen genes the bacteria use to survive the stress. Based on a Rice computational model, Igoshin and his longtime Rutgers NJMS collaborator Maria Laura Gennaro and colleagues predicted just such a switch in 2010. According to the theory, the switch contained an ultrasensitive control mechanism that worked in combination with multiple feedback loops to allow hysteresis, or history-dependent behavior.

“The idea is that if we expose cells to intermediate values of stress, starting from their happy state, they don’t have that much of a response,” Igoshin explained. “But if you stress them enough to stop their growth, and then reduce the stress level back to an intermediate level, they remain stressed. And even if you fully remove the stress, the gene expression pathway stays active, maintaining a base level of activity in case the stress comes back.”

In later experiments, Gennaro’s team found no evidence of the predicted control mechanism in Mycobacterium smegmatis, a close relative of the TB bacterium. Since both organisms use the same regulatory network, it looked like the prediction was wrong. Finding out why took years of follow-up studies. Gennaro and Igoshin’s teams found that the TB bacterium, unlike their noninfectious cousins, had the hysteresis control mechanism, but it didn’t behave as expected.

“Hysteretic switches are known to be very slow, and this wasn’t,” Igoshin said. “There was hysteresis, a history-dependent response, to intermediate levels of stress. But when stress went from low to high or from high to low, the response was relatively fast. For this paper, we were trying to understand these somewhat contradictory results. ”

Igoshin and study co-author Satyajit Rao, a Rice doctoral student who graduated last year, revisited the 2010 model and considered how it might be modified to explain the paradox. Studies within the past decade had found a protein called DnaK played a role in activating the stress-response network. Based on what was known about DnaK, Igoshin and Rao added it to their model of the dormant-active switch.

“We didn’t discover it, but we proposed a particular mechanism for it that could explain the rapid, history-dependent switching we’d observed,” Igoshin said. “What happens is, when cells are stressed, their membranes get damaged, and they start accumulating unfolded proteins. Those unfolded proteins start competing for DnaK.”

DnaK was known to play the role of chaperone in helping rid cells of unfolded proteins, but it plays an additional role in the stress-response network by keeping its sensor protein in an inactive state.

“When there are too many unfolded proteins, DnaK has to let go of the sensor protein, which is an activation input for our network,” Igoshin said. “So once there are enough unfolded proteins to ‘distract’ DnaK, the organism responds to the stress.”

Gennaro and co-author Pratik Datta conducted experiments at NJMS to confirm DnaK behaved as predicted. But Igoshin said it is not clear how the findings might impact TB treatment or control strategies. For example, the switch responds to short-term biochemical changes inside the cell, and it’s unclear what connection, if any, it may have with long-term behaviors like TB latency, he said.

“The immediate first step is to really try and see whether this hysteresis is important during the infection,” Igoshin said. “Is it just a peculiar thing we see in our experiments, or is it really important for patient outcomes? Given that it is not seen in the noninfectious cousin of the TB bacterium, it is tempting to speculate it is related to survival inside the host.”

Gennaro is a professor of medicine and epidemiology at Rutgers Biomedical and Health Sciences. Igoshin is a senior investigator at Rice’s Center for Theoretical Biological Physics.

The research was supported by the Welch Foundation (C-1995) and the National Institutes of Health (GM096189, AI122309, AI104615, HL149450).

Road Trip by Mina Tocalini.png

Taby Launches The Digital Street Exhibition

The traditionally physical medium comes to an online platform, featuring cutting edge artists from around the world.

Taby, a powerful new digital player in the art gallery scene, is proud to announce the launch of its second exhibition, The Digital Street. Conceived with the pandemic as a backdrop, Taby’s curator Emerson Radisich has carefully selected works from an international group of artists that are vibrant representations of our times. The new exhibition touches on several themes: the emotional reflections of dealing with the post-COVID era, the blending of our everyday lives with the digital realm, and thoughtful geo-political commentary, to name a few surface points.

The Digital Street engages the viewer on several levels, whether it’s the symbols of the collective unconscious tapped into by Polish artist Karifurava, representing our inner world, or the brutal honesty of Judy Rhum’s quarantine series, demonstrating the outward reality of how the structure of our daily lives has changed.

In keeping with Taby’s tradition of exhibitions benefiting charities associated with the theme of each show, CEO Mo Al Khater has selected Street Art For Mankind (SAM) as this exhibit’s recipient. SAM produces large murals, interactive exhibitions and live performances to support human rights and bond communities across the planet. The charity primarily focuses on fighting against child labour & trafficking, funding raid and rescue programs through the Kailash Satyarthi Children’s Foundation.

 

Show Description

Graffiti and street art is an ever-expanding and increasingly popular genre of artmaking that has found an increased role and dedicated significance during the coronavirus pandemic. It is a practice that has evolved entirely within the public realm, and often comes with the capacity to challenge, critique and contort both public places and public knowledge. At a time where museums, galleries and institutions have closed their doors, street artists have remained steadfast in their craft, and many artists from other genres have migrated to the medium to be able to continue to share work publicly.

Muralism today has seeped into many services throughout the art world; significant institutions regularly exhibit street art and graffiti shows, with artists such Banksy and KAWS now household names who routinely break sales records at auction houses, and the aesthetic of graffiti is embedded in our society and spans advertising through to technical inclusions in fine artist’s practices, a process often referred to as Post-Graffiti.

Digital artmaking is no exception – several highly stylized comics, illustrators, designers and artists have appropriated the specific aesthetic qualities of graffiti and mark making, as well as the pursuit’s capacity to critique and challenge norms. The Digital Street seeks to examine these qualities through the works of artists globally. It presents an array of artmaking which utilizes digital reproduction in a graffiti-influenced style, and demonstrates a range of artists who openly critique the world around them within this particular practice – ultimately showcasing the beauty and necessity for graffiti in today’s climate.

 

The Digital Street features 18 works from 6 artists working around the globe:

 

  • Karifurava, Poland: is a Polish graphic designer, illustrator and fine artist currently based in Warsaw. Influenced by contemporary Eastern graphic designers and illustrators such as Keiichi Tanaami, his bold and colorful works explore mysticism, neo-religion and the magical. Karifurava has exhibited extensively across the globe at galleries including Backwoods Gallery, Australia, and venues including VIKTAC, Poland.

 

  • Judy Rhum, Milan: a graffiti artist, illustrator and lecturer currently based in Milan. Her works are lucid and ludic, combining a playful and illustrative feel into the monumental platform that is graffiti. They are slick: graffiti with layered breakdowns, expanded geometric shapes and purposeful abstraction. Rhum is also the co-founder of Drinchendro, a Milan-based arts program.

 

  • Tom Gerrard, Australia: a graphic designer cum fine artist currently based in Melbourne, Australia. His unique practice involves the painting of simple characters, architecture and nature through a minimal color palette, where his works are often inspired by people he has met and places he has visited. Gerrard has exhibited work extensively across the globe at galleries including Stolen Space, London, RVCA, Tokyo and 1xRUN, Detroit.

 

  • Morris Vogel, Switzerland: a self-taught fine artist and illustrator currently based in Basel, Switzerland. Vogel examines surreal manifestations of politics, existentialism, awareness and human nature through a highly stylized black and white drawing style. His works have been exhibited at Kunsthallekleinbasel, Switzerland, Cvijeta Zuzorić Art Pavillion, Serbia and YOPE project space, Mexico.

 

  • Indie184 is a New York-based artist who has been active in graffiti culture for over 2 decades. Influenced by abstract expressionism and pop art, her paintings are raptures of color and textures. Fused with her original graffiti and street art, imagery, and designs juxtaposed with personal messages, Indie’s art has been exhibited in galleries and museums worldwide, including El Museo del Barrio, New York and Völklingen Ironworks Museum, Saarbrücken, Germany.

 

  • Nini Sum is a mixed-media artist based in Shanghai, China. Her work depicts urban scenery and characters from everyday life in a captivating and surreal setting, which is strongly influenced by modern city life and eastern philosophy. The form of Nini’s work varies from silkscreen prints and mural paintings, to collage on canvas and album art. She is also the founder of IdleBeats, China’s first independent screen-printing studio.

 

About Taby

Taby is a premium digital art gallery specializing in contemporary art. We provide several rolling digital exhibitions throughout the year which bring together hand-selected quality artworks under a specific curatorial theme. Taby only exhibits exclusive, limited edition artworks, shipped to your door, which are designed and manufactured to the highest quality. Our objective is to provide every customer with an exceptional piece of art that is ready to hang as soon as it is unpacked. Alongside every digital exhibition, Taby also selects a charity related to the theme of that exhibition, which then receives a portion of our revenue.

Taby is a global team. We are artists, curators and seasoned collectors who have developed exhibitions and worked with galleries all over the world. Our mission is to make choosing and collecting contemporary art as simple as possible; this is why we provide ready to hang artworks through our premium printing, stretching and framing service, offering bespoke curatorial services so that every client is able to find an artist and artwork to match their collection, and partner with a range of specialists to select the best artists for each theme and series. We look forward to serving you.

 

 

Rita Azar illustration for a sports article in 360 magazine

OHIO STATE ABUSE ALLEGATIONS DOCUSERIES

Docuseries will be the first of its kind to extensively examine the decades-long scandal uncovered in the Sports Illustrated digital cover story by Executive Editor Jon Wertheim 

Smokehouse Pictures and Sports Illustrated Studios announced today that they will produce a docuseries based on Wertheim’s groundbreaking digital cover story detailing prolific alleged abuse at Ohio State University (OSU). The series will further detail the scandal that lasted three decades and left many questioning how this victimization went largely unreported.

Sports Illustrated executive editor and senior writer Jon Wertheim – one of the most accomplished sports journalists in America – broke the story on the October 5, 2020 digital cover: “Why Aren’t More People Talking About the Ohio State Sex Abuse Scandal?” The in-depth expose revealed the extent of Ohio State’s sports doctor Richard Strauss’ alleged sexual assaults and manipulation of over 350 (reported) student athletes.

Jon Wertheim explained: “This article uncovers the most widespread sexual abuse scandal in the history of American higher education. It is a story about power, abuse, enabling and the hierarchy of college sports that had been concealed for far too long. Because these courageous men made the decision to remain silent no longer, we can finally begin to hold the abuser, and those who were complicit in their silence, accountable for their actions–and inactions. With the help of 101 Studios, Authentic Brands Group and Smokehouse Pictures, their voices and stories–harrowing as they are–will be amplified.”

For the first time ever – UFC Heavyweight Champion and OSU alum, Mark Coleman, provided Wertheim with his detailed account and disclosed Strauss’ administration of anabolic steroids. In addition, Coleman (among others) has alleged that Congressman Jim Jordan knowingly ignored Strauss’ alleged abuse to the athletes as he served as the OSU Assistant Wrestling Coach from 1986-1994. No one believed that the alphas of campus, the star wrestlers and NFL-bound football players, could be sexually abused by a man.

Even after the school identified merit behind Strauss’ alleged abuse claims, he was simply and quietly let go. No formal reports were ever filed, and he remained on the university’s payroll as a tenured professor.  Strauss’ behavior continued unchecked when he was able to open a private men’s clinic in Columbus, just down the street from campus. He continued to operate this clinic until his death by suicide in 2005.

George Clooney and Grant Heslov from Smokehouse Pictures emphasized: “We’re very pleased to partner with 101 Studios and Sports Illustrated in bringing this devastating and tragic story to light.”

“It’s enormously important that we continue to shine a light on this ongoing, painful story and further explore its wide-ranging effects” said Marc Rosen, President, Entertainment at Authentic Brands Group, who in partnership with 101 Studios formed Sports Illustrated Studios in 2020. Rosen continued: “We are lucky to be able to tap into the exceptional journalism of Sports Illustrated’s Jon Wertheim, and we are incredibly proud and humbled to bring even more awareness to his investigation.”

Strauss’ hundreds of victims continue to seek justice. Only 162 have reached a settlement of $250,000 each and there are over 250 claims still pending.

George Clooney and Grant Heslov of Smokehouse Pictures will serve as Executive Producers along with Jon Wertheim, Jamie Salter, Corey Salter and Marc Rosen of Sports Illustrated Studios, and David Glasser, Ron Burkle and Bob Yari of 101 Studios.

Andrew Kramer of Loeb & Loeb negotiated the deal on behalf of Sports Illustrated Studios.

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About Smokehouse Pictures:

Smokehouse Pictures is a motion picture and television company founded in 2006 by George Clooney and Grant Heslov.  Smokehouse’s film Good Night and Good Luck, garnered a total of six Academy nominations including Best Picture, Best Director and Best Original Screenplay.  The company also produced the Academy Award-winning Best Picture Argo, the Academy Award nominated The Ides of March and August: Osage County as well as: Suburbicon, Money Monster, Our Brand is Crisis, The Monuments Men, The American, Leatherheads and The Men Who Stare at Goats. Clooney and Heslov also directed and served as Executive Producers on the Golden Globe and Emmy nominated Catch-22, a six-part limited series for Hulu based on the Joseph Heller novel. Their most recent project was The Midnight Sky for Netflix which Clooney starred in and directed.  Smokehouse is currently in production on the Clooney directed The Tender Bar for Amazon.

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About Sports Illustrated Studios

Established in 2020, Sports Illustrated Studios is a media production company that develops, produces, and distributes long-form film, television, and audio content based on the stories of world-class Sports Illustrated journalists from today, tomorrow, and the past 65 years of the brand’s history. Sports Illustrated Studios seeks to reimagine and recreate the most memorable moments in sports history in cutting edge and unexpected ways for audiences worldwide. Upcoming projects include Paradise Found based on the true story of high school football coach Rick Prinz; the feature film Red Rose Crew based on the riveting true story of the US international women’s crew team and the docuseries Covers, a behind-the-scenes look at Sports Illustrated’s top cover stories of all time.

Traveling by Kaelen Felix for 360 Magazine

Texas Winter Storm Coverage

By: Emily Bunn

As Texas faces its worst winter storm, and largest insurance claim, in the state’s history, many Texans are banning together to stay warm and conserve resources. The frigid winter storm that has been ravaging the state has led to burst pipes, power failures, and flooded homes. Many residents have been left without any clean drinking water, heat, or power. Some have taken to sleeping in blanket covered tents, while others are attempting to heat their homes by boiling their limited water supply.

In towns such as Lubbock, Texas, frozen water pipes have lead to leaks, water damage, a lack of heat, and ice accumulations, especially in school campuses. Across the state, k-12 schools and universities–such as Texas Tech University, located in Lubbock–have been affected. Chief Operations Officer Rick Rodriguez said to KCBD: “We’re never going to put our kids in a school where their safety is compromised. That’s our highest priority. We would never bring kids back to school if we did not think it was safe.”

Tragically, more than 50 Texans have died from hypothermia, house fires and carbon monoxide poisoning. One of the grimmest situations arriving from this storm include the death of Loan Le, a grandmother, and her three young grandchildren in a house fire after attempting to stay warm during the night. While power had been restored to most people across the region after last Saturday, approximately 69,000 in Texas, 61,000 in Mississippi, and thousands more in the surrounding states of Louisiana, Kentucky, and West Virginia still remain without any power.

While the spirit of community aid rippled across Texas–through programs like The Houston Food Bank, the Austin Disaster Relief Network, the San Antonio Food Bank, Feeding Texas, Front Steps, and several community efforts, such as at the local H-E-B grocery stores–the state’s Senator, Ted Cruz, selfishly took a flight to Cancun, abandoning many freezing Texans and his pet poodle.

As Cruz lounged at the Ritz-Carlton, Texans faced depleted water supplies, empty grocery store shelves, and freezing temperatures. Stepping in to take some responsibility, President Joe Biden declared an emergency declaration in Texas.  This emergency notice will allow for Texas residents and business owners to apply for temporary housing grants, home repair loans, and other emergency aid. While the declaration doesn’t cover the entire state, individual assistance is being provided to 77 of 254 counties, including those surrounding Texas’ most populous areas, including Houston, Dallas, and Austin. Texas Governor Greg Abbot discussed Biden’s declaration in a statement:

“I thank President Biden for his assistance as we respond to impacts of winter weather across our state, while this partial approval is an important first step, Texas will continue to work with our federal partners to ensure all eligible Texans have access to the relief they need.”

As the Texas National Guard has been deployed across the state to deliver water and conduct welfare checks and relief efforts, such as the $3.2 million dollars help raised by Rep. Alexandria Ocasio-Cortez, D-N.Y., Rep. Sylvia Garcia, and Rep. Sheila Jackson Lee, Texas continues to battle the hazardous consequences of this unforeseen winter weather.

remote learning illustration by Kaelen Felix

How to Make Your Pop Culture Blog Successful

Pop culture involves a range of topics, such as celebrity updates, the latest TV shows, and movies. As long as it involves popular, new information, it falls into that niche. If you are passionate about the topic, you might consider starting a pop culture blog to share your knowledge with the rest of gossip-driven interesting reads.

Growing Your Traffic

Your readers will make your break the blog. That means you’ll want to use every tactic you can to bring in traffic and retain it. That way, the site will run well. Some tactics might work better than others, but a combination of methods is often the best. Search engine optimization involves making your site easier to find online. You might optimize the site or use specific keywords so people can find your pages. If you want to grow your revenue, it is essential to use intent SEO to outrank the competition. Since you might not be familiar with the tactics used, you can review guides to great SEO writing in a few easy steps, plus tools & pro tips.

You’ll also need to create an environment that promotes growth so your readers can engage with you. That way, they will continue to comment on meaningful posts. You need to respond to their comments and engage with them, so your audience feels it is worthwhile to come back. Consider it building a community instead of merely allowing them to read passively. Social media is an excellent channel for helping you engage with the readers. That way, they can choose the platform they are most comfortable with. If the topic allows, you might have them choose what you cover now and then.

Content Created by Pop Culture Bloggers

That means you’ll need to pick a focus for the blog. There are many options, so ensure you choose something that fits your passions. Choose something that you can make your own to give your blog more influence. You don’t have to choose the focus right away. You might decide to add more focus at a later time once you have gotten more into your topic. For instance, you might enjoy current fashions, so you might begin with hair and then move on to clothing, makeup, and other style topics. 

No matter the niche, create relevant, engaging content to help your blog stand out. Make sure that your readers can get something out of their visit to your site. It might include a unique perspective that stands out from typical blogs in your niche. Give them a reason for coming back. That is often hard since there are already many pop culture blogs out there. Do your research on how you can build your audience to bring those readers to you. Give them something they want to come back to over and over again. The more your readers want to go back, the better your readership. Let them have a say in what you post to encourage engagement. Create polls or ask them to respond in the comments section.

relationship illustration by Rita Azar for 360 Magazine

How to Heal a Strained or Severed Relationship

In Your Personal × Professional Life

By: Allison Kelly Jones, Author of Measure Twice, Cut Once, Navigating Negativity in Toxic Relationships

Sometimes we find ourselves in personal or professional relationships that sour for various reasons, but there are always two players in the strain. Some people continue to engage in “tit for tat” behaviors deploying everything from the silent treatment to guilt or passive/aggressive conduct which is never a good way to “conduct” ourselves. So how do you get past the hurt? How do you reconcile the issues while being true to yourself? How do you “move the needle” towards reconciliation in your personal relationships or resolution in your professional ones?

There are never any innocent bystanders in toxic relationships and being honest about our role in conflict is the first step and it starts with first admitting our behavior in the situation – family constellations can really help with this. If a person says or does something to upset you and you swallow your feelings, gossip instead of confronting it or try to ignore it (which causes inner turmoil), you too are playing a role in the dysfunction whether that of a martyr or the passive/aggressive person. An insult or act against you isn’t solely about the other person, so an honest internal check of how it feels in your body is in order and let it be your guide. Decide if you want to nurture the relationship and build or if the relationship has run its course and you may need to cut the relationship with kindness. In my book, “Measure Twice, Cut Once, Navigating Negativity in Toxic Relationships” I discuss the behaviors that identify toxic behaviors in ourselves and others as we decide how to proceed when engaging with difficult people and situations. If you decide to engage and nurture, it starts with forgiveness and forgiveness doesn’t require you to forget the offense, it only matters that you decide to accept that what has happened has occurred and you are letting go of resentment or vindictive thinking or behavior by separating the person from the offense. Taking accountability for your role and communicating how the other person’s behavior affected you and their responsibility for wounding you, doesn’t minimize or validate wrongdoing, it allows you to move into a space of healing. 

Secondly, Look for the good in the person. We all fall from grace and we all need it in our lives at different times. Who hasn’t done something wrong to another person? Lied on someone. Took credit or too much credit for something we shouldn’t have. Said something insensitive. Did something purely out of spite. We would do well to remember that everyone needs grace and hopefully got it. When you are upset with someone, it’s hard to see past an offense and separate the person from the offense, but if you could remember times they were in a more positive light or a time when you were viewed similarly can help reign in feelings of resentment. 

Next, try on some empathy by seeing the other persons point of view because there are always points to ponder from the other side. You are not always right. Keep in mind that our ego wants us want to be unkind, but we should be mindful that compassion can go a long way in being an effective advocate for resolution in any matter, personal or professional. 

Afterwards, identify the real issue. Conflict doesn’t just “pop up” and it seldom comes without warning. There are always behaviors that occur that sow discord over time. The real source of clashing may not be miscommunication, rather it is usually based on perception of an issue. Separating fact from fiction from feelings can help.  Ask yourself what the real issue is that’s bothering you, meaning solid concrete tangible things, e.g., “Allan yells at me at work (Fact) and it feels belittling (Feelings) and people may think I’m weak (Fiction)”. Ask questions of yourself first and then Clarify, Verify and Communicate your need. 

When communicating your need use “I” language because you are only responsible for what is in your span of control. Trying to defuse a situation by pointing fingers usually blows the issue up further. “I’ don’t like when you yell at me” – “I don’t understand what you mean.”  Next, confirm what you are hearing from them. “So, let me make sure I understand” I think what I hear you saying is…”  Communicating what your needs are and listening for the message on the other end is important to resolve the issue or reconcile the relationship. 

Finally, give it time and space if needed. If your attempts at resolution are rejected allow the time and space for the other person to discern, decipher and decide what they would like to do without pressure is important. Next, reach out occasionally and ask for smaller measurements like a 15-minute coffee break or a text as a reminder that you really want to try to resolve the issue. Be consistent until you can’t.  

If all else fails and you have to break from the relationship, let the other person know in a letter or a call/message that you really wanted to move the needle to make everyone comfortable, but your efforts have gone without merit and you are now choosing to let go without resentment.  With family try to offer ongoing family therapy both on your own or together, but have no expectations, simply know that with time all things heal or work out for the greater good because not all relationships are intended to endure. Some are there for a blessing or a lesson, but it’s always for your growth.

BIO: 

Allison Kelly Jones is a southside Chicago native who joined the military after high school and traveled the country as a federal contractor and subject matter expert in human resources, business development and federal personnel programs. She was the on-air talent for her eponymous business show on CBS AM, “The Big Talker” in Washington D.C. Allison spent a vast amount of her career mentoring and coaching many people to personal and business success and has been sought after to deliver powerful and contemporary lectures on topics that engage, empower, and inspire people to live their most genuine and happy lives. Her philosophy is, “we are here to learn who we are and what we are here to do and whatever it is, it is to be shared.” 

Manifestation is truly the only way to have the life you desire most, and Allison instructs people on how to manifest their dreams, doing so as a personal and business coach and also as a professor of business in Arizona.  

For More Information visit HERE.

 “Measure Twice, Cut Once: Navigating Negativity in Toxic Relationships” is available on Amazon and Barnes & Noble

Illustration of Lamborghini Urus by Kaelen Felix for 360 Magazine

Lamborghini Urus: Super-SUV

By: Emily Bunn x Vaughn Lowery

The marriage of a sports car’s athleticism and an SUV’s versatility is evident in the groundbreaking new creation from Lamborghini: The 2021 Lamborghini Urus. This super-SUV is the first of its kind on the market, offering an exhilarating driving experience to those behind the wheel. With the ability to host five passengers, this vehicle packs in pleasure and practicality wherever you go. The manufacturer elaborates on the invigorating experience of driving their super-SUV:

“It is the absolute all-round super sports car and more. It allows you to explore new paths and new ways to express yourself—to accept challenges confidently and to live life to the fullest. You are not afraid to go far: this is what you aspire to. Unlock any road, unlock your personality.”

The Urus rivals similar super SUV models like 2021 Jeep Grand Cherokee Trackhawk, but beats out the Trackhawk in terms of speed. Its twin turbo engine delivers 217kW per tonne, as compared to the Trackhawk, which only delivers 212kW per tonne. Further, the silhouette of the Urus resembles the electric Jaguar I-Pace, presenting a similarly aerodynamic exterior.

Other comparable models include the Audi Q8. While both vehicles have a top speed of 189.5mph (305 km/h), the Urus is able to hit top speed in 3.6 seconds, which is two tenths of a second quicker than the Audi Q8. Just like the distinguished sophistication of opera music, hearing the roar of the Lamborghini motor is music to driver’s ears.

Design

The interior of the luxe vehicle is inspired by aero-space design and driver oriented instrumentation. With a gear shift resembling a jet’s throttle and a start button hidden under a red flip cover, drivers are met with power and control immediately upon entering the driver’s seat. There are several interior cubby storage compartments, such as door pockets and a bin behind the floating center stack. With up to 22 ft3 of space in the car’s cabin  and the ability to fit 5 passengers, the Urus is spacious–especially when compared to other super cars.

Offering a choice of finishes–from leather to Alcantra, to wood and aluminum, or carbon-fiber­–the Urus is sure to look good from the inside out. The manufacturer now offers more customization than ever before. Clientele can choose from a selection of vibrant, eye-catching colors, including Giallo Inti (yellow), Arancio Borealis (orange), or Verde Mantis (green) with the available Pearl Capsule package. Alternatively, the standard palette offers more subtly attractive options, including black, grey, blue, and white colorways. Any of these fashionable exteriors create a beautiful contrast with the black and carbon fiber-trim. This model doesn’t fail to uphold the signature Lamborghini design with its Y-shaped details, front hood with a center peak, and crossed lines on the rear hood. With frameless doors and hexagonal detailing, this Lamborghini epitomizes modern glamour.

Technology 

Not one, not two, but three TFT LCD display screens are installed inside the Urus, transforming the interior to feel like a cockpit. The screens provide crisp graphics and are easy to view, without the need for any clunky buttons. You can use your finger on the touch screen to write in your destination, or other search requests.

The Lamborghini infotainment system is installed with a Bang and Olufsen radio sound system, smart phone interface with Apple CarPlay and Android Audio, a DVD-audio/video reader, 3D maps navigation system, USB capabilities, Bluetooth connection, and voice control recognition. Additionally, the vehicle has a fully digital gauge cluster.

If you’re looking for further refinement, the factory offers an array of optional lavish features for purchase. These features include front seats with ventilation, seats with massage functions, an upgraded sound system, the rear-seat entertainment system, and available Off-Road drive modes. A stand out is the optional hands-free tailgate feature for when you’ve got your hands full, just lift your foot to trigger the sensor beneath the rear bumper to activate the trunk and make loading or unloading your vehicle effortless.

Safety

Drivers feel secure as they transport their precious cargo in this super-SUV. With aluminum tires–21’ x 9.5’ in the front of the vehicle, and 21’ x 10.5’ in the rear–the Urus has some major brawn. At the same time, the multi-link front and rear suspension, with air springs, allows for smooth riding. The Urus is athletic without compromising safety, as evident in its quick steering and high-speed cornering modes.

The car comes standard with several key safety features such as adaptive cruise control with stop-and-go technology, standard blind spot monitoring, a night vision camera, available self-parking and driver assist, and an audio theft deterrent. Additionally, it is equipped with front, side, and overhead airbags to protect drivers and occupants in case of emergency.

Explore new paths in your Urus as you take on any terrain together.  Its Pirelli P Zero front and rear tires, offered in 21’ to 23’ size options, promise traction and performance. And if you want to take a pit stop along the way? The impressive braking system is equipped with carbon-ceramic brakes and front aluminum 10 piston brake calipers. These brakes, along with the premium shock absorbers, bring the car to a smooth halt from 70 mph to a full stop in 149 ft. Additionally, the car has front and rear anti-roll bars for extra braking power.

While the manufacturer doesn’t offer a lengthy warranty– providing three years with no mileage cap, without any complimentary scheduled maintenance–this car is built to last. However, if you’re looking for that extra protection, there are several extended warranty and maintenance plans available for purchase.

Performance

The Urus is powered by a powerful 4.0-liter twin-turbocharged V8 engine with an output of 641hp, producing a maximum torque of 850 Nm (626,93 lb.-ft.) @ 2,2520-4,400 rpm. Feeling the need for speed? Accelerate from 0 to 100 km/h in 3.6 seconds, and reach a top speed of 190 mph, or 305 km/h in this sporty SUV. The 8-speed transmission is automatic with driver selectable mode, sequential shift control with steering wheel controls, and an oil cooler. Additionally, the engine has its own auto stop-start feature. The vehicle has eight cylinders, and a total displacement of 3,996 cm³.

When it comes to fuel efficiency, this Lamborghini gets 12mph in the city, or 17mph on the highway. The fuel tank has a capacity of 22.5 G. Equipped with AWD, you can drive anywhere with confidence and power.

Cost

The Urus’ MSRP totals $218,009, with a destination charge of $3,995. Compared to the rest of Lamborghini’s luxurious portfolio, this particular model is the most affordable and versatile option. Here at 360 Magazine, we took a spin in the manufacturer’s testing vehicle, which cost $282,649 with all the car’s capabilities fully loaded.

If you’re searching to cruise in style without compromising functionality, look no further than the 2021 Lamborghini Urus. Stars like Justin Bieber–who drives a custom barbie pink one, and Kanye West, who has his own custom, cream colored model–know that this super-SUV is the choice for drivers looking to stand out. Another member of the Kardashian crew, Kylie Jenner, also owns this super-SUV, which she posted about on her Instagram. Similarly, Ben Simmons of the Philadelphia 76ers flaunts his fancy super-SUV, decked out with a gloss black trim. Cardi B also just bought her husband–Offset from the rap group Migos,–one, the perfect present to transport the posh celeb duo in style. No matter where you go, every ride in the Urus promises VIP treatment to all of its passengers.

Purchase NOW.

Healthcare Equity article illustrated by Rita Azar for 360 MAGAZINE

The Importance of Education for Advancing Healthcare Equity

By: Maria Hernandez, Ph.D.

If you’ve been tracking the nation’s progress in the fight against Covid-19, physicians and public health officials of color have been highlighting the need for health equity in the national dialogue. As the data on mortality rates becomes clearer, there is no mistake that the pandemic is impacting African American and Latino communities to a much greater extent. Current mortality rates for Blacks and Latinos is almost 2.8 times that of whites suggesting significant health inequities exist. The discussion about why these inequities are taking place has been less clear and even less clear is how to address this reality.

The key may be in educating healthcare providers about the root cause of these inequities and empowering patients that access healthcare systems.

Health inequities are the differences in health outcomes due to unfair conditions or factors that different populations may face. These factors can include access to quality care, inadequate housing, lack of access to quality food, poverty and systemic racism. Public health researchers and healthcare providers have known about health inequities in the US for over 40 years and the research about what to do point to a confluence of factors that center on economic, educational and social change. Even before the pandemic, Native American and Black women are 2.5 times more likely to die in childbirth than Whites. Women are under diagnosed for heart disease.

Research points to the presence of unconscious and systemic bias as well as a lack of culturally competent care.

https://www.cbpp.org/research/poverty-and-inequality/tracking-the-covid-19-recessions-effects-on-food-housing-andThe pandemic exacerbated the impact of these factors in profound ways. If we look at the fact that essential front line workers–cashiers, bus drivers, food service providers, healthcare workers, postal carriers, warehouse workers, receptionists–have high concentrations of Black and Latino workers, it becomes much easier to understand why so many victims of Covid-19 are from these communities. And if we also explore the role poverty plays in the pandemic, we know that crowded housing conditions where social distancing is not possible has been a factor. The reality is that low income, hourly workers are not able to do their jobs remotely using telecommuting or video conferencing. Many of these workers also experience a harder time finding personal protective equipment that can be a burden for tight household budgets.

The pandemic has set the stage for profound changes in healthcare and its about time.

Two important responses that have emerged in the nation’s healthcare systems is an awareness that physicians, nurses and other caretakers must accept that–like all other human beings–they suffer from unconscious biases. It’s those snap judgements about a person’s race, ethnicity, age, ability, and socioeconomic status that enter into each encounter which can influence the recommended course of care. Those biases can be positive or negative but we all make those associations. The pandemic has accelerated the

extent to which hospitals are seeking training for front line staff and providers in order to reduce the likelihood of these biases and provide more culturally competent care.

These programs include an awareness of how bias impacts the experiences of patients and what may be important factors to consider in working with different populations. Culturally competent care encourages staff to look at how the patient may be experiencing their illness and what their own understanding of how to improve their health. It means taking into account the patients cultural of reference and listening to their unique needs.

Another response is the effort hospitals are making to partner with community clinics, faith based organizations and community organizations to win the trust of patients. This was present before the pandemic, but it has taken on a new sense of urgency as vaccine adoption rates have faltered in Black and Brown communities. Since the implementation of the Affordable Care Act, not for profit hospitals which are the majority of facilities in the US have been asked to report what community benefits they provide to address known community needs.

Despite all of these approaches for improved healthcare services for diverse patients, it will take years before all health systems are aligned on their approach to advance health equity.

The most vulnerable patients need quality care now.

A visit to the doctor—even on-line—may require some key steps to ensure the best care is made available. Three steps that can make a big difference for patient visits. First, bring an advocate with you–a family member or friend who will join you in your visit and support your being heard or to help you ask the right questions. You’ll have to give them permission to be with you given privacy rules in healthcare but it’s worth it. Having a trusted advocate can be a big relief if there’s a lot of options to explore or if there’s different treatment steps involved. There’s a growing field of professional Patient Advocates — sometimes called Patient Navigators that help individuals with navigating treatment options, getting insurance payments, and arranging for home health care if needed. Your health may rely on having someone who understands the complexity of healthcare systems to support you.

Next, review the information your physician provides about the condition or illness and the medicines you may be asked to take. Ask your doctor what information you most need to understand for your treatment or what to do to support your health. Most physicians will provide information on a condition or point you to a reputable website for more information like the Mayo Clinic Review what your physician provides to be informed about the options and treatments presented.

Last, communicate with your care team throughout the course of your treatment or care. If you are struggling with side effects in your treatment or symptoms worsen, call your doctor or the nurse practitioner assigned to your care. Take an active role–with your advocate–to look at options for continued treatment. Poor communication with your physician can put you at greater risk for poor health outcomes. During these challenging days, preparing for each time you visit your physician can set the stage for you to receive the very best care available

About the author -Maria Hernandez, Ph.D., President and COO of Impact4Health is a thought leader in health equity and pay for success initiatives designed to address the upstream social determinants of health among vulnerable populations.  Maria currently leads the Alameda County Pay for Success Asthma Initiative which is testing the feasibility of reducing asthma-related emergencies using health education and proven home-based environmental interventions for children.  

Ballet by Rita Azar for 360 Magazine

CATHY MARSTON – SNOWBLIND

CATHY MARSTON’S SNOWBLIND REPLACES MRS. ROBINSON ON PROGRAM 05, APRIL 22–MAY 12, 2021

 

 Marston’s Mrs. Robinson will premiere in the 2022 Season

 

 Program 05 also features Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus

 

 San Francisco Ballet (SF Ballet) announces the postponement of Mrs. Robinson, Cathy Marston’s world premiere which was scheduled to debut on Program 05, April 22–May 12, until the 2022 Season. Mrs. Robinson was choreographed for the stage in the 2020 Season and was reimagined for film in the 2021 Digital Season. As COVID-19 related obstacles created unforeseen delays with the film capture at the War Memorial Opera House this month, Helgi Tomasson and SF Ballet made the joint decision with the American Guild of Musical Artists to postpone filming to put the health and safety of staff, crew, and artists at the forefront. An archival capture of Marston’s Snowblind, created for the 2018 Unbound Festival, will replace Mrs. Robinson for Program 05, which also includes archival captures of Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus. Members of the public can still see a short film “prelude” to Marston’s Mrs. Robinson, captured at the Fairmont San Francisco in November of 2020, beginning today through February 25 in a digital program featuring excerpts from SF Ballet’s January 14 Virtual Benefit. It will be available via YouTubeIGTVFacebook, and SF Ballet’s website.

 

San Francisco Ballet’s complete 2022 Season will be announced later this spring. Images of Program 05 are available at this link, and casting is available here.

 

ABOUT PROGRAM 05:

Helgi Tomasson’s 7 for Eight from 2004 is an “exceptionally musical Bach essay” (San Francisco Chronicle) highlighting a series of solo and ensemble numbers for eight dancers, set to portions of keyboard concertos by J.S. Bach. The 2021 Digital Season capture of 7 for Eight is from 2016, the last time the work was seen at SF Ballet, and features principal dancers Yuan Yuan Tan and Tiit Helimets, and former principal dancers Vanessa Zahorian, Gennadi Nedvigin, and Taras Domitro throughout. 7 for Eight is Tomasson’s second ballet set to Bach (his first, Aurora Polaris, premiered in 1991), and includes black-on-black costume designs by Sandra Woodall and lighting designs by David Finn. Martin West leads the SF Ballet Orchestra in 7 for Eight and throughout each ballet in Program 05.

 

Cathy Marston’s Snowblind “gripped from first moment to last” (San Francisco Chronicle) at its world premiere during the 2018 Unbound: A Festival of New Works. Based on Edith Wharton’s novella Ethan Frome (1911), Snowblind narrates a heart-rending love triangle between central characters Ethan Frome; his hypochondriac wife, Zeena; and Mattie, kin to Zeena, who captivates Frome after she’s hired to provide domestic support. The 2021 Digital Season stream was captured on April 25, 2018 at the War Memorial Opera House and includes principal dancers Sarah Van Patten as Zeena, Mathilde Froustey as Mattie, and Ulrik Birkkjaer as Ethan Frome. Philip Feeney arranged Snowblind’s music, which includes pieces by Wharton’s contemporaries Amy Beach and Arthur Foote, as well as Estonian composer Arvo Pärt. Snowblind includes scenic and costume designs by Patrick Kinmonth and lighting designs by James F. Ingalls.

 

Program 05 closes with David Dawson’s Anima Animus, the choreographer’s first commission for SF Ballet, also created for the Unbound festival in 2018. Set to Ezio Bosso’s “Esoconcerto,” Anima Animus is, as Dawson puts it, “physically emotional virtuosity combined to make something human,” playing on Jungian concepts to reveal the rich contrasts between male and female psyches. Anima Animus toured with SF Ballet to Sadler’s Wells Theatre in 2019 and was “easily one of the highlights” (Seeing Dance) of the Company’s four-program London performances. The 2021 Digital Season stream of Anima Animus was captured on April 25, 2018 and includes former principal dancers Maria Kochetkova, Sofiane Sylve, and Carlo Di Lanno, and current principal dancers Luke Ingham and Wei Wang among its cast of ten.

 

Tickets to Program 05 are available now as single stream tickets for $29, or within the Premium Plus Digital Package, which offers unlimited viewing of the remaining programs in the 2021 Digital Season, in addition to exclusive bonus content, for $289. Tickets and packages may be purchased online at www.sfballet.org. Click here to view digital viewing tips.

 

PRODUCTION CREDITS

I. 7 for Eight
Captured on Saturday, January 30, 2016

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson
Costume Design: Sandra Woodall
Lighting Design: David Finn
Rehearsal Assistant: Anita Paciotti

World Premiere: February 26, 2004—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

II. Snowblind
Captured on Wednesday, April 25, 2018

Composers: Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt
Music arranged by: Philip Feeney
Choreographer: Cathy Marston
Scenic and Costume Design: Patrick Kinmonth
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Jenny Tattersall
Rehearsal Assistant: Anita Paciotti

Adaptation of Edith Wharton’s Ethan Frome by Cathy Marston and Patrick Kinmonth

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

III. Anima Animus
Captured on Wednesday, April 25, 2018

Composer: Ezio Bosso
Choreographer: David Dawson
Scenic Design: John Otto
Costume Design: Yumiko Takeshima
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Rebecca Gladstone
Rehearsal Assistant: Felipe Diaz

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

ABOUT SAN FRANCISCO BALLET
San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

What Are the Top Health Benefits of CBD Products?

CBD use has exploded in the last decade, with people turning to the cannabinoid for all manner of different reasons.

Alongside general wellbeing, the most popular reason that people start using CBD products is to try and receive a specific health benefit.

But what are these fabled health benefits? What kinds of things can CBD actually help its users with?

CBD can reduce inflammation

One of the most common reasons that people start using CBD oil is to treat inflammatory illnesses.

Acting as a novel anti-inflammatory is one of CBD’s most well-known health benefits and has been studied many times. Various studies, such as this one by Nagarkatti et al., have found that CBD can act as an anti-inflammatory drug just as effectively as other more common ones.

This allows people that suffer from conditions like arthritis or eczema relief from their pain, as users are able to control their body’s inflammatory response using CBD.  

CBD can help lower anxiety

Another common use of CBD is due to its effectiveness in helping those who struggle with anxiety.

While anxiety as a general mental issue is still being researched and is only barely understood, a myriad of studies have concluded that CBD is effective at helping those with anxiety.

A study by Shannon et al. for the Permanente Journal found that CBD induces a calming effect on the central nervous system, helping those with anxiety.

The study, among many others, found that consistent, high doses of CBD taken frequently calmed those with anxiety over the long term. This not only meant that they felt calm after taking CBD but that their general levels of anxiety diminished as a result of their CBD dose.

This was also demonstrated to affect their ability to sleep soundly, meaning that those that struggle with falling asleep and staying well-rested can find some relief with CBD oil as well.  

CBD can be used to prevent seizures

While CBD has become especially popular as a general wellness supplement, one of the main reasons it was noticed in the first place was because of its anti-seizure effects.

The famous case of Charlotte Figi and the resultant strain created to help treat her, Charlotte’s Web, brought CBD to mainstream popularity. Like this seminal one by Emilio Perucca for the Journal of Epilepsy Research, various studies found that CBD was incredibly effective at helping to reduce the frequency of seizures in those with epilepsy.

Perhaps even more interesting is that CBD’s effectiveness massively increased when combined with the common anti-seizure medication, Clobazam, giving an effect that was greater than the sum of its parts. 

Taking CBD to treat seizures might not be one of the most common uses of CBD these days, but it remains a well-known justification. In fact, it is so effective that taking CBD to treat seizures is currently the only federally legal reason to take cannabinoids..

CBD has benefits for everyone

CBD has gained a reputation as a sort of general wellness supplement, something that you take to relax you and generally make your day better.

While this is certainly a popular reason to take CBD, the fact remains that there are all sorts of different health benefits that people can take advantage of.

Whether people are looking to treat their anxiety, reduce inflammation, or generally improve health, CBD is a useful supplement to help tackle specific health conditions.

Getting started with CBD oil has never been easier, and brands offering CBD products for sale are cropping up all over the place.

For new users, heading to places like Premium Jane is usually the best bet. Brands with good track records, great reputations, and complete lab reports should be the first websites you look at when searching for CBD for sale.