Posts made in July 2020

Laura Basset is the co-founder of the Save Journalism Project

Laura Bassett QxA

Laura Bassett is co-founder of the Save Journalism Project. She was formerly a senior culture and politics reporter at HuffPost before being laid off in 2019. She currently writes for GQ Magazine, the Washington Post, Rolling Stone, Marie Claire, the Daily Beast, and other publications. Along with John Stanton, she began the Save Journalism project after losing her job, when she became interested in why so many great news publishers were beginning to go under and having to lay off staff.

  1. How did you first get interested in journalism and politics and have these always been passions of yours?

I’ve always had a passion for writing, but wasn’t sure what direction it would take. I was in a graduate program for English Literature in 2008, thinking I wanted to go on and do a Ph.D. when Obama first ran for president. I became kind of obsessed with the election and started blogging on the side, and then I realized I enjoyed doing my politics blog a lot more than I enjoyed sitting in a library writing research papers that only one or two people would read. So I applied for a reporting internship at HuffPost, and the rest is history!

  1. Which are some of the biggest issues with modern journalism and how have they coincided with your career so far?

I think there are three big ones: Lack of diversity in newsrooms, the question of what objectivity in political journalism means in the age of Trump, and the financial/existential crisis facing the industry as a result of the digital age and big tech’s monopoly on ad revenue. The last one affected me the most directly, as I was laid off in 2019 after ten years at HuffPost. The site just wasn’t generating enough profits, having to compete with tech giants like Google and Facebook for ad money, and I lost my job along with scores of other journalists. I never expected to be freelancing for the first time, involuntarily, in the middle of my career, but it has proven to be a great exercise for my writing.

  1. What have been the most valuable skills/pieces of knowledge that you have learned from working at HuffPost?

I never went to journalism school, so most of what I know about reporting I learned at HuffPost. I learned how to write a compelling lede and nut graf, how to draw interesting things out people in interviews, how to show both sides of an issue without necessarily drawing a moral equivalence between them. I learned how to build source relationships and hustle for scoops. And I developed a deeper knowledge of politics and my particular beat, which for a long time was women’s rights issues. I learned how to own up to mistakes immediately and correct them in a transparent way, how to accept constructive criticism, and how to tune out the internet trolls and harassment. All the basics!

  1. What motivated you to co-found the Save Journalism Project and what made it special as an initial idea?

John Stanton, formerly of BuzzFeed, and I were laid off the same week in January of 2019. It was very unexpected for both of us: He was the Washington Bureau chief at the time, and I was a senior politics reporter. There seemed to be very little rhyme or reason to who was laid off that year; news outlets were forced to cut hundreds of staffers and had to make some really tough decisions. At the same time, local newspapers like the New Orleans Times-Picayune were going under entirely. We could see that our whole industry was facing a potentially fatal financial crisis, and we felt like if we didn’t fight for it ourselves, we didn’t know who would. So this project was born.

  1. How can you and your teamwork with or against big tech companies to improve the integrity of news?

Big tech companies are the financial competitors to news publishers, and it isn’t a fair fight right now. They gobble up about two-thirds of the digital ad market, leaving very little money for the actual content creators and publishers from which they also profit. Right now, we are looking to Congress and federal and state antitrust regulators to conduct antitrust investigations into the big four– Google, Facebook, Apple and Amazon–and hoping that when they see the devastating impact those companies are having on newspapers, they will break them up and/or regulate them and create a more even playing field.

  1. In the era of fake news and heavy media bias, how can technology be used for the greater good in terms of addressing populations?

“Fake news” is a term the president has thrown at real news outlets because he doesn’t like their coverage of him. By and large, the news stories he calls “fake” are true and factual. But the internet does have an actual fake news problem, which is the disinformation that fringe activists and bad actors spread online, particularly on Facebook and Twitter. I think social media platforms have a massive responsibility to closely monitor and regulate the false propaganda raging through their sites, especially close to election time.

  1. In your opinion, how do you see the future of journalism and how can the Save Journalism Project be a part of this future?

I don’t know what I see for the future of journalism because, especially since COVID, we are on an extremely troubling trajectory. What I hope to see in the future of journalism is a sustainable business model– one in which people are happy to pay for news, and one in which news publishers and magazines don’t have to compete with Google in a David and Goliath-type situation for ad money to survive. And ideally, newsrooms can stop firing and start re-hiring again, because so much talent has been lost in the past few years.

  1. Why is it so important that our country defends the freedom of the press and how can this freedom lead to a more functional democracy?

We’re at the nexus of several historic national crises at the moment, including a deadly pandemic, so journalism–especially local journalism–has never been more important to get life-saving information across to the people and to hold powerful people and institutions to account. At the same time, we have a president attacking the press and encouraging violence against us, along with these devastating financial issues. Without a robust and thriving free press, no one is there to uncover corruption and expose the lies of politicians and inform the electorate and just, basically, keep people aware of what’s happening in their communities and the world at large. That in itself is a massive threat to democracy.

  1. What kinds of opportunities do you have for people who may want to get more involved with the Save Journalism Project?

Please contact us! We’re looking for help raising money, we’re funding freelance stories on local news deserts, and we can always use the voices of other journalists who would like to fight with us to save this industry.

  1. Do you have any clear goals or visions for expanding this Project’s influence, and if so, what are they?

Our primary focus and objective are on policymakers. We aim to get U.S. lawmakers and regulators to address the exploitation of the online marketplace by Google and Facebook which gives them an unfair advantage in the competition for digital advertising revenue. Antitrust regulators in Australia and the U.K. have begun to take these kinds of steps that are necessary and we are encouraged that their American counterparts appear to be on the verge of similar actions.

It is only after the distortions of the marketplace have been addressed that we can rebuild a sustainable business model for journalism in the digital age, particularly local news. Given our focus on policymakers, we are more supporters rather than drivers of changes in the industry. We do not favor any specific model for what kind of journalism industry emerges from these multiple ongoing crises, only that we believe it must include a viable method for news outlets to monetize their content through advertising.

Lauv illustration done by Mina Tocalini of 360 MAGAZINE.

Lauv – Love Somebody

Lauv releases the video for “Love Somebody,” a track off of his surprise Without You EP released last month. Since its release, “Love Somebody” has surpassed over 15 million streams. The intimate video was directed by Hunter Lyon (blackbear, Whethan) and premiered on MTV Live and mtvU. 

Lauv’s Without You EP released last month featured 4 tracks that were all written and produced during quarantine with Amy Allen (Halsey, Selena Gomez), DallasK (Fifth Harmony) and Johnny Simpson (Christina Aguilera, Ava Max), among others. In conjunction, Lauv also released the quarantine made video for lead track “Dishes.” 

 Lauv’s debut album ~how i’m feeling~ released in March as a Top 20 album in 10 territories, including #9 in UK and #5 in AU, with over 1.5 billion streams on the album to date.

 Follow Lauv: Facebook | Instagram | Twitter | YouTube

Regis Philbin illustration done by Mina Tocalini of 360 MAGAZINE.

Regis Philbin Dies at 88

By Mina Tocalini

Iconic TV Host Regis Philbin passed away at age 88 one month before his 89th birthday. Philbin suffered from cardiovascular disease and had undergone heart surgery and other related operations in the past, the disease ultimately took his life. Philbin is survived by his wife, Catherine Faylen, his daughters and grandchildren.

Famed by his hosting on ‘Live! with Regis and Kathie Lee’, ‘Live! with Regis and Kelly’ and ‘Who Wants to be a Millionaire’, Philbin was loved by audiences daily and revered as “hardest working man in show business”. Philbin’s career began as a page on the Tonight Show and spanned 52 years. Philbin has appeared in over 16,500 hours on U.S. television, leaving him with the Guiness World Record for “Most Hours on Television”.

Regis Philbin was a pivotal part of television for generations of Americans. As the host of his daily shows, game shows, holiday specials and more, he will continue to be treasured by his family, friends and beloved fans.

politics, podium, flag, speech

End of Federal Moratorium

By Eamonn Burke

The CARES act instated in March that protected renters across the country from evictions ended on Friday. The 12.3 million households under federally backed mortgages can now be given 30-day notices and evicted in August. The end of this protection, as well as the end of additional unemployment payment will make it hard for many renters to keep their homes.

“We are looking at an eviction cliff,” said National Housing Conference President David Dworkin. “Once we fall over it, it will be hard to climb back.”

The “cliff” that Dworkin references will bring a spike of homelessness across the country. States like Arizona and Tennessee have shown data of many more pending evictions than normal. It’s not only the numbers that tell the story, however:

“We still anecdotally have seen some people become newly homeless due to informal evictions” says Jacquelyn Simone, a policy analyst in New York’s Coalition for the Homeless.

Although the moratorium period has officially ended, the fight to extend it has not. Some states such as New York, Washington, and Connecticut, have enacted their own ban on evictions until the end of August. The fight continues at the Federal level as well. The House passed a $100 billion assistance fund, while Senator Kamala Harris (D) of California released a plan for a year long ban on evictions and leniency on rent. The Senate, on the other hand, seems to be unwilling to include these ideas in their coronavirus legislation. Many Republicans feel that the moratorium has extended long enough.

“We disagree . . . to a forever, ongoing moratorium” said Maryland Multi-Housing Association director Adam Skolnik, calling it “fundamentally unfair” to the renters who are also struggling. It remains to be seen whether the parties can come to an agreement on how to deal with the complex issue.

Lola Young – Woman

Today, Capitol Records released “Woman,” Lola Young’s ode to women everywhere. The song – which received its first U.K. play on Annie Mac’s BBC Radio 1 show – is about female empowerment and also examines the struggles and hardships women face as a result of sexism and entrenched stereotypical roles. Coming on the heels of the 19-year-old artist’s Renaissance EP, “Woman” is another beautiful performance from Young, with the nature of the song bringing out a side to her that has yet to be seen. Co-produced by GRAMMY winner Paul Epworth (Adele, Mumford & Sons) and manuka, “Woman” is available for download/streaming HERE.

“‘Woman’ is a song about female empowerment,” explains Lola Young. “It’s a song about how I feel towards the patriarchy but also an introspective piece that looks at the gender roles and how these can be broken down. This song means a lot to me because it’s something I had never previously written about and it has an honest vulnerability to it that I hope makes people feel an understanding towards us women.”

Billboard praised the “velvet-voiced Lola Young” and Clash Magazine hailed her music as “touching [and] honest.” Q Magazine observed, “Young’s songs bring her open-hearted lyricism and London Twang together with a neo-jazz sensibility with one foot always pointed in the direction of the nearest dancefloor.” Dummy said, “Lola Young has the most powerful and affecting voice we’ve heard in some time…the young singer is gaining ground fast.” Hunger Magazine noted, “The singer-songwriter has her own, uniquely raw take on music.”

With a gift for writing songs that encapsulate and explore the human condition, Young turns extremely personal emotions into songs that resonate with universal truths. As a lyricist, she creates evocative scenes with all the tenderness and sensitivity of a folk artist, while maintaining the sharpness, wit, and attitude of a rapper. She began writing music at age 11. Young is a recent graduate of the Brit School, whose alumni include Amy Winehouse, Adele, Freya Ridings, FKA Twigs, Jade Bird, Jessie J, Leona Lewis, Loyle Carner, and Rex Orange County.

Follow Lola Young: Instagram | Twitter | YouTube

City Girls illustration done by Mina Tocalini of 360 MAGAZINE.

City Girls – Back to Work

Today City Girls release the fourth episode of a 5-part docuseries, CITY GIRLS THE SERIES. Watch today’s episode, BACK TO WORK, HERE. Produced by Quality Films, episodes feature honest footage captured throughout JT and Yung Miami’s turbulent lives and careers and will air in weekly installments. 

The road to City Girls’ second LP, City on Lock, came with struggles and the girls’ strength and support to overcome those struggles. Yung Miami shows you can be a woman and do anything, Period!

Being a City Girl or City Boy means to never fold, be it prison or pregnancy, losses or leaks. And with the triumphant reunion and release of City On Lock, the City Girls quickly trended on twitter, went to #1 on the Apple Music album chart, and are now #1 most added at the Rhythm Radio station format.

City on Lock speaks to individuals to do what they need to do to keep themselves moving and thriving in an unstable environment. The City Girls relay a consistent theme of Girl-Power, independence, and trying to have fun when the world feels like it can be working against you. Best friends since middle school, JT and Miami have made their way to the top with an in-your-face unapologetic swagger, demanding respect with a self-empowering message. As Billboard noted in their cover story, the ride-or-die sisterhood between the two is inspirational and exemplary in the way the City Girls wish to empower everyone.

Follow City Girls: Facebook | Instagram | Twitter | YouTube

Jhené Aiko illustration done by Mina Tocalini of 360 MAGAZINE.

Jhené Aiko’s Chilombo Success

Jhené Aiko’s blockbuster album CHILOMBO re-asserts its claim to the title of R&B album of the year this week, as the deluxe edition powers the album to over 46,000 new units. CHILOMBO re-enters the Top 10 on the Billboard 200 at #6, and reclaims the #1 spot on the Billboard R&B albums chart.

CHILOMBO DELUXE adds nine previously unreleased bonus tracks and remixes to the original 20-track album – including the new single “Summer 2020” – with new guest features from Kehlani, Snoop Dogg, Chris Brown, Mila J and Wiz Khalifa. Check out the in-depth cover-story profile of Jhené in the new issue of HITS magazine.

Chilombo (released in March) entered the Billboard Top R&B Albums chart at #1, and the Billboard 200 album chart at #2.  Over 170 million first week streams ranked it as the biggest album debut in four years from a female R&B artist (since Beyoncé’s Lemonade in April 2016), and the biggest album debut of Jhené’s career.

Chilombo arrived on the strength of its five massive advance tracks, with cumulative streams over 700 million to date.  They comprise: “B.S.”  (featuring H.E.R.), “Triggered (Freestyle),” “None Of Your Concern” (featuring Big Sean), “Pu$$y Fairy (OTW),” and “Happiness Over Everything (H.O.E.)” (feat. Future and Miguel).  The visual for another album track premiered in May, “Magic Hour.” The momentum continues to build with the release of “Summer 2020.”

Chilombo proclaims the artist’s full name, Jhené Aiko Efuru Chilombo, as it celebrates her coming into her own personal power. The initial jam sessions where she freestyled the lyrics to each song, took place on  where Jhené’s great grandmother was born. Jhené was inspired by the beauty and power of the island’s volcanoes, having visited throughout the years. Chilombo means wild beast. The volcano is symbolic of the beautiful, yet powerful beast. Jhené Aiko is Chilombo. In contrast to her 2017 album, Trip, which intricately detailed the process of grieving, Chilombo finds Jhené embracing her strength and power, coming into her confidence as a woman, a creator and a healer. She has always embraced magic in her particular brand of soulful, trippy, ethereal R&B, but now on Chilombo she has taken it all to another level.

THE MAGIC HOUR, Jhené’s highly-anticipated 32-city North American tour with special guest Queen Naija, originally scheduled for May-June, will be rescheduled. Special merch and digital album bundles are available at Jhené’s official D2C store.

Follow Jhené Aiko: Facebook | Instagram | Twitter | YouTube

John Lewis illustration done by Mina Tocalini of 360 MAGAZINE.

John Lewis Funeral Procession Reaches DC

By Eamonn Burke

Civil rights icon and Democratic John Lewis will lie in state in Washington D.C. following his death on July 17. The funeral procession, which began on Saturday, included the Edmund Pettus Bridge, where a state trooper broke Lewis’ skull during a march, and a stop in Selma. It culminated in the arrival to the U.S Capitol and the ceremony held at 1:30 pm today, and it will continue until Thursday, when he will he laid to rest in Atlanta.

The arrival of the procession prompted many regulations including street closings and prohibited items in the city of Washington D.C.. The ceremony was private, put public viewings were available as well, in addition to crowds around the hearse as it made its way to the Capitol Rotunda. Those who were inside and invited, mostly House and Senate members, sat apart in circles. Speakers such as House Speaker Nancy Pelosi and Senate Majority Leader Mitch McConnell remembered the life of Lewis.

“John was revered and beloved on both sides of the aisle, on both sides of the Capitol” said Pelosi. McConnell remembered the “respect and love” that Lewis showed everyone. The speeches were followed by a performance of “Amazing Grace” by Christian singer Wintley Phipps. Finally, Lewis’ son John-Miles-Lewis led the conclusion of the service.

John Lewis was a founding member of the Student Nonviolent Coordinating Committee, a powerful civil rights organization, and later became the chairman. He also helped organize the 1963 March on Washington at which Dr. Martin Luther King gave his famous “I have a dream” speech.

DaBaby illustration done by Mina Tocalini of 360 MAGAZINE.

DaBaby – No Dribble

DaBaby releases new song and music video “NO DRIBBLE” With Stunna 4 Vegas. After ruling the Billboard Hot 100 with three top ten appearances last week, DaBaby’s commanding lead on the music industry continues. For a seventh week, the Charlotte juggernaut holds captive the No. 1 spot on the Hot 100 with his bruising single “ROCKSTAR” featuring Roddy Ricch.

With a staggering 11 billion global streams across his three Interscope albums, DaBaby’s sizzling success first dates back to his 2018 effort Baby On Baby, which spent 72 consecutive weeks on the Billboard 200, including 43 weeks in the top 50. He immediately torpedoed back to prominence in 2019 with his Billboard 200 No. 1 album KIRK. His sophomore attempt spent 42 consecutive weeks on the Billboard 200, including 38 weeks in the top 50. His most recent album, 2020’s Blame it On Baby, remains a fierce contender on the Billboard 200 as well, residing on the chart for 13 consecutive weeks, having yet to exit from the top ten.

Follow DaBaby: Facebook | Instagram | Twitter | YouTube

Brytiago × Omy de Oro – Iman

Less than a week ago, Brytiago released his first studio album “Organico.” Today, he unveils the music video of “Imán,” a musical collaboration between the urban-music-star and his Puerto Rican colleague Omy de Oro.

The video is available today on Brytiago’s YouTube Channel, BrytiagoTV. “Imán” was written by its own interpreters, produced by Marcello B. Pastuizaca and D-Note the Beatllionaire, under the wing of Business Music record label. The song belongs to the urban genre and is a reggaeton with Spanish trap influences.

The music video from “Imán” was a risky visual proposal by filmmaker Santiago Echezarreta together with Insomnia Pictures production company. The video, recorded in the island of Puerto Rico, shows action scenes on streets and rooftops in which Brytiago and Omy de Oro are the main characters.

“I am very proud to see the results of the hard teamwork and I thank my partner Omy for being part of this project. This is something new, a Brytiago you have never seen,” said Brytiago.

“Imán” is part of Brytiago´s new studio album “Organico,” which has already collected hundreds of thousands of views on YouTube, less than a week after its release. The album consists of 16 original songs and contains musical collaborations with great colleagues from the urban scene, such as Omy de Oro, Darell, Wisin, Rauw Alejandro, Dalex, Lenny Tavárez, Farruko, Kiko el Crazy, Lunay, Arcángel, Juank, Jhay Cortes, Jon Z, and Darkiel. 

Watch the official video for “Imán” by Brytiago and Omy de Oro HERE.