Posts made in February 2020

comics, mutant, zombies, fighting, actions, alien, marvel, New York,

X-MEN × EMPYRE Event

IT’S ALIEN PLANTS VS MUTANT ZOMBIES IN EMPYRE: X-MEN!

New York, NY- February 19, 2020 – It’s going to be a battle so monumental that it’ll take the entire writing crew of the X-Men to depict it! The intergalactic visitors coming to Earth in Marvel’s 2020 event will be arriving just in time to face off against an army of mutant undead this May in EMPYRE: X-MEN. Don’t miss the X-Men’s strange return to Genosha in this unpredictable series written by all your favorite current X-Men writers. It all begins in EMPYRE: X-MEN #1 written by Head of X Jonathan Hickman and writer of Excalibur, Tini Howard, and continues in EMPYRE: X-MEN #2 written by Gerry Duggan (Marauders), Benjamin Percy (X-Force, Wolverine), and Leah Williams, writer of the highly anticipated series, X-Factor.

Event Information

EMPYRE: X-MEN 1 (of 4)

Written by JONATHAN HICKMAN & TINI HOWARD

Art by MATTEO BUFFAGNI

Cover by MIKE MCKONE

EMPYRE: X-MEN 2 (of 4)

Written by GERRY DUGGAN, BENJAMIN PERCY, & LEAH WILLIAMS

Art by LUCAS WERNECK

To find a comic shop near you, visit HERE

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

For more information visit HERE

Duke Deuce, Artist, Singer, Song, Rapper, Rap, Music, talent,

Duke Deuce × Quality Control Music

DUKE DEUCE DROPS NEW TAPE ON QUALITY CONTROL MUSIC/YRN

STREAM MEMPHIS MASSACRE 2— HERE
WATCH THE “CRUNK AINT DEAD REMIX” VIDEO FT. LIL JON, PROJECT PAT & JUICY J–HERE

Feedbacks from the public

“The fact that his record was co-signed by fellow Memphis stars, Project Pat and Juicy J, is a telling sign that Duke Deuce is truly on the rise.” – HYPEBEAST

“2020 could be Duke Deuce’s year” -CLASH

“Although it won’t be long until fans move on to the next hottest hip-hop dance, something tells us Duke Deuce has the star power and quality music to ride this moment for a whole lot longer” – COMPLEX

“Already showing the ability to stand out on the timeline, and with the support of Quality Control, Duke might just be ready to take off.” – LYRICAL LEMONADE

“He’s the best parts of every era of Memphis while being in tune with the new generation of rap.” – FLOSS MAG

Breakout Memphis Rapper

Duke Deuce drops his hotly anticipated new tape, Memphis Massacre 2 on Quality Control Music/YRN, the follow up to 2018’s Memphis Massacre. Listen to Memphis Massacre 2 HERE. Watch the video for “Crunk Ain’t Dead Remix (feat. Lil Jon, Juicy J, Project Pat)” HERE. Duke has been on a steady rise catching attention for bringing back an era of crunk music that originated in Memphis but became popular out of Atlanta.

Duke grew up around the sound and recalls the likes of Three6Mafia,8Ball, and MJG as influences as well as his father Duke Nitty who produced the Memphis classic “S.O.U.T.H. Parkway” by Gangsta Blac. Duke Nitty is also credited as a producer for few tracks on MM2. The album sees Duke navigate through diverse production and multiple styles like a veteran. An energetic listen over 12 tracks that could only be made by someone that lives and breathes this scene. It’s a true come up for a rising star in rap. Alongside his music, Duke’s unique dance moves are part of what brought him to Quality Control. After Offset saw one of Duke’s videos, he flew him out to the studio to meet and ended up signing him to QC. Gaining co-signs from the whole QC family as well as Cardi B, Duke Deuce is quickly becoming a recognizable name in the space. Late last year Duke released the video for “Crunk Ain’t Dead,” now at over 10 million views on YouTube.

Following its success, hip-hop legends Lil Jon, Juicy J, and Project Pat hopped on a remix that released just last week. Duke commented on working with them, “It was legendary working beside guys I listened to as a kid growing up in Memphis in the studio with my dad.”

MEMPHIS MASSACRE 2 TRACKLISTING

1. FEEL LIKE IT (PROD. BY DENAROLOVE)
2. BHZ (PROD. BY HITT KIDD & CHASE THE MONEY)
3. CRUNK AIN’T DEAD REMIX (FT. LIL JON, PROJECT PAT, JUICY J)
4. ON ME (PROD.HITTKIDD
5.FAT MAC (PROD. BY DUKE NITTY)
6. BAD NEWS (PROD. BY DUKENITTY)
7. TRAP BLUES (PROD. BY CHEFERY)
8. CRUNK AIN’T DEAD MOB – DUKE DEUCE, LIL THAD, LIL YACHTY
9. BODY (PROD. BY EVIL G)
10. DUKE FLOW (PROD. BY PYREX WHIPPA)
11. LOCK DOORS (PROD. BY PYREX WHIPPA)
12. BIG DOG (PROD. BY STASH 808)

FOLLOW DUKE DEUCE
Instagram

Twitter

Youtube

illustration, 360 MAGAZINE, Alejandra Villagra

The Decline of Black Media

Spokesperson for the Save Journalism Project, Nick Charles, has a new op-ed in the NY Daily News discussing the impact of Google and Facebook’s decimation of the news industry’s business model and specifically the decline of black media. What were traditionally spaces for communities of color to spread news and ideas are being forced to shutter their newsrooms because of big tech’s stranglehold on the industry, resulting in a lack of representation and a rapid decline of coverage for these communities.

As Charles explains, “revenue from digital advertising, which used to go to news publishers, is more often than not in big tech’s pockets, leading to an unchecked balance of power and gaping holes in local news coverage nationwide… Informing African-American communities should be put before Facebook and Google’s profits. People of color have worked and died so American democracy includes everyone. But there is no democracy, no freedom, without the fourth estate.”

Charles’ op-ed is below and available online.

Some remember well the world where events, issues, policies and histories impacting black people were rarely acknowledged or reported by the mainstream press. In New York City, if it happened above 96th St., it wasn’t news. That began to change after the urban riots of the late 1960s and the Kerner Commission, which prompted mainstream media to begin hiring African-American reporters. African-American media, which had always filled the breach, did hemorrhage talent, but continued invaluable community coverage.

With the emergence of the internet, as legacy media, newspapers, magazines, radio and television news were joined by newer platforms and social media, there was always space to cover disasters like Hurricane Katrina as well as enduring environmental, racial and social injustices. But now that space is shrinking rapidly. McClatchy filing for bankruptcy is just the latest and most ominous example.

An unfettered and thriving press is paramount, especially to otherwise forgotten communities. But what happens when outlets are forced to shutter because big tech chokes off advertising oxygen that is essential to the media’s survival?

Newspapers that adapted and survived the last digital revolution did so through advertising. But today’s digital ad market is dominated by Google and Facebook. Revenue from digital advertising, which used to go to news publishers, is more often than not in big tech’s pockets, leading to an unchecked balance of power and gaping holes in local news coverage nationwide.

Google recently announced it was doing away with third-party cookies by 2022, further jeopardizing the fate of the voices and publishers of communities of color. The move will hit smaller news outlets hard by substantially reducing the value of advertising on their websites. Most don’t have the kind of first-party information nor the kind of scale that will now be required to be valuable to digital advertisers.

Newsrooms across the country are experiencing layoffs at an alarming rate. In 2019, the media shed over 7,800 jobs. The number of black journalists and reporters in newsrooms has also been impacted, with the number of black journalists working at daily newspapers dropping by 40% since 1997. Countless colleagues have left the profession, taking with them their passion, expertise and the trust they amassed over years with community leaders, politicians and activists.

Unable to keep up with a business model steamrolled by the likes of Facebook and Google, the industry is reaching the point of no return. Big tech’s dominance over the digital ad market and unrivaled capacity to scale and monetize its platforms is having drastic effects on journalism as a whole — with especially profound impact on communities of color.

Black legacy outlets, home to some of the most committed journalists and activists in our country’s history, have been the bulwark of accountability for many when racial tensions kept even the government from its role in protecting its citizens. The Chicago Defender itself was one of the sparks in The Great Migration.

Alongside downsizing and retracting their print editions, examples like the Amsterdam News showed a 21% drop in circulation from 2014-2015; The Chicago Defender’s circulation fell by 18% in 2015. Not only are black communities losing their news outlets, black perspectives across the news industry are losing the spaces to voice their opinions.

Founded in 1943 and for decades a space for black communities to share the most pressing news and ideas of the time, Alabama’s longest-running black newspaper, the Mobile Beacon, reported it was planning to close its doors after 2019. It is one of many black legacy media icons in jeopardy.

Frederick Douglass once said: “Once you learn to read, you will be forever free.” Informing African-American communities should be put before Facebook and Google’s profits. People of color have worked and died so American democracy includes everyone. But there is no democracy, no freedom, without the fourth estate.

Charles, a freelance writer, works with Save Journalism Project.

Journalism in America is facing an existential threat from the monopolistic control of tech giants like Google, Facebook, and Apple. Big tech’s dominance over the digital advertising market and their unrivaled capacity to monetize its platforms are having drastic effects on journalism as a whole.

http://savejournalism.org/

bracelets, jewelry, accessories, Vaughn Lowery, 360 MAGAZINE

How to Buy Gold Bracelet for Women 

Gold is not only beautiful, but it’s also friendly to wear. This explains why gold bracelets for women hardly ever go out of style. 

Gold is a unique precious metal that’s durable and specially designed to retain value over time. 

Often buying gold jewelry is considered to be an investment because it doesn’t come cheap. 

A well maintained gold bracelet for women can last for many generations. 

If you love gold jewelry, knowing how to buy gold jewelry helps you get the most value from your purchase. 

What’s the Impact of Purity on Value?

A genuine gold bracelet for women will come with a specific figure to indicate how much pure gold it contains in percentage. 

This could range anywhere from 10K, 14K, and 18K. The letter K represents karat. The higher the karat, the more expensive the jewelry piece will be. 

Let’s take a detailed look at the karat percentage.

  • If your jewelry is indicated 24K, it means it’s pure gold
  • 18K jewelry comprises 18 parts of gold and 6 parts one or more extra metals. This makes it 75% gold.
  • 14K jewelry comes with 14 parts of gold and 12 parts of one or more metals which makes it 50% gold. 
  • 10K jewelry contains 10 parts of gold and 14 parts one or more metals and this makes it 41.7%gold. 
  • 10 karat in the lowest karat that can be said to be gold in the US. 

Commonly Sold Gold Jewelry

You’re likely to find gold bracelets for women in various jewelry stores in the US. 

If the jewelry you buy is less than 14 karats, it means that it can only be valuable for a short period. 

It’s worth mentioning that the higher the gold content, the more influence it shall make in the market. 

Apart from gold content, there are various factors to consider to determine how valuable your jewelry pieces are. 

Here are some of them. 

Understand European Markings

European gold bracelets for women are marked with numbers that show the percentage of gold. You need to understand them, especially when you’re buying classic gold jewelry. 

Understand other Markings on your Gold Jewelry

Karat branding on your gold jewelry should come with a trademark that can help you determine the manufacturer. 

The product’s country of origin is usually indicated in some jewelry as well. Make sure the gold jewelry you choose has been certified for gold content before you can buy it. 

Why mix Gold with other Metals?

Knowing about gold alloys can come in handy to help you in your search for gold jewelry. 

Remember, pure gold is usually soft and this means that wearing it every day is impractical. 

Other metals are usually combined with gold to enhance its durability. Such jewelry often comes at a low price. 

Mixing gold with different metals enables metallurgists to change its color. For instance, nickel and palladium can be mixed with gold to produce white gold. 

Combining gold with copper creates a pink or rose tint. Doing so with silver produces a green cast 

When metals are combined with gold, the result is an alloy. This is a bent combination of metals which can be quite expensive. 

Solid gold is a term used to define jewelry that contains a minimum of 10 karats of gold in the US

Gold Used as a Coating

There are various ways of applying gold coating in a less expensive metal and this reduces its cost. 

Remember, if your jewelry comes with an overly thick layer of gold you shouldn’t wear it daily. Doing so exposes your gold bracelet to wear and tear. 

Finally 

Plated or gold filled jewelry is ideal for the jewelry you plan to wear occasionally. 

However, don’t think about it as an investment. Daily use of these pieces increases wear and tear which in turn exposes bottom part of the metal. 

This could stain your skin and eventually trigger an allergic reaction. 

If you’re looking for the best gold bracelets for women that will be durable, you should invest in the highest quality gold you can afford. 

road, uber, car, traffic, illustration, car-sharing,

Uber Decreases Traffic Injuries Rate in the UK

An Important Study

University of Oxford researchers has found that ride-hailing provider,Uber, is associated with a 9% decline in serious road accident injuries in the UK. However, that relative improvement is counterbalanced by the fact that there was an increase in slight road accident injuries in London.

Since its launch in San Francisco in 2010, Uber has experienced henomenal growth, reaching six continents, more than 70 countries, and
700 cities through 2018.  Whilst it took Uber roughly six years to reach the 1 billion ride milestone (March 2016), it took just two and a half more years (September 2018) to reach 10 billion total rides.
                     
Professor David Kirk from the University of Oxford; Department of Sociology and Nuffield College said: “ Ride-hailing is a private sector intervention that may have transformative potential to change the nature of road safety worldwide, yet there has been relatively little research on the potentially beneficial and detrimental effects of ride-hailing for public safety. Our study presents the very first findings of the association between the deployment of Uber and road accident injuries in the UK, thereby adding much needed research to the public debate about the safety of ride-hailing. ”

The Relationship between Uber and Accidents Rates in Great Britain 

This study is a collaboration between researchers at Oxford, Bocconi University, and the University of California-Davis.It exploited differences in the timing of the deployment of Uber across Britain to test the association between the advent of Uber services and rate of fatal and non-fatal accidents in those areas. In Great Britain, road accident fatalities and injuries have steadily declined since the mid-1960s, due in part to efforts to improve road and vehicle safety and limit the extent of drink-driving. Yet progress on reducing road fatalities as well as serious injuries stalled in recent years and even began to reverse course, with serious injuries increasing nearly 12% from 2014 to 2018. Along with suicide and drug overdose, traffic fatalities are among the leading causes of death of 15 to 29 year olds in the UK, as well as worldwide.

Professor Kirk said: “ Expanding the availability and lowering the cost of alternate transportation options should, in theory, reduce the number of drink-driving occurrences and fatalities.Conversely,Uber may actually increase road accidents by increasing the number of vehicles and vehicle miles travelled on Great Britain roads. ”

Kirk, with colleagues Nicolo Cavalli (Bocconi) and Noli Brazil (UC-Davis), found that slight injuries (sprains and bruises) declined outside of London after the rollout of Uber, but increased within London. No statistically significant association between Uber and traffic fatalities  was observed.

The Next Step

 Professor Kirk also said: “ One interpretation for the decline in serious road injuries is that Uber may be a substitute form of transportation for risky drivers, including drink-drivers. However,ride-hailing is also a substitute for public transit, particularly buses, thereby increasing traffic congestion. Our next step is to examine the effect on road traffic accidents following the withdrawal of Uber in cities such as London,where the provider may have lost its licence to operate. We also want to examine the effects of Uber and other ride-hailing competitors in countries besides the US and UK, given that most of the ride-hailing market is in Asia.”

The paper: The Implications of Ridehailing for Risky Driving and Road Accident Injuries and Fatalities is available online at Social Science & Medicine at HERE.

About The University of Oxford

 Oxford University has been placed number 1 in the Times Higher Education World University Rankings for the fourth year running, and at the heart of this success is our ground-breaking research and innovation.

Oxford is world-famous for research excellence and home to some of the most talented people from across the globe. Our work helps the lives of millions, solving real-world problems through a huge network of partnerships and collaborations. The breadth and interdisciplinary nature of our research sparks imaginative and inventive insights and solutions.

Pirelli X New Tire Development Stimulator

Pirelli’s new tire development stimulator reducing lead times by 30% and enhancing sustainability

Pirelli’s new tire simulator, recently introduced at the company’s renowned research and development division in Milan, will reduce development time, as well as the number of physical prototypes needed to create a finished product. The advances achieved by this simulator will further enhance the close working partnerships between the Italian firm and the world’s best-known car manufacturers. The new simulator aims to accelerate development cycles and testing, which will reduce lead times and lead to faster development processes between Pirelli and key producers of prestige and premium vehicles. Courtesy of this cutting-edge technology, Pirelli has achieved a 30% reduction in average development time for new tires, both for the road and motorsports, thanks to the faster assessment of virtual prototypes produced for different car models. The new simulator makes it possible for different development parameters to be remodeled rapidly, leading to a faster exchange of digital information between Pirelli and the world’s car manufacturers.

The new simulator is the latest installment in Pirelli’s far-reaching digitalization strategy.

Compared to traditional development methods, the simulator allows the virtual model of any car, either supplied by the manufacturer or produced internally, to be quickly programmed into the system while
design and development work can also be carried out on the manufacturer’s own simulator. This means that tire development lead times remain in step with those of the cars that they are destined for, an important factor as new vehicle models are coming out more frequently in recent years. Moreover, the use of a simulator to maximize the virtual development phase means that the number of physical prototypes used is reduced, which supports Pirelli’s sustainability policy by minimizing the resulting impact on the environment.

Formula 1 technology takes to the road

Advanced simulation has already been used for more than 10 years during the design and development of Formula 1 and other motorsports tires. This new simulator technology, paired with the rich experience of
Pirelli’s research and development department, which is also being utilized for consumer tires.

The simulator is produced by VI-grade and consists of a 210-degree panoramic screen, 24.6 feet in diameter, which visually reproduces a wide range of different driving conditions, roads, and circuits. At the heart of the system is a static car equipped with various active technologies to accurately reproduce the sensations that any driver would feel in a real car, including the seat, steering wheel, seat belts, and different shaker systems, which precisely replicate the movements of the suspension and engine.

The whole process is coordinated by a control room, which can program the simulator to reproduce the different technical specifications of any tire or car. The results are carefully logged, measuring the interaction between the tire and the “road.” as well as all other parameters relevant to tire behavior. This data can then be added to the subjective impressions felt by the test “driver.” The important work carried out on this simulator can be integrated with the dynamic simulator project (designed to reproduce lateral and longitudinal accelerations, as well as rotations) which will be installed at Politecnico di Milano. Pirelli has enjoyed a long collaboration with this institution, carrying out test work complementary to all the activities at the company’s own research and the development center in Milan.

Tire, Pirelli, Vaughn Lowery, 360 MAGAZINE,

Tire, Pirelli, Vaughn Lowery, 360 Magazine,

Tire, Pirelli, Vaughn Lowery, 360 Magazine,

Benefits of Electric Vehicles

Electric vehicles are evolutionary, not revolutionary, says Baker Institute expert

Tesla will disrupt the automotive industry only if it is able to achieve scale, according to a new issue brief by an expert in the Center for Energy Studies at Rice University’s Baker Institute for Public Policy.

“Ford vs. Tesla: What Does a Transformational Automobile Scale-up Look Like?” is authored by Gabriel Collins, the Baker Botts Fellow in Energy and Environmental Regulatory Affairs at the Baker Institute.

Ford and Tesla both earned their reputations through what Collins describes as a “revolutionary vehicle type” — the Model T and Model S-X-3 suite, respectively — and as market makers. Comparing their sales growth trajectories, Collins hypothesizes, can offer insights on how electric vehicle (EV) sales are scaling up as well as how EVs can reshape automobile and oil markets.

The modern world, saturated with automobiles, provides a different battle for Tesla than Ford faced. For Tesla, scalability is essential and “holds the keys to lasting structural change in the energy and transportation spaces,” Collins wrote. Without scale, he says, Tesla cannot compete with the legacy brands that have built off of Ford’s vision for decades. Scale would allow EVs to create the operational infrastructure that can support pure-battery EVs and become more affordable, Collins says.

So can EVs reach market-transforming scale within the next decade?

“Possibly,” Collins wrote. “One overwhelming reality leaps forth from the past decade of data and anecdotal evidence alike: at the global level, EVs have thus far been evolutionary, not revolutionary, factors in the transportation sector.

“Tesla has been ‘evolutionary’ in that the changes they have introduced to the car market to date are thus far incremental …” Collins writes. “A ‘revolutionary’ change, such as the introduction of the Model T, would cause palpable shifts on even a short-term basis. … EVs are not yet impacting the market with sufficient mass to trigger that compounding, deep, high-velocity change necessary for a revolution.”

Collins conducts a range of globally focused commodity market, energy, water and environmental research. He focuses on legal, environmental and economic issues relating to water — including the food-water-energy nexus — as well as unconventional oil and gas development, and the intersection between global commodity markets and a range of environmental, legal and national security issues.

Related materials:

Follow the Baker Institute via Twitter @BakerInstitute

Follow the Baker Institute’s Center for Energy Studies via Twitter @CES_Baker_Inst

Follow Rice News and Media Relations via Twitter @RiceUNews

Founded in 1993, Rice University’s Baker Institute ranks as the No. 2 university-affiliated think tank in the world. As a premier nonpartisan think tank, the institute conducts research on domestic and foreign policy issues with the goal of bridging the gap between the theory and practice of public policy. The institute’s strong track record of achievement reflects the work of its endowed fellows, Rice University faculty scholars and staff, coupled with its outreach to the Rice student body through fellow-taught classes — including a public policy course — and student leadership and internship programs. Learn more about the institute at www.bakerinstitute.org or on the institute’s blog.

Located on a 300-acre forested campus in Houston, Rice University is consistently ranked among the nation’s top 20 universities by U.S. News & World Report. Rice has highly respected schools of Architecture, Business, Continuing Studies, Engineering, Humanities, Music, Natural Sciences and Social Sciences and is home to the Baker Institute for Public Policy. With 3,962 undergraduates and 3,027 graduate students, Rice’s undergraduate student-to-faculty ratio is just under 6-to-1. Its residential college system builds close-knit communities and lifelong friendships, just one reason why Rice is ranked No. 1 for lots of race/class interaction and No. 4 for quality of life by the Princeton Review. Rice is also rated as a best value among private universities by Kiplinger’s Personal Finance.

Tokyo's Revenge, 360 MAGAZINE

Tokyo’s Revenge – Viral Hit

Tokyo’s Revenge has today released the official video for his viral hit “GOODMORNINGTOKYO” — track off his EP MDNGHT (SIDE B) which peaked at #1 on Spotify’s Global Viral 50. The video is the first look into the wonderfully twisted world that Tokyo’s Revenge has built in the time the song has become a global favorite (accumulating multiple challenges and dance videos on Tik Tok). Featuring Cliiiford (the track’s producer) and directed by James “JMP” Pereira, watch the heart thumping, energetic video now.

About Tokyo’s Revenge
If you’re unfamiliar with Tokyo’s Revenge, that’s intentional. The multi-disciplinary artist has made a point of keeping himself anonymous, and yet, he is set to be one of the year’s most exciting addition to the music landscape. Tokyo has risen through the charts with viral track “GOODMORNINGTOKYO” which peaked at #1 on Spotify’s Global Viral 50 with more than 43 Million streams, peaked at #2 on Rolling Stone’s Trending 25 chart on the fastest rising songs of the week, peaked at #1 on the Bubbling under Hot 100 Billboard chart and received more than 12.3 million plays on SoundCloud.

A self-taught musician, Tokyo began rapping at an early age, learning to freestyle at high school amongst various hobbies ranging from art to video games. He recorded his first song with a friend’s equipment couchsurfing, post-high school graduation and working security guard and pizza shop jobs. Now at the helm of new music and videos, Tokyo’s Revenge is quickly rising in ranks and relishing at being the battery pack the music has been missing.

eminem, 360 MAGAZINE

Eminem Hits 1 Billion Youtube Views

EMINEM BECOMES A YOUTUBE BILLION VIEWS CLUB TRIPLE THREAT WITH THE ADDITION OF “RAP GOD”

“Marshall Mathers LP 2” Track Joins “Not Afraid” and “Love the Way You Lie” in Hitting 1 Billion Views as Eminem Continues to Earn Massive Views on YouTube

Eminem has been making headlines recently, from his chart-topping new album “Music to be Murdered By” to his show-stopping Oscar award show performance to his record-breaking rap speed, and now has scored another achievement with his video for “Rap God” officially hitting over 1 Billion Views on YouTube. The award-winning video for the “Marshall Mathers LP 2” track now joins Eminem’s hits “Not Afraid” (1.3 billion views) and “Love the Way you Lie” featuring Rihanna (1.9 billion views) in YouTube’s Billion Views Club.

“A billion Stans can’t be wrong! Thanks to YouTube and the community for taking such great interest in this wild video,” says Eminem.

The rap superstar continues to be a major force on YouTube. In addition to topping charts and racking up billions of views in the past year, he stands as the fourth most-subscribed artist on the platform. Stats around Eminem’s impressive YouTube success include:

Eminem earned 3.9B views globally across YouTube in the past 12 months, earning massive views in countries like the United States (1.1B), United Kingdom (235M), Brazil (204M), Mexico (172M), Canada (124M), Germany (121M) and more.

With over 41M subscribers on his Official Artist Channel, Eminem is the fourth most-subscribed artist on the platform.

Eminem’s “Killshot” earned over 38M views in its first 24 hours, making it the biggest hip hop debut in YouTube history·

Over the last 12 months Eminem has reached YouTube Top Artists charts in over 40 countries and territories, landing the #1 spot in countries like the United States, the United Kingdom, Australia, South Africa, Canada, Norway and New Zealand.

Following the recent release of Music to be Murdered By, Eminem landed 11 tracks on the US Top Tracks chart in a single week and peaked at #1 on the US Top Artists chart·

Eminem was amongst the top 40 most viewed artists globally on YouTube in 2019, and is amongst the top 25 most viewed so far in 2020.

Over the course of his career, Eminem has sold over 130 million albums and 389 million singles worldwide. He was Nielsen SoundScan’s top-selling artist of the 2000s with 32.2 million albums sold in that decade in the U.S. alone. In addition, Eminem was also named Billboard’s Artist of the Decade for the same period, 2000 through 2009. Eminem has won 15 GRAMMY® Awards and an Academy Award®. His 2010 album, “Recovery,” was the first album in the U.S. to ever go platinum digitally. His most recent album, “Music To Be Murdered By,” was released on Jan. 17, 2020 and debuted at Number One on the Billboard 200 albums chart, his tenth consecutive album to do so.

Szemui ho, 360 MAGAZINE, illustration, tennis

Tips on how women can develop Upper body Strength:

Grassroots Fitness Project has been promoting Women’s Strength for over a decade. Presently our most popular class is Women’s Strength which is a 6 week program that teaches all skill levels, fundamental lifting patterns of strength training in a supportive women’s only environment. Using Grassroots Fitness Project as a human performance laboratory we found that there are three main factors which affect developing upper body strength safely.

  1. Adequate levels of shoulder mobility
  2. Core strength and spinal stability.
  3. Developing a learner’s mentality.

Poor shoulder mobility is usually the issue when we hear, “Oh I tried fill in the blank training method, and it ruined my shoulders.” What is usually the case is participants enter these classes with less than optimal flexibility in the shoulders which reduces full ROM (Range of Motion). Loss of range of motion prevents optimal positioning and develops compensation patterns which forces stabilizing muscles to perform work as primary movers. An example of this would be over head presses. If the client lacks the ability to flex their shoulder 180 degrees which basically put; Bringing biceps to ears with shoulders blades retracted, the client will struggle to get the wrist, elbow, and shoulder aligned vertically. When this is the case clients tend to over work the rotator cuff tissues and/ or hyper extend at the low back to achieve vertical positioning of the arms. Poor shoulder mobility and flexibility= No Bueno
To assess shoulder mobility place your butt, head and entire spine onto wall with feet slightly ahead of you. With your arms starting at your side bring your knuckles to the wall above you whilst keeping your entire spine including the low back on the wall. If you are unable to get full shoulder flexion you should work on shoulder mobility first.

Core strength and spinal stability. Core strength begets increased spinal stability. Deeper than the muscles you want to see in the mirror are your deep core musculature comprised of the Transverse abdominus, Spinal erectors, Multifidus, Gluteals, Hip flexors, and Abdominus rectus.
Easiest assessment for adequate core strength is the prone bridge on your elbows for 60 seconds. Face down, on your elbows feet behind you. The body should be held in a straight line from shoulder to ankles. While in this position pull your belly button to your spine, attempt to tighten your quadriceps, buttocks, and activate your pelvic floor musculature “Kiegel” muscles. A one minute plank in good position is a good benchmark to use to assess core strength.

Developing the learners mentality allows all of the attendees to put down the preconceived expectations of performance, strength, and athleticism. We encourage people to embrace their ability level as a starting point to move forward from. The learners mind is about setting the goal around getting better at the respective skill, every workout. If we can get the client to focus on getting better given enough time becoming great is inevitable.

With all that said, we were inspired by Stan Leprotti’s La Sierra High School Warm-up from 1957 and tweaked it to meet the needs of our population. This is a great everyday workout, vacation workout, feeling lazy workout, I ain’t got time work out program that elicits flexibility, endurance and a ton of upper body strength. A version is posted HERE.

20 Jumping Jacks
5 Push-ups or Shoulder Taps
20 Alternating Windmills
5 Push-ups or Shoulder Taps
50 Side Straddle Hops
5 Push-ups or Shoulder Taps
50 Striders
5 Push-ups or Shoulder Taps
50 Toe Hops
5 Push-ups or Shoulder Taps
10 Squat thrusts
40 Mountain Climbers
5 Push-ups or Shoulder Taps