Posts made in April 2019

Do Lab Coachella 2019

By Michelle Pisnoy × Vaughn Lowery

Do Lab is one of Coachella’s top activations and is best known for its throbbing electronic beats, explosive water gun fights and fist-pumping festival-goers which dance their night away. It has become a major component of the festival over the last 15 years. In 2019, the venue surprised fans with a completely different ambience. The colorful cascading canopy tent at the Do Lab is one of the most beautiful and photogenic spots at the fete.

For additional information on lineup go here.

All Hail the Driverless Car!

Aurora CEO Chris Urmson and SAFE Autuomous Vehicles VP Amitai Bin-Nun won a recent Intelligence Squared U.S. debate on the motion “All Hail the Driverless Car!” by convincing more of the live NYC audience that a self-driving future would lead to fewer accidents, less traffic congestion and carbon emissions, and greater accessibility.

Their opponents, arguing that driverless cars might never be truly safe or affordable to anyone beyond the wealthy, were NYU data journalism professor Meredith Broussard and MIT transportation researcher Ashley Nunes.

Hear the complete debate as a podcast now here (or on all podcasting platforms under “Intelligence Squared U.S.”): http://www.intelligencesquaredus.org/debates/all-hail-driverless-car

Read selections from all four debaters’ remarks in the new issue of Automotive News: http://www.autonews.com/debate-all-hail-driverless-car

The Daredevil Cameramen of Extreme Sports

First Look: The Daredevil Cameramen of Extreme Sports (Click to Watch)

*Risky Business. Whether scaling a treacherous mountain or going into the belly of the world’s most challenging wave, extreme sports cameramen exhibit remarkable athleticism in pursuit of the perfect shot. Jon Frankel profiles these Evel Knievel-like risk-takers, who display the same bravery as the athletes they cover, taking terrifying risks to capture images of some of the world’s most dangerous sports.

REAL SPORTS WITH BRYANT GUMBEL returns TUESDAY, APRIL 23 at 10:00 p.m. ET/PT on HBO

Producer: Jordan Kronick

Check out the full segment here!

OMB Peezy “One Me” Music Video

OMB Peezy just dropped the music video to his explosive new single “One Me” featuring breakout Detroit artist, Sada BabyPeezy also announced his new mixtape, Preacher to the Streets coming April 26th, which is currently available for pre-save. The new record comes shortly after Peezy’s “Struggle” video with Boosie Badazz and “No Keys” featuring G-Eazy. Take a look at the Michelle Parker directed visual.

Reebok 40th Anniversary Alien Stomper

Forty years after Alien(1979introduced Earth to the mother of all sci-fi nightmares, Reebok is rewinding the story back to the 1970s for an upgraded unisex prototype edition of the iconic ‘Alien Stomper’ sneaker boots. Originally appearing in Aliens (1986) as the signature ass-kicking footwear of franchise hero Ellen Ripley, the new 40 Anniversary Alien Stomper draws inspiration from the original Alien film to create the most series-authentic Alien Stomper yet.

The 40 Anniversary Alien Stomper is an upgraded take on the classic 1986 silhouette. The new edition now features premium-aged leather construction, a material innovation that enhances the sneaker’s tactile experience while also lending it a vintage “from the vaults” appearance.

 Arriving in a cream-white colorway with contrasting blood-red and anthracite detailing, the unisex sneaker is oozing with minute design touches and Easter eggs for die-hard fans. Those details include references to a host of pre-production designs and logos that were never actually used in the film’s final production. making them true prototypes in both our universe and the universe of Alien.  For example, eagle-eyed fans will take special notice of an ultra-rare deviant version of the logo used by the Alienfranchise’s infamous “Weyland-Yutani” corporation, which drops the “D” to read just “Weylan-Yutani”.

 The Stomper’s new packaging is just as lovingly detailed as the sneaker itself. Reebok spared little expense in researching and creating materials for the packaging, which will arrive with a swarm of Alien inuniverse goodies to help maximize the immersion factor. The full loadout includes:

 A certificate of authenticity, backed by the good name of the Weylan-Yutani corporation

Custom dust bags for protecting your stompers from hostile forces

An official ‘Bug Stomping’ field guide

Three unique hang tags, including the alternate Weylan-Yutani logo and an official Alien 40Anniversary badge

The sneaker will arrive in a triangular prism-shaped “Space Fleet Box”, a retro-future design that imagines what a 22 century Reebok box would look like through the eyes of 1979-era sci-fi design. 

 The 40 Anniversary Alien Stomper is set for release on Alien Day, April 26, 2019. The unisex sneaker retails for $175 and will be available at www.Reebok.com/us/alien_stomper

Rice U. Device Would Help Fix Fractured Bones

Threading a needle is hard, but at least you can see it. Think about how challenging it must be to thread a screw through a rod inside a bone in someone’s leg.

Rice University seniors at the Brown School of Engineering set out to help doctors simplify the process of repairing fractured long bones in an arm or leg by inventing a mechanism that uses magnets to set things right.

The students who call themselves Drill Team Six chose the project pitched by Rice alumnus Dr. Ashvin Dewan, an orthopedic surgeon at Houston Methodist Hospital, to simplify a procedure by which titanium rods are placed inside broken bones to make them functional once more. For its efforts, the team won the top prize, the Excellence in Engineering Award, at the school’s annual

Engineering Design Showcase.  

The student team — bioengineering majors Babs Ogunbanwo, Takanori Iida, Byung-UK Kang and Hannah Jackson and mechanical engineering majors Will Yarinsky and Ian Frankel — learned from Dewan that surgeons require many X-rays to locate pre-drilled 5 millimeter holes in the rod. The holes allow them to secure the rod to the bone fragments and hold them together.

The surgery typically requires doctors to insert the long rod with a guide wire inside into the end of the bone, drilling through marrow to align the fractured fragments. With that done, they depend on X-rays, their experience and, if necessary, a bit of trial and error to drill long surgical screws through one side of the bone, thread it through the rod and secure it to the other side.

“We want to reduce the amount of X-rays, the surgeon’s time, the operating room time, the setup time, everything,” Yarinsky said.

The Rice team would make the wire adjacent to the holes magnetic, because neither skin nor bone hinder a magnetic field

“That way, the magnets hold their position and we can do the location process,” Frankel said. “Once we’ve found them and secured the rod, we remove the wire and the magnets with it.”

The exterior mechanism is a brace that can be securely attached to the arm or leg with Velcro. A mounted sensor can then be moved along the stiff, 3D-printed carbon-fiber rods or around the limb until it locates the magnet. Then, the angle of the sensor can be adjusted. As each of the three degrees of freedom come into alignment with the target, a “virtual LED” lights up on a graphic display wired to the sensor. Then, the sensor is removed and a drill keyed to the mechanism inserted.

“We do the angular part because the rod is not in the center of the leg, and the hole is not necessarily perpendicular to the surface,” Yarinsky said. “The rod is about 10 to 20 millimeters thick and has a hole on one side and a hole on the other. We don’t want to hit the first hole at an angle where we miss the second

and don’t go all the way through.”

Working at Rice’s Oshman Engineering Design Kitchen (OEDK), the team tested its device on a mannequin leg and what it called a “wooden leg,” a frame that allowed for mounting the rod with its magnetized wire and checking the accuracy of their system.

Before it can be used by clinicians, the team said the device will require Food and Drug Administration approval.

“I’m very impressed with what the team put together,” said Dewan, who earned a bioengineering degree at Rice in 2005. “Where we ended up is completely different from what we imagined, but kudos to these guys. They went through many different proposals and ideas and ended up running with the one that seemed most promising.”

Having been through the senior capstone process at Rice himself, Dewan was particularly impressed with how the program has grown.

“The OEDK got off the ground a few years after I graduated, and at that point, senior design projects were isolated to individual projects,” Dewan said. “I didn’t work with mechanical or other engineering disciplines.

“I love the way they have a multidisciplinary approach to tackling problems,” he said.  “I think it’s much more of a real-world experience for them.”

Sabia Abidi, a lecturer in bioengineering, served as the team’s adviser, and it was sponsored by Chuck and Sharon Fox. ­­

Alec King “Keep It Real” Feat. Rich the Kid

ALEC KING RELEASES NEW VIDEO “KEEP IT REAL” FEAT. RICH THE KID

Buzzing Los Angeles-based artist Alec King releases the video for his new single “Keep It Real” feat. Rich The Kid. The visual brings the song to life with King’s wit intact, a wit that was tested when Rich The Kid couldn’t make the video shoot. Not one to pass up an opportunity to get creative, Alec used a JibJab animation style to bring Rich The Kid to meme-worthy, animated life.

The song appears on his debut EP Greatest Hits, Vol. 1 .

Watch “Keep It Real” feat. Rich The Kid: HERE

Alec King initially made waves in 2018 with his independent breakout “Visions.” It amassed 1.5 million Spotify streams as he landed a publishing deal with Sony/ATV. Simultaneously, “Boy Do We Love Alcohol” earned praise from Dancing Astronaut and more. With his profile rising, he landed a deal with The Heavy Group/Republic Records and emerges with a whole lot of heat in 2019. “Keep It Real” paves the way for more music and surprises to come from King in 2019.

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Chris Lastovicka, “Fortune Has Turned (Remixed)

Brand new Chris Lastovicka remix album entitled ‘Fortune Has Turned (Remixed)’

Watch new music video for “The End of Tyranny (Remixed)” here.

Watch the video for The 7th Chapter of Job (Remixed) here.

Fortune Has Turned (Remixed)” traces the journey from deep suffering to the fullness and freedom of the heart. It is a quest to find the Self. I asked Jeremy Allom to take the original, raw recordings for this album and bring out their vitality with his own powerful, creative stamp.

“When I was thinking about who I’d like to remix my album, I thought about my favorite album, Massive Attack’s “Blue Lines”. I wondered if I would be able to even get Jeremy Allom, who mixed that album. I did, and it has been an incredible experience working with him and getting to know him. When I looked for a mastering engineer, I wanted to get someone who would understand the sonic imperfections of the recordings and how I felt they mirrored the rough experience of seeking the Self. I chose iconic mastering engineer Emily Lazar because of her early background in creative writing, and her drive to tell the story of an album through her mastering work,” says Lastovicka.

Track List

  1. The 7th Chapter of Job
  2. Abraxas
  3. The Tender Ones
  4. Shanti
  5. The End of Tyranny

“There is no denying Lastovicka’s skill… There is a real sense of power and refined craft.” – Fanfare Magazine

“Lastovicka’s music is formidable stuff, dark and tempestuous — both terrifying and beautiful.” – Chronogram Magazine

“Lastovicka’s music both thrills and entrances.” – HOUSTON CHRONICLE’s Heavy ARTillery

About Lastovicka

Lastovicka’s music, known for its “power and refined craft” (Fanfare Magazine), returns with the creative impact of mix engineer luminary Jeremy Allom (Massive Attack, The La’s) and Grammy-nominated mastering engineer Emily Lazar of The Lodge, NYC assisted by Chris Allgood (David Bowie, Bjork , Sia).

An intense, hypnotic classical album, “Fortune Has Turned (Remixed)” includes violinist Eric Bates (Assistant Concertmaster, Cincinnati Symphony Orchestra) and cellist Kenneth Woods (Conductor, English Symphony Orchestra) as well as exquisite musicians Robert Garcia (horn), Anne T. Horvath (violin), Katrin St. Clair (violin), Lara Theilmann-Messerly (violin), Missy Hydock (viola), Damon Gray (cello), Christina M. Coletta (cello), Heidi Mausbach (cello), Tom Guth (cello), Kristen Johns (horn), Laura Backley (voice), Diana Cataldi (voice), Kimberly Tobola (voice), Cynthia Katsarelis (conductor), and Chris Lastovicka (piano).

One of ten composers selected for New York City Opera’s Vox: Showcasing American Composers festival (2007). One of 4 finalists in the Opera Vista International Chamber Opera Competition (Houston, TX). Commissioned by Robin Becker Dance to write the music for “Into Sunlight”, a work about the Vietnam War that has been performed internationally.

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Tyler Jordan Covers “Don’t Fear The Reaper”

Rising singer-songwriter and Silverado Records’ artist Tyler Jordan takes a haunting spin on Blue Oyster Cult’s “Don’t Fear The Reaper” premiering exclusively with 360 Magazine.

Jordan’s cover of the 1976 classic is featured on The Silverado Cover Sessions, available this Friday April 26. For pre-order click here.

“ ‘Don’t Fear The Reaper’ has always been a favorite of mine since I was a kid. I remember singing this song at the top of lungs with my mom. When I had the chance to cover a song, I knew this would be a perfect song for me to sing and show my love for other kinds of music other than country!” said Jordan.

 

Tyler Jordan’s track on the Silverado Cover Sessions follows his latest single “Back.” Previously Jordan released a special Christmas tune on Silverado Records’, Ultimate Country Christmas, a rendition of Willie Nelson’s “Pretty Paper” which premiered on Roughstock.com.  The South Carolina native released “Why Her” on Silverado Signature Songwriter Series Vol. 3 this past year, with the video premiering exclusively on Billboard.

About Silverado Records

Silverado Records has been charting new territory as an independent record label, getting the attention of industry and media alike through their unique approach, as profiled in Billboard. The company prides itself in collaborative relationships with its artists and boasts an impressive roster of talent including Crystal Yates, Tyler Jordan, Tony Winkler, Ali Morgan and country music icon Joe Diffie. The company is a division of Exegan Media & Entertainment and recently announced their first imprint, Silverado Texas.

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