SOUTH MEMPHIS ARTIST CO CASH RELEASES MUSIC VIDEO FOR LEAD TRACK “tOlD mE” feat. Lil Yachty WATCH HERE
New Album F.A.C.T.S Produced by Tay Keith Coming Soon!
South Memphis rapper Co Cash yesterday released the lead track to his debut Interscope project F.A.C.T.S called “tOlD mE” featuring Lil Yachty. The rising rapper swiftly followed the release with a music video directed by Keemotion (Gucci Mane, Migos, Lil Baby) — watch it here. Playing off each other’s personality, the two rappers zone into the camera and riff off their fervent verses.
The single was produced by hitmaker Tay Keith who also executive produced Co Cash’s upcoming project. Tay Keith, also a Memphis native, has worked with Co since the early 2010s and together have spotlighted rap from the region. Co Cash, who FADER hails as one of five artists to watch from Memphis, leans towards beats that bounce and glide, the perfect backdrop to his completely freestyled yet razor-sharp lyrics. F.A.C.T.S is an exploration of Co’s quick wit and a way with flow that’s bound to put the young rapper on everyone’s artist to watch list.
Co Cash ‘Told Me’ ft. Lil Yachty eSingle
ABOUT CO CASH
Hailing from South Memphis, Co developed his interest and passion for music in elementary school, mining inspiration from local heavyweights like Three 6 Mafia. In high school he created his own studio at home, and soon began posting his music online under the name Rico Dinero. By the time he was 17, Co had become one of the key players within the Memphis hip-hop scene, along with Tay Keith. Co is set to make his Interscope Records debut with F.A.C.T.S, a mixtape whose title stands for “FUCK A CRITIC I’m THE SHIT.” Executive-produced by Tay Keith, F.A.C.T.S further reveals Co’s supreme talent for switching flows and cycling through multiple beats within a single track. Speaking on his new record, Co wants to inspire… “Music’s my escape from all my problems, and I want to make other people feel good about themselves. I want to motivate them and give them positive vibes, and then just keep going from there.”
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WATCH NOW! DANILEIGH DROPS NEW MUSIC VIDEO FOR “LIL BEBE (BEBECITO REMIX)” FEATURING NIO GARCIA & RAUW ALEJANDRO
“LIL BEBE” IS OFFICIALLY CERTIFIED GOLD WITH OVER 100 MILLION GLOBAL STREAMS!
WATCH “LIL BEBE” MUSIC VIDEO HERE
WATCH THE REMIX FEAT. LIL BABY HERE
LISTEN TO THE PLAN HERE
“This is a fly girl who knows without a doubt that she’s fly, but doesn’t care if you agree.” – Refinery29
“DaniLeigh Wants to Get You Out of Your Feelings and Onto the Dance Floor.” – Pigeons & Planes
“She’s got the laid-back cool of an It Girl and the swagger of a rap star on stage, and her dance moves please crowds.” – Harper’s Bazaar
“Between Dani’s gift for lilting, swaggering raps and catchy, hypnotic hooks, The Plan is exactly the sort of project that becomes easy to revisit and repeat over and over.” – Uproxx
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Jaguar Land Rover Unveil North American Debuts at 2019 New York International Auto Show
British automaker showcases its largest model and powertrain line up to date
The show, held from April 19 – 28, will serve as the stage for the North American debut of the newly refreshed 2020 Jaguar XE sports sedan and the 2020 Range Rover Velar SVAutobiography Dynamic Edition, as well as the second U.S. auto show appearance for the all-new next-generation 2020 Range Rover Evoque.
The 2019 New York International Auto Show also serves as a milestone in the company’s commitment to electrification, as all electrified Jaguar and Land Rover powertrain options currently offered will be showcased on the stand. In addition to the all-electric (BEV) 2019 Jaguar I-PACE; mild-hybrid (MHEV) 2020 Range Rover Evoque; and plug-in hybrid (PHEV) 2020 Range Rover and Range Rover Sport, the new mild-hybrid (MHEV) inline six-cylinder Ingenium engine debuting in the 2019 Range Rover Sport demonstrates the brand’s continued push to offer an electrified option in every one of its models that are new or significantly redesigned from 2020 onward.
The Jaguar brand will display a number of vehicles from its current lineup, including the new 2020 Jaguar XE sports sedan, 2019 Jaguar XJ50 limited-edition 50th anniversary luxury sedan and 2020 F-TYPE sports car. The brand’s ‘PACE’ family of SUVs will also be on view, including the new high-performance 550HP 2019 Jaguar F-PACE SVR; the all-electric 2019 Jaguar I-PACE; and 2019 Jaguar E-PACE compact performance SUV.
Land Rover will showcase the latest from its lineup of premium SUVs, including the complete Range Rover family: Range Rover, Range Rover Sport, Range Rover Velar, and the all-new 2020 Range Rover Evoque. The Discovery family will also be represented by the Land Rover Discovery and Discovery Sport.
Actress Elizabeth “Beanie” Feldstein, the younger sister of star Jonah Hill, is opening up on the lessons she’s learned since the sudden death of their older brother in December 2017. Read here.
“About a year ago, Jordan Feldstein passed away very suddenly and unexpectedly,” the Lady Bird actress pens. “He was a remarkably generous, intelligent, loving person. He was an incredible father, beloved by his boys… He was a deeply devoted son.”
“He was a brilliant creative mind. And he was my biggest brother. He gave me so many things, including my name. In this past year, I have learned an immeasurable amount about the bandwidth of my own heart. The pain is so unbearable at times, so unremitting. Yet, in addition to the deluge of feelings leaking out of me at all times, I have found the process of grief (because it is and will always be a process, never finished, never concluded) to be just as resonant in my mind as it is in my heart.”
“It’s like all of a sudden, a pair of glasses were strapped to my face. And I can’t take them off. Ever. And these glasses make me see the world differently than I did before.”
For the full article click here. The latest issue of InStyle hits newsstands nationwide April 19th
MU scientists advance a way to track changes in a person’s cardiovascular system
Scientists have discovered a way to provide early detection of various cardiovascular diseases — a mathematical model of the ballistocardiogram. While an electrocardiogram uses a contact approach to measure the electrical activity of the heart, a ballistocardiogram is a non-contact way of measuring the mechanical effect of the blood flow through the cardiovascular system.
“Even when we stand or lie still, our mass redistributes inside our body and generates a bodily motion that can be captured with a ballistocardiogram,” said Giovanna Guidoboni, the lead researcher on the study at the University of Missouri. “By applying our mathematical model, we can see information that we haven’t previously known about an individual’s cardiovascular system, such as the elasticity of the arteries, the contractility of the ventricles in the heart, or the viscoelasticity of the blood vessels. We built a virtual cardiovascular system by mathematically modeling the blood flow in our bodies.”
For more on the study published in IEEE Transactions on Biomedical Engineering, please click here.
Today, Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.
As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
“Crazy In Love”
“Lift Ev’ry Voice And Sing”
“Sorry”/”Me, Myself and I”
“I Been On”
“Drunk In Love”
“Don’t Hurt Yourself”
“Mi Gente (Remix)”
“You Don’t Love Me (No, No, No)”
“Check On It”
“Déjà Vu”(featuring JAY-Z)
“Run the World (Girls)”
“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)
“Say My Name” (featuring Kelly Rowland and Michelle Williams)
“Soldier” (featuring Kelly Rowland and Michelle Williams)
“Get Me Bodied” (With Solange Knowles dancing)
“Single Ladies (Put a Ring on It)”
“Love On Top”
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).
Illustrator: Alejandra Villagra
Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.
With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.
Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago the play, Moulin Rouge and the off Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.
A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.
After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.
Based on a selection of 33 major exhibitions which have consistently pushed beyond the obvious popular appeal of fashion and emphasised its cultural significance, this book is an in-depth introspection into “the most fashionable museum in New York City”, ie. MFIT (the Museum of Fashion Institute of Technology).
Edited by Valerie Steele, one of the foremost fashion historians and curators, Exhibitionism highlights the most influential exhibitions held at MFIT including: Fashion and Surrealism in 1987 on the relationship between art and fashion; The Corset in 2000 which was an exploration of the most controversial garment in fashion history; A Queer History of Fashion: From the Closet to the Catwalk (2013); Fairy Tale Fashion in 2016, a study into the enchanted and emblematic objects as the glass slipper and the red riding hood; Black Fashion Designers (2017).
Each exhibition included in the book is illustrated using installation photos, images of individual garments, and texts that explain the exhibitions’ concepts, scope and influence as well as the objects it featured. Exhibitionism also includes essays about the importance of fashion education at MFIT, highlights the role of hands-on, object- based learning and the inclusivity of minority, or even marginalised, groups.
Furthermore, each author provides an engaging “behind the scenes” look at the process of exhibition making and MFIT’s historic commitment to Fashion.
2018 was the year where the issue of users’ privacy took the central stage. With the enactment of GDPR and the congressional hearing of Facebook’s Founder, Mark Zuckerberg, the issue of users’ ownership rights over their data was brought firmly into the public spotlight. Now with the start of a new year, it’s time for a change.
WAAM, a decentralized e-commerce blockchain platform, made it its mission to return data ownership rights back to their original owners- the users. On WAAM, users have the right to choose whether to share their personal data or part of it, for rewards or keep it private. By connecting retailers, apps, and users, in a consensual and direct manner, WAAM makes sure that all the players in its economy have something to gain, making it into a real win-win for all.
WAAM formed a strategic partnership with FashionTV, the international fashion and lifestyle broadcasting station, reaching over 1 billion people across the globe. FashionTV is planned to embed the WAAM protocol across its channels, making the WAAM token an officially acceptable currency.
WAAM will be making its first leap into the e-commerce sphere through the fashion industry, the largest e-commerce vertical, with over 500 million USD in sales in 2018 alone. This goal will be further strengthened by the partnership with FashionTV, helping to make WAAM a household name, furthering its exposure through FashionTV’s close connections with thousands of celebrities and brands.
Another party to benefit from the partnership is inFASH, a social network for fashion lovers and the first app to have embraced the WAAM protocol. inFASH and WAAM established their partnership back in early 2018 and have been working together to increase the synergy between blockchain technology and fashion ever since. Operating on the WAAM platform will allow both inFASH and FashionTV to collaborate, providing inFASH with access to a mass audience of fashion enthusiasts, while FashionTV’s users will be able to benefit from a social platform on which they can both earn money from sharing their fabulous fashion sense as well as a better shopping experience complemented with special sales and discounts.
At its core the WAAM platform is designed to help create synergies and collaborations between different partners, whether it is by helping retailers directly connect with potential customers, or by helping apps to collaborate with one another, as is the case with inFASH and FashionTV, the motivation to create a solution that benefits all are the fuel that makes the platform successful and sustainable.